{"id":8947,"date":"2017-12-16T19:23:57","date_gmt":"2017-12-16T18:23:57","guid":{"rendered":"http:\/\/www.themanchesterreview.co.uk\/?p=8947"},"modified":"2017-12-22T18:31:48","modified_gmt":"2017-12-22T17:31:48","slug":"all-that-jazz","status":"publish","type":"post","link":"https:\/\/www.themanchesterreview.co.uk\/?p=8947","title":{"rendered":"All that Jazz"},"content":{"rendered":"<p>It may have been in Ronnie Scott\u2019s \u2014 Jack Bruce storming his way through a driving \u2018Politician\u2019\u2014 or it could have been in the Bricklayer\u2019s Arms at a Curved Air gig where only the naked drummer was more drenched than myself but on one of those sweaty nights it had occurred to me to try to get in touch with Sean, my uncle, the navvy. He surely had to offer a London that didn\u2019t just throb so beautifully, and damage my head so much.<\/p>\n<p><center>*<\/center><\/p>\n<p>The hallway with the pay phone was the coldest place in that cold house in North London where I lived in 1970. It was where the calls home were made, or the odd time, taken. A marmalade cat skulked in the gloom there. I had a number for Sean written on a fag packet from the day a few years earlier we\u2019d spent at the Fairyhouse Races. Yeah, <em>that<\/em> day. Maybe it would work. It did. After the shrill landlady came the familiar Mayo-London accent, all hesitant and tuneful.<\/p>\n<p>\u2018Hello. Who\u2019s this?\u2019<\/p>\n<p>\u2018It\u2019s Ger, Sean.\u2019<\/p>\n<p>\u2018Who?\u2019<\/p>\n<p>\u2018Ger. Your nephew. Gerry.\u2019<\/p>\n<p>There was a pretty long silence. It was late evening so he would\u2019ve been drinking at some stage. This could go anywhere. Nothing, and then finally after what might have been a sigh or simple exasperation, his voice came again in a lower register.<\/p>\n<p>\u2018Yes. I know.\u2019 A further long pause. \u2018Gerry, yes. Where are you now?\u2019<\/p>\n<p><center>*<\/center><\/p>\n<p>As soon as I hit ground level at Tooting Bec I sensed something different\u2014more normal and somehow reassuring. I headed up towards the Common and the Rose and Crown. Sean had said the name of the bar in that shy sing-songy mumble. He rarely made complete sentences but I knew how to interpret his meaning from the fragments. As we sat up to the bar it was clear that he didn\u2019t make much of my get-up.<\/p>\n<p>\u2018Do you need shoes?\u2019 He had boiled it down to that one but I knew he was asking a world of questions in that.<\/p>\n<p>\u2018I\u2019ve a bit of work in a hotel. Inside work.\u2019 That would explain the shabby desert boots but even as I said it I was already involved in his reaction so I went on. \u2018It\u2019s ok for now but I\u2019d like to get something, you know, better.\u2019<\/p>\n<p>\u2018What, like teaching? A teacher.\u2019 He was looking over at the fruit machine as he savoured the word. <\/p>\n<p>\u2018Your mammy said you&#8230;qualified.\u2019 He liked the taste of that one too. Had his whole menu of words to chew on. I had to accept he might be pressing a number of different buttons. He might be trying to suggest something useful or he could well be putting me down. Sean was intelligent. I watched him look at the two pints settling on the counter. He reached for one with his shovel hand and took a big slug. I watched his dreamy blood-shot stare, looking out, away. Slow and easy with everything, worming his way back along the memory lines.<\/p>\n<p>\u2018I did yeah a few years ago. You were talking to her since? My father?\u2019 I knew the answer of course. He turned fairly sharply to look straight at me, right into my eyes, and lowered his glass \u2013 half-empty by now. He suspended the glass half way down to the counter and held the look. The glooky eyes could have been on a fish tray in Spitalfields. When he had finished saying whatever he was saying, without ever opening his mouth \u2013 which now was a sort of scowl \u2013 he finally put the glass down, his eyes, burning and pained, following it all the way. After a while he spoke quietly, not looking at me.