December I imagine winter returning as if woken from a dream, clambering from the iced rabbit-hole of the field, open-mouthed. The sound it makes coming home knee-deep in the night, its slow feet, the numb toes. I listen for the pain in the white shins of the birches, splinter-trees charred by cold, limbs creaking. What […]
My mother’s house
Once, near nightfall, I drove past my mother’s house. She was inside it, moving about some task. I saw her move from room to room. I could have stopped. Shortly she would draw the blinds but a knock on the door might alarm her who had her routine for night. It was all those unseen […]
Matthew Sweeney, Inquisition Lane (Bloodaxe Books) £9.95, reviewed by David Cooke
Inquisition Lane is Matthew Sweeney’s eleventh collection and his second since moving to Bloodaxe with Horse Music in 2013. Both collections are substantial volumes weighing in at over ninety pages each with Inquisition Lane containing some sixty poems, while its predecessor had seventy. Normally, such copiousness would set alarm bells ringing, but with Sweeney one’s […]
Carl Phillips, Reconnaisance (Farrar, Strauss, Giroux) $23.00
Carl Phillips has long been feted as a subtle and dexterous technician. In a New Yorker review, Dan Chiasson pushes Phillips forward as a ‘candidate for the author of the most interesting contemporary English sentences’. A Phillips poem may consist of anything between 10 and 15 lines, each part of one or two long sentences. Such sentences […]
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Mona Arshi, Small Hands (Pavilion Poetry) £9.99, reviewed by Ken Evans
Mona Arshi’s debut collection Small Hands won the Forward Prize for best first collection, and her relatively short poetic CV is a comet-tail of successes: Magma Competition prize 2012, joint winner of the Manchester Poetry prize 2014, an award in the Troubadour – she has traced a brilliant trajectory in a short time. Having heard her […]
Daniel Sluman, the terrible (Nine Arches) £9.99), reviewed by Ken Evans
A blood-spatter or tainted x-ray? The vivid front cover of Daniel Sluman’s second collection from Nine Arches, the terrible, (even the title sounds cut from its meaning), alerts you that this volume deals with what Sluman describes as the ‘dark underbelly of our relatively comfortable lives.’ If the endlessly dividing cell that is contemporary poetry […]
The Revenger’s Tragedy, The Lowry, reviewed by Annie Dickinson
The Revenger’s Tragedy, dir. Anne Thuot, The Lowry, 19-21 November Produced and performed by the Belgian physical theatre company FAST ASBL, The Revenger’s Tragedy is less a performance or even an adaptation of the Jacobean revenge tragedy of the same name than a stark anatomization of its treatment of women. The 1606 play, now generally thought […]
Ben Aitken, Dear Bill Bryson (Not Bad Books) £9.99, reviewed by Callum Coles
Ben Aitken’s Dear Bill Bryson (Footnotes from a Small Island)* follows the titular American’s 1995 tour of this fair Isle’s quaint villages, towns, cities, pubs, roadside cafes, bus terminals and Wigan. It is, in the words of its author, a “less funny version of the original.” As a fan of Bryson myself, I confess that […]
Shuntarō Tanikawa, New Selected Poems trans. by William I. Elliot and Kazuo Kawamura (Carcanet Press) £12.99
Shuntarō Tanikawa’s New Selected Poems is a comprehensive, arresting and insightful survey of the Japanese poet’s career from his first collection, Ten-Billion Light Years from Solitude (1952), through to the quite recent Kokoro (2013), and many intriguing points between. In total the book covers twenty-two of Tanikawa’s immensely varied collections, with abbreviated portions from each […]
Pomona, The Royal Exchange, reviewed by Fran Slater
Pomona, dir. Alistair McDowall The Royal Exchange (October 29 – November 21) Pomona is now a famous part of Manchester. An inexplicable wasteland in the space between Manchester City Centre and Salford Quays, accessible from only a few choice entrances, it has become a place that certain people in this city are willing to fight […]
Tariq Latif, Smithereens (Arc Publications) £6.00
Tariq Latif’s three previous Arc volumes have shown considerable dexterity over a variety of subject matters. The first of these is, clearly, that of what it means to be an Asian writer, writing in English in contemporary Britain. His last book, The Punjabi Weddings, noted some of the aftermath of the Rushdie affair. In the […]
An Ape’s Progress, Manchester Literature Festival, reviewed by James David Ward
