You’ve probably heard something about Julia Holter by now. The Los Angeles-based singer-songwriter’s most recent album Have You In My Wilderness (2015) landed top spot in end-of-year lists compiled by Mojo, Uncut and Piccadilly Records, and singles “Feel You”, “Silhouette” and “Everytime Boots” have been rotated on BBC radio. 2013’s Loud City Song, Holter’s first […]
Zelda Chappel, The Girl in the Dog-Tooth Coat (Bare Fiction) £8.99, reviewed by Ken Evans
Zelda Chappel, The Girl in the Dog-Tooth Coat – (Bare Fiction, £8.99), reviewed by Ken Evans Zelda Chappell’s poems takes a jagged-edged penny to the ‘Scratch Card’ of love and relationships and never rub through more than two in a row – always there is loss, diminution, a relinquishing. She is adept at grounding yearning […]
Steve Roggenbuck at The Eagle Inn, reviewed by Lucy Burns

As part of my current project of ‘working on anything except my PhD’, I’ve been revisiting a conference paper I gave last year. The paper was on internet poetry and cuteness (and will hopefully resurface at some point) and uses Steve Roggenbuck’s poetry and the anthology, The Yolo Pages (Boosthouse, 2014) to make a claim […]
CRIME: Hong Kong Style season, HOME, preview and interview with Andy Willis by Laura Swift and Joel Swann

CRIME: Hong Kong Style at HOME, February – April 2016 Chinese New Year celebrations in Hong Kong usually begin and end without making international headlines, but this year was different. On the evening of February 8th, the heavy-handed policing of street vendors in Mong Kok gave rise to the violent stand-offs that are now being […]
Lee Machell, On Paper, OBJECT / A, reviewed by Ashley McGovern

Lee Machell: On Paper, December 11 2015 – February 13 2016, OBJECT / A, Friends’ Meeting House There is something essayistic about the title of Lee Machell’s latest show at Manchester’s Object A gallery. On Paper sounds like the laconic lead-in to a short treatise on the notorious fear of the plain blank sheet that […]
William Wantling, In the Enemy Camp: Selected Poems 1964 -1974 (Tangerine Press) £12.00, reviewed by Doug Field
William Wantling, In the Enemy Camp: Selected Poems 1964-1974 (Introduction by John Osborne, Foreword by Thurston Moore). “I can make good word music and rhyme,” declares the narrator of William Wantling’s “Poetry,” “and even sometimes take their breath away—but it always somehow turns out kind of phoney.” A veteran of the Korean War, a criminal and […]
Stephen Payne, Pattern Beyond Chance (Happenstance) £10.00
Stephen Payne Pattern Beyond Chance (Happenstance, £10.00) ‘Stephen Payne’s academic background is in psychology’ says the first line of the blurb on the back of Payne’s Happenstance collection. And this book is quite often about the scientist as poet. It is broken down into four sections: Design; Word; Mind & Time – so asking the […]
Macbeth, HOME, reviewed by Laura Swift

Macbeth, A HOME, Young Vic and Birmingham Repertory Theatre co-production in association with Lucy Guerin Inc., HOME, February 2-6 By the time Macbeth (John Heffernan) learns that his wife has died, he is already slumped against the wall. The rest of the cast stand in the shadows upstage, panting after a frenetic sequence of hypnotic […]
A Girl is a Half Formed Thing, The Lowry, reviewed by Peter Wild

A Girl is a Half Formed Thing, Quay Theatre, The Lowry, February 4 2016 The debut novel by Eimear McBride was a literary cause celebre when it was first published back in 2013, having first been rejected by a number of publishers. McBride has said it took six months to write and nine years to […]
barbarians: A Trilogy by Hofesh Shechter, HOME, reviewed by Tristan Burke

HOME, Thursday 28th January Hofesh Shechter’s barbarians is a postmodern work in the strict sense. Its dance and music are constructed by bricolage and pastiche and these serve as the hyperactive, playful backdrop against which he explores anxieties about the possibilities of making art and particularly about the difficulty of depicting love. This intellectualism is […]
Sarah Corbett, And She Was (Pavilion) £9.99, reviewed by Annie Muir
Sarah Corbett, And She Was (Pavilion, £9.99), reviewed by Annie Muir Whether it’s used as the refrain in the titular Talking Heads song or as the central narrative device of Genesis, the word ‘and’ holds the English language together like braces worn by teenagers to close the gaps in their teeth. In Genesis, as […]
The Revenant (2016), dir. Alejandro González Iñárritu, HOME, reviewed by Fran Slater