<\/p>\n<p>\u2018How is your mammy?\u2019<\/p>\n<p>It was amazing how fast the alcohol grabbed his levers. Took him not necessarily to drunkenness but to some other ethereal place where he operated best. More comfortably. The grimace and lip-licking after the swallow. The shrinking away of the body, like everything physical needed to be hidden. Leaving only the thinking \u2013 held together behind those urgent eyes \u2013 and the distortions of the mouth. He wore a stained light brown gaberdine coat and a grimy shirt collar fell away from the weathered grizzle that was his neck. His handsome leather shoes were planted on the brass footrail in an easy restful manner\u2014workboots, like the blistering tools, were set aside after the day. He minded his feet like they were the only part of him that mattered. The greying hair was trim and was matched by the bristles on the heightening colour of his creviced face. How in the name of Jesus did I find any comfort in this? But I did. I did, because it meant something.<\/p>\n<p>\u2018Mam\u2019s fine. I spoke to her last week.\u2019 I waited. \u2018Dad hasn\u2019t been well. You know about the MS.\u2019<\/p>\n<p>\u2018Are there any doctors in that country? Do they know their trade at all? Here you get the NHS.\u2019 He sucked on those letters. \u2018The National Health Service. Nye Bevan. You ever hear of Nye Bevan? Of course you did. You\u2019re the clever one. Oh yes ! The National Health Service. The Road to Wigan Pier.\u2019<\/p>\n<p>Was that last bit meant as a gibe, an irony \u2013 my father now the comfortable middle class man? Or was he saying something about his own disillusionment. He hadn\u2019t spoken to my father in twenty years, not since I was a small child. He used come and stay with us then, on his way back to see his mother in the west. Ballykelly, near Knock. Their father, an old RIC constable, had lived peacefully until he died in the forties. My grandmother (and her hat-pin) was gone less than ten years now but Sean still made that long trip by boat and train every year to see his sister who lived on, alone, in the small, terraced family house. In that damp grey place where small birds sang plaintive songs within earshot of the cold hammering and chiselling from a stonecutter\u2019s yard. He continued.<\/p>\n<p>\u2018MS. Your mammy is a good woman. Her people are from Wales. Railway people. Working people. Cardiff Arms Park. Big yellow daffodils.\u2019 <\/p>\n<p>He phoned my mother every so often but would hang up if my father answered. They had no number for him and he made me swear not to have them contact him when he wrote the number for me on the fag-packet that day. I had been living at home studying for my final exams when he had called one evening and out of the blue asked to speak with me. We met and went to the races, drank \u2018porter\u2019\u2014he liked words that sought to find me out\u2014 and helped to push cars from a mirey field of a car park. Then we did a crawl around his favourite Dublin pubs and ended up at Harkin\u2019s, my pub, but Sean was barred as soon as he burst in the door all a-song, the county Meath mud caked on his new Oxfords and splashed over his swinging gaberdine. Stopped in his tracks so, he looked in despair at the crowd of long-haired students and turned on his heels and left. That was the last I saw of him until that night in Tooting.<\/p>\n<p><center>*<\/center><\/p>\n<p>That first night with him in London descended into a dim slur of alcohol. I woke up on a hard linoleum floor in a room with a rumpled bed and the smell of fried meat. I was in his digs and he was gone to a site. His shoes were placed neatly under a chair. There was a cooker in the corner. Dry pots sat with some cold floury potatoes and a half a turnip. A sooty pan displayed a burnt rasher and a limp pink sausage. On a table there were two greasy plates, a dozen or so empty stout bottles and a note with the word \u201cSunday\u201d and the name of another pub on the Common.<\/p>\n<p><center>*<\/center><\/p>\n<p>\u2018How do yeh know Knocky?