I don’t like dance performances which require you to read the programme in order to understand what’s going on. I didn’t buy a programme (mostly, to be honest, because the drinks were so expensive at the bar I didn’t have any cash left). So when the lights came up on a girl towering above a sea […]
June Tabor – RNCM, 20/11/2008
Yeats supposed that we make rhetoric out of the quarrel with others; but out of the quarrel with ourselves, poetry. When I first started listening to folk music, it was Irish and very much concerned with the quarrel with others. It was dedicated to the wronged and with the search for finding some way of […]
Francis Bacon, Tate Britain, London
Francis Bacon is presented, in his third Tate Britain retrospective, as a straightforwardly thematic painter: the exhibition’s ten chronologically-arranged rooms consistently refer the viewer to the Cold War, World War 2, the illegality of homosexuality, the decline of organised religion. Although Bacon regularly objected to any narrative readings of individual paintings, he becomes here the story of […]
Leva Krumina, Nobody, The Whitworth, Manchester
There’s the upstairs and round and about to walk through of Finland, Japan and (most interesting to me actually) the UK, but it happens to be this gallery first, Lithuania, Latvia, Estonia (places I’m not sure exactly where they are) – and immediately I’m given pause and, well, transported. And not least by this medieval […]
Herbie Hancock at the Bridgewater Hall, Manchester
Herbie Hancock, unlike Miles, has never been afraid to revisit his back catalogue and this Sunday’s concert in Manchester was a trip down memory lane. However, as we know, revisiting is usually rather more than revamping. This evening’s concert started with ‘Actual Proof’ from Hancock’s second Headhunters’ album, Thrust, And for a while in […]
Late Rothko, Tate Modern, London
Poor Mark Rothko. An intensely private individual whose brooding canvases are enough to reduce one to existential uncertainty (why is that painting moving?), has been rendered banal by over-reproduction of his works – a framed, poster-sized reproduction of sunshine yellow and burnt orange hanging on the wall is as predictable an element of a dinner […]
Cold War Modern, Design 1945-1970, Victoria and Albert Museum, London
Five years ago the V&A attracted bumper crowds for its Art Deco exhibition, with sellout crowds flocking to see the eclectic mix of everything from footage of Josephine Baker dancing to radio sets the size of an average sideboard. Using the same template of a mix of everything from cars to posters, the museum has […]
Antigone, The Royal Exchange
Antigone may not share the fame of Sophocles’ Oedipus Rex, but it forms a worthy close to the trilogy of Theban plays; whereas Oedipus is, to some extent, the unwitting plaything of the gods, both Antigone and Creon, Oedipus’ successor as king, find themselves locked in a human-manufactured dilemma. After a battle in which both […]
Quiet Chaos (2008) dir. Antonio Luigi Grimaldi
While Pietro (Nanni Moretti) and his brother Carlos (Alessandro Gassman) are playing a keenly contested game of beach tennis, they hear cries from the sea. Ignoring advice from men on the shore that the sea is too dangerous, they plunge in and save two drowning women. When they return the women to the beach, the […]
Chris Woods, Dangerous Driving (Comma Press), reviewed by Lynne Taylor
This is the second collection from Chris Woods following Recovery. In Dangerous Driving, he continues to observe, looking inwards as well as out. In his pared-down style, Woods journeys using unassuming vocabulary. The reader is a happy passenger: has a feeling of being in the safe hands of someone who is confident of his vehicle […]
Anne Rouse, The Upshot: New and Selected Poems (Bloodaxe Books)
Anne Rouse’s The Upshot comprises poems from her first three books, presented in reverse order of publication. At the front of the book, there is a group of new poems that she has called ‘The Divided’. Rouse has always been a miniaturist; her poems seldom stray over the page, and this tendency has become more […]
Pierre Martory, The Landscapist trans. by John Ashbery (Carcanet Press) £12.95
There’s nothing but a book in a foreign language. Somebody read it and shut it on the table, Forgot it, went away. (‘Without Rhyme or Reason’) In the introduction to this collection of the translations he has been publishing since the mid-sixties, John Ashbery addresses the implied tragedy of this image: “And after I began […]
Tell Tale Signs – Bob Dylan
The devout would be forgiven for feeling the Cult of Dylan has lost some exclusivity in recent years. The release of two very hip, very high profile films (plus another, only slightly Masked and Anonymous mess) have been only one face of an accessible coolness also marked by the first volume of Dylan’s Chronicles and his […]
Sophie Ryder and Isamu Noguchi, Yorkshire Sculpture Park
It was a bright sunny Saturday for a change, this summer, and the main car park was full at Bretton Hall, home of the Yorkshire Sculpture Park. The terrace of the main restaurant was full, too, and the wasps were out. Sophie Ryder’s Lady Hare sculptures are oddly ambivalent things. Barry Flanagan’s series of hare […]
Jar City (2006), dir. Baltasar Kormakur
Scandanavian crime writing may have been initiated by Miss Smilla’s Feeling for Snow but it’s now a complete industry from the phenomenally successful Henning Mankell through to Ake Edwardson, Arnaldur Indridason and others. Indridason’s novel Jar City has now been in adapted for the cinema by the director Baltasar Kormakur. Kormakur had some success with […]
‘6 minutes’: Robert Forster, Manchester Sept 21 ’08
At the Royal Northern College for Music, a small crowd gathers at around 7:30. Mostly men, many of them look like they are meeting up for the first time in years, or the first time since the last Go-Betweens concert. With their lattes and bottled beers, they talk animatedly about, from what I hear, Man […]
Alison Stolwood, Shadowland-Albion-Burial (Excerpts)
SHADOWLAND The artist states that her work, “deals with what is un-seen. Although I operate primarily within the terms of a landscape image, my work concerns aspects of social and personal description as well as the the transience of things. My images are in a sense sets for a potential drama, a scene of anticipation. […]
Elaine Feinstein, Talking to the Dead (Carcanet Press) £9.95
This latest collection from Elaine Feinstein exudes a strangely plaintive sense of calm, perhaps because the author largely eschews melodrama, self pity and regret, therefore avoiding many of the pitfalls less skilfull or experienced poets might stumble into. There is a precision to these poems, manifesting itself in an equilibrium of emotion and intellect. […]
Three Sisters, The Royal Exchange
Three Sisters, as with so many works of the Russian literary canon, is so interminably long and inwardly orientated that it’s difficult not to feel that Chekhov’s intention in writing the play was to create some kind of elaborate, theatre based practical joke. The Royal Exchange’s new production, employing Michael Frayn’s excellent translation, always […]