When you went to see a film at The Cornerhouse you could feel secure in the fact that it had already received an important seal of approval. The Cornerhouse didn’t just show any film. It had to be considered a little bit special, and a little bit different, to make it onto the silver screen. […]
The Hateful Eight (2016), dir. Quentin Tarantino, HOME, reviewed by Fran Slater

The Hateful Eight, dir. Quentin Tarantino, HOME, January 17 2016 Few films receive the levels of interest and attention that a new Quentin Tarantino release does. Over the last couple of months you’ll have seen the images everywhere. Samuel L. Jackson and Kurt Russell standing in the snow with their guns firmly grasped in their […]
Roseacre, HOME, reviewed by Peter Wild

Roseacre, HOME; January 15-17 I find myself in HOME: Manchester’s newest theatre-cinema-eatery, the bolder and brasher stepchild of that cultural staple, the Cornerhouse. I am sitting on the kind of chairs you find arranged in a school hall before the latest iteration of the Nativity (and it’s a full house, to the extent that we […]
Matthew Sweeney, Inquisition Lane (Bloodaxe Books) £9.95, reviewed by David Cooke
Inquisition Lane is Matthew Sweeney’s eleventh collection and his second since moving to Bloodaxe with Horse Music in 2013. Both collections are substantial volumes weighing in at over ninety pages each with Inquisition Lane containing some sixty poems, while its predecessor had seventy. Normally, such copiousness would set alarm bells ringing, but with Sweeney one’s […]
Carl Phillips, Reconnaisance (Farrar, Strauss, Giroux) $23.00
Carl Phillips has long been feted as a subtle and dexterous technician. In a New Yorker review, Dan Chiasson pushes Phillips forward as a ‘candidate for the author of the most interesting contemporary English sentences’. A Phillips poem may consist of anything between 10 and 15 lines, each part of one or two long sentences. Such sentences […]
Mona Arshi, Small Hands (Pavilion Poetry) £9.99, reviewed by Ken Evans
Mona Arshi’s debut collection Small Hands won the Forward Prize for best first collection, and her relatively short poetic CV is a comet-tail of successes: Magma Competition prize 2012, joint winner of the Manchester Poetry prize 2014, an award in the Troubadour – she has traced a brilliant trajectory in a short time. Having heard her […]
Daniel Sluman, the terrible (Nine Arches) £9.99), reviewed by Ken Evans
A blood-spatter or tainted x-ray? The vivid front cover of Daniel Sluman’s second collection from Nine Arches, the terrible, (even the title sounds cut from its meaning), alerts you that this volume deals with what Sluman describes as the ‘dark underbelly of our relatively comfortable lives.’ If the endlessly dividing cell that is contemporary poetry […]
The Revenger’s Tragedy, The Lowry, reviewed by Annie Dickinson
The Revenger’s Tragedy, dir. Anne Thuot, The Lowry, 19-21 November Produced and performed by the Belgian physical theatre company FAST ASBL, The Revenger’s Tragedy is less a performance or even an adaptation of the Jacobean revenge tragedy of the same name than a stark anatomization of its treatment of women. The 1606 play, now generally thought […]
Ben Aitken, Dear Bill Bryson (Not Bad Books) £9.99, reviewed by Callum Coles
Ben Aitken’s Dear Bill Bryson (Footnotes from a Small Island)* follows the titular American’s 1995 tour of this fair Isle’s quaint villages, towns, cities, pubs, roadside cafes, bus terminals and Wigan. It is, in the words of its author, a “less funny version of the original.” As a fan of Bryson myself, I confess that […]
Shuntarō Tanikawa, New Selected Poems trans. by William I. Elliot and Kazuo Kawamura (Carcanet Press) £12.99
Shuntarō Tanikawa’s New Selected Poems is a comprehensive, arresting and insightful survey of the Japanese poet’s career from his first collection, Ten-Billion Light Years from Solitude (1952), through to the quite recent Kokoro (2013), and many intriguing points between. In total the book covers twenty-two of Tanikawa’s immensely varied collections, with abbreviated portions from each […]
Pomona, The Royal Exchange, reviewed by Fran Slater
Pomona, dir. Alistair McDowall The Royal Exchange (October 29 – November 21) Pomona is now a famous part of Manchester. An inexplicable wasteland in the space between Manchester City Centre and Salford Quays, accessible from only a few choice entrances, it has become a place that certain people in this city are willing to fight […]
Tariq Latif, Smithereens (Arc Publications) £6.00
Tariq Latif’s three previous Arc volumes have shown considerable dexterity over a variety of subject matters. The first of these is, clearly, that of what it means to be an Asian writer, writing in English in contemporary Britain. His last book, The Punjabi Weddings, noted some of the aftermath of the Rushdie affair. In the […]
An Ape’s Progress, Manchester Literature Festival, reviewed by James David Ward
Dave McKean, introduced tonight as “the man who wears many hats”, is a constant collaborator, working with everyone from Grant Morrison to Heston Blumethal, and is best known for his longstanding partnership with Neil Gaiman. He has produced accomplished pieces across a number of art forms, from his graphic novels, to his painting, to his […]
The Oresteia, HOME, reviewed by Peter Wild