\u2019 The man with the dark grained features spoke over the din without looking at me as he leaned in and left down an empty pint glass on the counter. I had felt his taut body find the gap and force me to face him. He struck me as animal-like \u2013 the raven sheen of hair on the tanned muscular arms jutting from the rolled up sleeves of the white shirt. They all wore white shirts at this end of the bar. Bri-Nylon dazzling in the early afternoon light. Knocky Gilvarry and his mates. Cleaned up for Easter Sunday.<\/p>\n<p>\u2018I\u2019m related to him. Knocky? This place is mad.\u2019<\/p>\n<p>\u2018Mad? There\u2019s nothing mad in here. Are you some sort of a student or what?\u2019 He was staring at me now, at my long brown hair and pink cheesecloth shirt. His black eyes stormy.<\/p>\n<p>\u2018Tipp. Take it handy with the lad now. This is Gerry, my nephew.\u2019 Sean had nudged in. \u2018Tipp here is from \u2013<\/p>\n<p>\u2018Donohill. Plasterers. Dan Breen country. You\u2019ve never heard of it I\u2019d say.\u2019<\/p>\n<p>\u2018I\u2019ve heard of Dan Breen. He was a gunman?\u2019<\/p>\n<p>\u2018Careful what you say about gunmen here.\u2019<\/p>\n<p>A clatter of thoughts hit me. I looked around at the milling whiteness. There was one lean looking character a little apart. He had a lily-emblem pinned to his shirt. <\/p>\n<p>\u2018Don\u2019t mind that Gerry. We\u2019re just working men here. Honest labour.\u2019 Sean had watched me take it all in.<\/p>\n<p>\u2018Labour my hole.\u2019 Tipp man was in like a shot at Sean.<\/p>\n<p>\u2018They\u2019re better than the other lot. Heath. A choirboy.\u2019 Sean towered over the din.<\/p>\n<p>\u2018Haven\u2019t done much for the North.\u2019 The lily-man joined in\u2014with a thin North of Ireland accent.<\/p>\n<p>And so it went on. The darkness and the garbling and the jibing as this bunch of McAlpine\u2019s men went about their holy remembrances with an alcoholic fervour. The frothy, harrowed, celebrants vested in cut-off albs. I had noticed that the far end of the bar, beyond the whirring, tinkling, bananas, oranges and lemons, was taken over completely by dark-skinned men. West-Indians.<\/p>\n<p>\u2018Nice blokes. But you wouldn\u2019t want to get in a scrap with them. Fight dirty. Blades.\u2019 Sean was in good form and home hadn\u2019t been mentioned. He was reciting the names of the Irish rugby team in my ear. He added my name. For some reason he did that. <\/p>\n<p>\u2018W.J. McBride&#8230;K.G. Goodall&#8230;R.A. Lamont&#8230;C.M.H Gibson&#8230;A.J.F O\u2019Reilly&#8230;G.M.F Gilvarry. Twickenham. Yes.\u2019<\/p>\n<p>His own thing. That and his socialist heroes. The line on which he held his beliefs. I kind of got the irony in it all. The others had descended into litanies of Gaelic players, parishes, matches, scores. Now and again particular names or phrases could be heard among all the shouting.<\/p>\n<p>\u2018Boy Mick O\u2019Connell boy. Valentia Island. Joe Fucking Corcoran Sean. G\u2019wan ya boy ya. Some boy\u2019. <\/p>\n<p>There was something close to a scream from a very drunk little man with a strong Dublin accent, who obviously lacked self-awareness. \u2018Charlie George. Gunners for the double.\u2019 It disrupted the general hullabaloo; turned it into an embarrassed silence that lasted a good few seconds before the rumble of noise got back on its feet, a little uncertainly. Every one of those men managed to corner me on my own at some point and hit me with questions about home. They would drop their guard as I gave them answers I thought they might like and then, for a moment or so, they would have a forlorn look that you might see on a beast lost on a country roadside.<\/p>\n<p>The \u201cCaribbean\u201d quarter was all pearly broad smiles and laughter. One of their number came over. He moved in a kind of happy shuffle.<br \/>\n\u2018How are the Irish boys today? You men are so-oo sad. Give up a happy face. Ey mon?\u2019 He picked me out and held up a slap-hand. Tipp went to move in but Sean gripped his shoulder and held him back.<br \/>\n\u2018No hassle man.