Dave McKean, introduced tonight as “the man who wears many hats”, is a constant collaborator, working with everyone from Grant Morrison to Heston Blumethal, and is best known for his longstanding partnership with Neil Gaiman. He has produced accomplished pieces across a number of art forms, from his graphic novels, to his painting, to his […]
The Oresteia, HOME, reviewed by Peter Wild
The Oresteia / HOME / 28 October 2015 2015s third production of Aeschylus’ The Oresteia (there have been productions at the Almeida and the Globe in London) sets itself apart by running with Ted Hughes’s adaptation, which clocks in at some two hours less than the original and propels its audience through what can only […]
Moya Cannon, Keats Lives (Carcanet) £9.99, reviewed by Annie Muir
Just as Keats himself is more famous for his untimely death than the events of his life, Keats Lives is a book primarily concerned with the continuance of lives after death. Published this year, Cannon’s fifth collection of poetry begins with a sonnet: ‘Winter View from Binn Bhriocáin’. The title immediately presents a highly symbolic […]
1984, Northern Ballet at The Palace Theatre, reviewed by Elizabeth Mitchell
1984, Northern Ballet, The Palace Theatre, October 15 2015 As a cultural colossus of a novel, reworking 1984 will never be easy in any media. With modern ballet being better known for its abstract movement than defined storytelling, it must be one of the hardest. Although doing a better job than many others before him, […]
Golem, HOME, reviewed by Emma Rhys
Golem, HOME, First Street, Manchester, 7–17 October 2015 Memorable tunes, exquisite performances, and stunning visuals the likes of which I’ve not seen in theatre before. Produced by performance company 1927, whose speciality is combining performance and live music with animation and film, Golem is a wonderful spectacle – entertaining and funny with a subtext of […]
Sheena Kalayil, The Beloved Country (Grosvenor House) £8.99
Alan Paton’s Cry the Beloved Country begins, famously, with a prose paean to the South African countryside. Paton’s description of the ‘holiness’ of this ground establishes it as the place to which the character, Kumalo, must return even though the land ‘cannot be again’. Sheena Kalayil’s fine debut novel begins with a sentence which also […]
R. F. Langley, Complete Poems (Carcanet Press) £12.99
This volume is a Complete Poems in the sense that Elizabeth Bishop published her Complete Poems in 1969: these are the poems which Roger Langley completed for publication. This volume is also similar to Bishop’s book in that it is full of poems which seem both perfected and perfect. Perhaps Langley, for whom Pound was […]
La Mélancolie Des Dragons, HOME, reviewed by Fran Slater
Aging rockers hiding in a trailer, a headbanging competition in a broken down car, floating wigs, ski slopes and fake snow, a bubble machine, and some strangely impressive and multifunctional inflatables. In an extremely bizarre way, La Mélancolie Des Dragons kind of had it all. In other ways, this almost insane mix of components, along […]
Dark Arteries, Rambert at The Lowry, reviewed by Elizabeth Mitchell
Rambert, ‘Dark Arteries,’ ‘The Three Dancers,’ ‘Terra Incognito’ at The Lowry, September 30 2015 A word of warning: ever since I saw Mark Baldwin’s ‘Eternal Light’ aged 15, I have dreamt of being in the Rambert. There was just something about the so cleverly choreographed and very balletic Contemporary dance, with the huge side of […]
So Here We Are, The Royal Exchange, reviewed by Şima İmşir Parker
So Here We Are, dir. Steven Atkinson, The Royal Exchange Pidge (Sam Melvin), Pugh (Mark Weinman) and Smudge (Dorian Jerome Simpson) are sitting on a container representing a Southend sea wall, trying to remember who wrote Peter Pan. Is it Walt Disney or Barry someone? Or perhaps Walter Barry? This is right after the funeral […]
Welcome to Night Vale, Albert Hall, reviewed by James D Ward
Welcome to Night Vale Albert Hall, Manchester, 24/09/2015 Podcasts are simply radio for our on demand times, so it’s appropriate that one of the more popular shows purports to be the broadcasts from a community station situated in an otherworldly part of the American Midwest. Welcome to Night Vale, with its mix of […]
The Crucible, The Royal Exchange, reviewed by Jon Greenaway
The Crucible, dir. Caroline Steinbeis – The Royal Exchange Theatre, Manchester First performed in 1953 Arthur Miller’s play has quickly become a cultural touchstone, becoming a fixture of GCSE and A-Level syllabi and beloved by undergraduate and repertory theatre companies for its wide casting and political themes. Therefore, the challenge or any new production is to […]
Swan Lake, Birmingham Royal Ballet at The Lowry, by Elizabeth Mitchell