The Oresteia / HOME / 28 October 2015 2015s third production of Aeschylus’ The Oresteia (there have been productions at the Almeida and the Globe in London) sets itself apart by running with Ted Hughes’s adaptation, which clocks in at some two hours less than the original and propels its audience through what can only […]
Moya Cannon, Keats Lives (Carcanet) £9.99, reviewed by Annie Muir
Just as Keats himself is more famous for his untimely death than the events of his life, Keats Lives is a book primarily concerned with the continuance of lives after death. Published this year, Cannon’s fifth collection of poetry begins with a sonnet: ‘Winter View from Binn Bhriocáin’. The title immediately presents a highly symbolic […]
1984, Northern Ballet at The Palace Theatre, reviewed by Elizabeth Mitchell
1984, Northern Ballet, The Palace Theatre, October 15 2015 As a cultural colossus of a novel, reworking 1984 will never be easy in any media. With modern ballet being better known for its abstract movement than defined storytelling, it must be one of the hardest. Although doing a better job than many others before him, […]
Golem, HOME, reviewed by Emma Rhys

Golem, HOME, First Street, Manchester, 7–17 October 2015 Memorable tunes, exquisite performances, and stunning visuals the likes of which I’ve not seen in theatre before. Produced by performance company 1927, whose speciality is combining performance and live music with animation and film, Golem is a wonderful spectacle – entertaining and funny with a subtext of […]
Sheena Kalayil, The Beloved Country (Grosvenor House) £8.99
Alan Paton’s Cry the Beloved Country begins, famously, with a prose paean to the South African countryside. Paton’s description of the ‘holiness’ of this ground establishes it as the place to which the character, Kumalo, must return even though the land ‘cannot be again’. Sheena Kalayil’s fine debut novel begins with a sentence which also […]
R. F. Langley, Complete Poems (Carcanet Press) £12.99
This volume is a Complete Poems in the sense that Elizabeth Bishop published her Complete Poems in 1969: these are the poems which Roger Langley completed for publication. This volume is also similar to Bishop’s book in that it is full of poems which seem both perfected and perfect. Perhaps Langley, for whom Pound was […]
La Mélancolie Des Dragons, HOME, reviewed by Fran Slater
Aging rockers hiding in a trailer, a headbanging competition in a broken down car, floating wigs, ski slopes and fake snow, a bubble machine, and some strangely impressive and multifunctional inflatables. In an extremely bizarre way, La Mélancolie Des Dragons kind of had it all. In other ways, this almost insane mix of components, along […]
Dark Arteries, Rambert at The Lowry, reviewed by Elizabeth Mitchell
Rambert, ‘Dark Arteries,’ ‘The Three Dancers,’ ‘Terra Incognito’ at The Lowry, September 30 2015 A word of warning: ever since I saw Mark Baldwin’s ‘Eternal Light’ aged 15, I have dreamt of being in the Rambert. There was just something about the so cleverly choreographed and very balletic Contemporary dance, with the huge side of […]
So Here We Are, The Royal Exchange, reviewed by Şima İmşir Parker

So Here We Are, dir. Steven Atkinson, The Royal Exchange Pidge (Sam Melvin), Pugh (Mark Weinman) and Smudge (Dorian Jerome Simpson) are sitting on a container representing a Southend sea wall, trying to remember who wrote Peter Pan. Is it Walt Disney or Barry someone? Or perhaps Walter Barry? This is right after the funeral […]
Welcome to Night Vale, Albert Hall, reviewed by James D Ward
Welcome to Night Vale Albert Hall, Manchester, 24/09/2015 Podcasts are simply radio for our on demand times, so it’s appropriate that one of the more popular shows purports to be the broadcasts from a community station situated in an otherworldly part of the American Midwest. Welcome to Night Vale, with its mix of […]
The Crucible, The Royal Exchange, reviewed by Jon Greenaway
The Crucible, dir. Caroline Steinbeis – The Royal Exchange Theatre, Manchester First performed in 1953 Arthur Miller’s play has quickly become a cultural touchstone, becoming a fixture of GCSE and A-Level syllabi and beloved by undergraduate and repertory theatre companies for its wide casting and political themes. Therefore, the challenge or any new production is to […]