\u2019 I slapped his hand high. It was the first time I had used any of that jive language in Sean\u2019s company and I saw that his eyes clouded over and he seemed to sink a bit.<br \/>\nLater the place quietened down. The light outside the massive Victorian glazing had faded as a pink evening sky came on, the two of us side by side at the bar. The conversation inevitably turned to home. Sean wasn\u2019t drunk as such \u2013 he had massive capacity \u2013 but he wasn\u2019t sober either. I had slowed down a bit and was hanging in. Sean turned to me, away from the two empty glasses on the counter. He\u2019d gathered himself.<\/p>\n<p>\u2018You know I don\u2019t go with all that jazz.\u2019<\/p>\n<p>\u2018What jazz do you mean?\u2019 I really hadn\u2019t a clue.<\/p>\n<p>\u2018You know&#8230;your&#8230;father.\u2019 He was neither soft or hard on the word but I could see he was having difficulty with it. Jazz and my father? I didn\u2019t think so. Couldn\u2019t put that together.<\/p>\n<p>\u2018I mean he\u2019s done okay I suppose. For himself. Your mother. You. I just&#8230;really can\u2019t forget&#8230;.Look I&#8230;what I\u2019m saying is his life, the way he lives.\u2019<\/p>\n<p>\u2018What about the way he lives? You mean he\u2019s not like you. He didn\u2019t choose to live in the ditch?\u2019<\/p>\n<p>\u2018Hold your horses there. He left his own class. Turned his back. All that dinner-dance stuff and fancy carpets. And golf. We were never like that. At home.\u2019 He held his hand up to the barman, flustered.<\/p>\n<p>\u2018What? You\u2019re not going to tell me by any chance that you were working-class people? That\u2019s a laugh. Your mother was from the big shop.\u2019  <\/p>\n<p>I could see pain through all the bluster and it was trying me. I had wondered was there jealousy \u2013 sure there had to be \u2013 but I also remembered the family lore. Sean: the eldest, the brightest, working after school to bring in a few more shillings to help look after the younger ones; falling in with an older, dandy, crowd \u2013 the doggies and the beer; paralysing him so couldn\u2019t move beyond it all. Finally he packed up and left for the big world. There were rumours he had been in the RAF, in Rhodesia, but he never said it to anyone in the family. What we did know is that he had put in a bit of time in Lancashire, or somewhere north, as a union organiser and he wasn\u2019t shy about telling anyone that. I liked that about him. His sense of what was right. Beneath it all there was, had been, a really smart man. The man with me now though was a bit of a beaten docket. And bitter. Yeah there was that bitterness in everything he said. Those rugby mantras were just ironic incantations. Meant to gibe and to hurt, but they were weak and meaningless. Self harm. Sad stuff really. He didn\u2019t reply, just sank his lips around another drink. Now he was getting drunk. I had a short window.<\/p>\n<p>\u2018I don\u2019t mean to upset you. I know what you are Sean. Call it working class if you like, although maybe there was a touch more of peasant in it then really? But now. You. Sean. You are nothing if not working class yourself. Now. Right here. But what does that do for anyone? There are no heroes. Fuck John Lennon.\u2019<\/p>\n<p>\u2018Yes&#8230;fuck him for sure&#8230;fuck the lot of them.\u2019 He was hitting the maudlin buttons too.<\/p>\n<p>\u2018But don\u2019t take it out on your brother. No matter what his&#8230;his jazz? He\u2019s sick Sean. Maybe you should go and see him.\u2019 <\/p>\n<p>He began the hiccuping routine.<\/p>\n<p>\u2018Gerry, you are a smart boy. Take me home alright. Home to Leicester Square&#8230;home to Wi \u2013 g &#8211; an&#8230;home to&#8230;to Bal&#8230;Bal&#8230;aw fuck home&#8230;fuck Duh&#8230;Dub &#8211; lin. Is your mammy well? Take me home. You will.\u2019<\/p>\n<p>\u2018I will. I will. I\u2019ll take you home.