Birmingham Royal Ballet’s Swan Lake, The Lowry, September 23 2015 With Swan Lake being such a classic, it ways runs the danger of being a safely enjoyable but slightly dull way to spend an evening. However, David Bintley has once more pulled it out of the bag with his energetic direction of Peter Wright’s masterpiece. […]
Petite Noir, Deaf Institute, reviewed by Marli Roode
Conventional wisdom has it that Manchester is a city dedicated to telling and retelling its own story. That every weekend, countless clubs play music made in the city – made by the city, it starts to feel like – and everyone dances like Ten Storey Love Song hasn’t been on the playlist every weekend for […]
The Room, Joshua Brooks, reviewed by Emma Rhys
The Room (by Harold Pinter), Joshua Brooks, Princess Street, Manchester, 28–30 September 2015 I would highly recommend you take 50 minutes out of an evening next week to scratch your head and hold your breath at the absurdity and intensity of a Pinter play. This depiction of The Room has been thoughtfully considered and excellently […]
By Far The Greatest Team, The Lowry, reviewed by Fran Slater
By Far the Greatest Team – The Lowry Mixing football and theatre is an interesting but risky move. On paper, the high drama of both forms of entertainment should lend themselves to an exciting combination, the opportunity to bring two of our nation’s favourite pastimes together to create something original and hopefully at least half […]
Don Paterson, 40 Sonnets (Faber and Faber) £14.99
As one might expect from the self-explanatory and rather straightforward title 40 Sonnets, the fundamental concern of Don Paterson’s new collection of poetry is that particular form. It is a deceptive title however, very probably deliberately so, as those descriptors are not very applicable to the poems contained within the book. The modern precedent for […]
Interview with Luke Norris, So Here We Are, The Royal Exchange, by Şima İmşir Parker
So Here We Are is the recipient of the Bruntwood Prize for Playwriting 2013, the biggest national competition for playwriting. It is a play by a young writer, Luke Norris, who pens plays and scripts in addition to his bright acting career. Goodbye To All That was his debut play in 2012, which was first […]
Jee Leong Koh, Steep Tea (Carcanet Press) £9.99
In an interview Jee Leong Koh describes himself as ‘a lyric poet in an anti-lyric age’. He goes on to criticise the lyric ‘I’ in robust, post-modern terms, while defending the lyric itself as ‘answering to some very deep human need for complex music made by the human voice.’ There is a wide variety in […]
Interview with Rachel Redford, The Crucible, The Royal Exchange, by Jon Greenaway
With Caroline Steinbeis bringing a new production of ‘The Crucible’ to the Royal Exchange Theatre in the centenary year of Arthur Miller’s birth, The Manchester Review took the chance to talk to Rachel Redford, up and coming actor and RADA 2013 graduate about her role in the play, dealing with a character who is “so […]
Show Me the Money, People’s History Museum, Manchester, reviewed by Emma Rhys
Show Me the Money: The Image of Finance, 1700 to the Present, The People’s History Museum, Manchester, 11 July 2015–24 January 2016 After viewing this excellent exhibition at the People’s History Museum – containing a wide variety of dynamic works by artists from the eighteenth century to today, as well as economic artefacts and enlightening […]
David Bowie Convention, King’s Arms, reviewed by Fran Slater
Bowie and beer. That should be pretty much all I have to say, shouldn’t it? There can’t be many combinations more promising than a day dedicated to music’s most prolific genius and some dedicated ales brewed specifically for the occasion. There’s a fair few reasons that I can’t just stop there, though. Not least because […]
New collections from Hans Magnus Enzensberger and Jan Wagner, reviewed by Ian Pople
Jan Wagner Self-Portrait with a Swarm of Bees (Arc) £10.99 Hans Magnus Enzensberger New Selected Poems (Bloodaxe) £15.00 Two orders of magnitude, you might say: Enzensberger, born in 1929, who has bestrode German poetry since the late 1950s, who was associated with Boll and Grass in Group 47, who grew up in the west, but […]
Donna Stonecipher, Model City (Shearsman Books) £8.95
There has always been a hypnotic, meditative quality to Donna Stonecypher’s writing. Her previous book, The Cosmopolitan, was inspired by Joseph Cornell’s boxes; its delicate self-contained prose poems held small moments up to the light and turned them so that their angles and lights gleamed and twinkled. Model City is divided into 72 numbered sections, […]