{"id":9788,"date":"2018-10-10T11:18:13","date_gmt":"2018-10-10T10:18:13","guid":{"rendered":"http:\/\/www.themanchesterreview.co.uk\/?p=9788"},"modified":"2018-10-10T11:21:54","modified_gmt":"2018-10-10T10:21:54","slug":"a-celebration-of-muriel-spark-with-jackie-kay-and-alan-taylor-manchester-literature-festival-at-cosmo-rodewald-theatre-centre-for-new-writing","status":"publish","type":"post","link":"https:\/\/www.themanchesterreview.co.uk\/?p=9788","title":{"rendered":"A Celebration of Muriel Spark, with Jackie Kay and Alan Taylor, Manchester Literature Festival at Cosmo Rodewald Theatre, Centre for New Writing"},"content":{"rendered":"<p>The Scottish writer Jackie Kay is third modern Makar, the Scottish poet laureate, whose work is known for its humour and exuberance. Who better to celebrate that other grand dame of Scottish letters, Muriel Spark?<\/p>\n<p>Kay was joined on stage at the Cosmo Rodewald campus venue on Tuesday by literary journalist and Spark biographer Alan Taylor.<\/p>\n<p>The pair made engaging hosts, peppering their discussion and readings of Spark\u2019s work with memorable anecdotes.<\/p>\n<p>Spark is most famous for her novel <em>The Prime of Miss Jean Brodie<\/em>, but also wrote 21 other novels as well as collections of poetry and a biography of Emily Bronte.<\/p>\n<p>Taylor was a guest at Spark\u2019s home in Tuscany in her later years. From Taylor we learned that this famous chronicler of domestic life could scarcely boil an egg, wrote comically futile letters of protest to the tax man, and was the owner of fierce dogs and semi-feral cats.<\/p>\n<p>Spark could be cutting, and once lamented the fact that it was Marie Stopes, rather than Stopes\u2019s mother, who had invented birth control. The acerbic wit that Spark deployed in her life will be familiar to readers of her fiction, in which characters\u2019 foibles are skewered with one-liners and shrewdly observed gestures. And she was celebrated for her mastery of the non sequitur.<\/p>\n<p>Kay and Taylor demonstrated Spark\u2019s remarkable self-confidence. Taylor said: \u201cAs a schoolgirl she would take anthologies of romantic poetry home to improve them. I love the idea that she thought <em>Daffodils<\/em> needed a bit of work!\u201d<\/p>\n<p>Spark regarded herself primarily as a poet and said she found writing novels easy.<\/p>\n<p>Kay said: \u201cShe had a poet\u2019s eye for detail. Her poetry was a training ground and a shop floor in which she developed her skills as a novelist. It says \u2018poet\u2019 on her gravestone.\u201d<\/p>\n<p>\u201cShe had a lovely poetic cadence,\u201d agreed Taylor. \u201cWhen she was writing she would drift off, as writers do. It was as if she was being dictated to. She hardly made any revisions.\u201d<\/p>\n<p>Although she was most famous for her best-selling novel, <em>The Prime of Miss Jean Brodie<\/em>, Spark considered her best work the lesser-known <em>The Driver\u2019s Seat. <\/em>She had an ambivalent relationship with her best-known novel, enjoying the lucrative sales over decades while feeling it detracted from her other works.<\/p>\n<p>But the character of Jean Brodie endures because her portrayal in the novel is so memorable. It was inspired in part by Spark\u2019s own school days. The 11-year-old budding writer was dubbed \u2018the school\u2019s poet and dreamer\u2019. She was clearly influenced by one teacher in particular at St James Gillespie\u2019s School for Girls \u2013 the redoubtable Christina Kay, who became the model for Jean Brodie. Like Brodie, Kay would call her charges \u2018the cr\u00e8me de la cr\u00e8me\u2019 and declare herself to be in her \u2018prime\u2019. She was also moved to tears (perhaps over a lover lost in the war) when the girls in her class would sing.<\/p>\n<p>We learned that Spark wrote propaganda in the war, urging the German people to rise up against the Nazis. She spent hours listening to the testimonies of Holocaust survivors at the trial of Adolph Eichmann as material for a novel.<\/p>\n<p>There was a sense that Spark was a deeply complex, often contradictory character. The novels are full of jokes, yet also deeply serious. Perhaps surprisingly for a writer so famous for her sharpness of wit, she believed in ghosts and angels. But then themes of spirituality and religion run throughout her novels, even if they are undercut by bitter ironies, as in <em>The Girls of Slender Means<\/em>, in which the most pious characters suffer grisly deaths.<\/p>\n<p>Taylor also identified contradictions in her literary technique: \u201cShe\u2019s often goading the reader, reminding them she\u2019s writing a novel, yet at the same time making them forget that she\u2019s writing a novel. I can\u2019t think of a better person to write fake news than Muriel Spark. She could have been Donald Trump\u2019s press officer.\u201d<\/p>\n<p>\u201cWhat a horrible thought!\u201d said Kay.<\/p>\n<p>The event brought this contradictory figure vividly to life, suggesting that 100 years after her birth she remains as vital a literary presence as ever.<\/p>\n<p><strong>\u00a0Adam Wolstenholme<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>The Scottish writer Jackie Kay is third modern Makar, the Scottish poet laureate, whose work is known for its humour and exuberance. Who better to celebrate that other grand dame of Scottish letters, Muriel Spark? Kay was joined on stage at the Cosmo Rodewald campus venue on Tuesday by literary journalist and Spark biographer Alan [&hellip;]<\/p>\n","protected":false},"author":45,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"jetpack_publicize_message":"","jetpack_is_tweetstorm":false,"jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":[]},"categories":[13,16,283,18],"tags":[],"jetpack_publicize_connections":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v20.2.1 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>A Celebration of Muriel Spark, with Jackie Kay and Alan Taylor, Manchester Literature Festival at Cosmo Rodewald Theatre, Centre for New Writing - The Manchester Review<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.themanchesterreview.co.uk\/?p=9788\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"A Celebration of Muriel Spark, with Jackie Kay and Alan Taylor, Manchester Literature Festival at Cosmo Rodewald Theatre, Centre for New Writing - The Manchester Review\" \/>\n<meta property=\"og:description\" content=\"The Scottish writer Jackie Kay is third modern Makar, the Scottish poet laureate, whose work is known for its humour and exuberance. 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