\u2019<\/p>\n<p><center>*<\/center><\/p>\n<p>I didn\u2019t take him home that night. I just went back to the soaring axes at The Roundhouse. And Zeppelin. If you\u2019re going to get your head wrecked&#8230;.I didn\u2019t see him in London again. I went back to Dublin before that year was out and got a job teaching. He never did visit my father but he phoned my mother now and again, but never after she let rip at him when he called her, drunk, one evening after my father died. She only ever hinted at what he had said.<\/p>\n<p><center>*<\/center><\/p>\n<p>I called him a few times after that but he was either not in or he wouldn\u2019t take the call. The best part of twenty years passed before I knew much about Sean again. My mother was gone.  So was Sean\u2019s sister in Ballykelly; he had made a few furtive trips to her over the years but she wasn\u2019t wont to tell me much. I often thought of him as I made my own mind up about the world.  County Clare\u2019s Moira O\u2019Brien and I had got married and settled into a very modest lifestyle in what was fast becoming the Irish fat-cat republic. I was on the executive of my teachers union and worked hard. One evening the phone rang in our house in Fairview. Coins dropped at the calling end. It was an oldish voice asking if Gerry Gilvarry lived there. The London\u2013Irish strains were unmistakeable.<\/p>\n<p>\u2018Yes that\u2019s me. Sean?\u2019 I said it with a little excitement. \u2018Is that you Sean?\u2019<\/p>\n<p>The voice at the other end waited, allowing me to settle.<\/p>\n<p>\u2018No. This isn\u2019t Sean. I\u2019m sorry to have to tell you but Knocky&#8230;eh Sean has died.\u2019<\/p>\n<p>Another bit of a pause, allowing me to take it in.<\/p>\n<p>\u2018Who\u2019s this?\u2019 <\/p>\n<p>\u2018I met you once over this side, with Sean. Tipperary. Dan Breen?\u2019<\/p>\n<p>I hadn\u2019t forgotten that Easter Sunday.<\/p>\n<p>\u2018Sure. Of course. Thank you for calling. Sad news. How did you find me?\u2019<\/p>\n<p>Turned out they had remained good buddies and that Sean often spoke of me so he traced me through directory enquiries. <\/p>\n<p>\u2018Knocky always said you promised to take him home.\u2019<\/p>\n<p>\u2018I did? I mean I did.\u2019 I could hear Sean\u2019s stuttering drunken repetition of that request echoing through all the years. Told many times to this Tipperary man and who knows how many others. Sean\u2019s holding on. His grip.<\/p>\n<p>\u2018So what\u2019s the plan. He\u2019s in the morgue over at Wandsworth. You know they don\u2019t rush things here. Not like at home.\u2019<\/p>\n<p>\u201cAt home\u201d? That man must be away for over fifty years. \u201cAt home\u201d! Clearly I had a funeral to organise. It made me feel a bit happy.<\/p>\n<p><center>*<\/center><\/p>\n<p>It was a Good Friday and the jet roared up a mighty rumpus as it appeared beneath the low black ceiling of the sky. It gripped the runway on the boggy plateau and came towards us in a wail of engine vanes. Knock airport and the heavens had opened. It was bucketing down. The crew and a few passengers scuttled in as we waited under three black brollys. Moira, the kids, myself and the undertaker\u2019s man. A forklift appeared and went to a cargo door whose hydraulics had begun moving. Suddenly there it was, high on the forks: Sean\u2019s box. The forklift operator was in \u201cwhere do ye want it?\u201d mode as he lined it up and I helped manhandle it into the dryness of the hearse. Moira placed a daffodil over the brass plate. I checked that the people on the \u201cother side\u201d had used the words I had sent. They had. Now all we needed was to get down to the village and the church.<\/p>\n<p><center>*<\/center><\/p>\n<p>There was a small attendance at the funeral mass: the rotund, fumbling priest, a woman in a headscarf sitting beside a much older woman also in a headscarf and a few old men. The older woman cried. I remembered the Litany of the Saints. The village was grey with a colouring of sodden primroses and daffodils. We got to the graveyard and the rain had stopped. The sky lightened to a dirty yellow. The two men who had opened the grave leaned on their shovels, their grubby shirts open at the cuffs and sacks over the shoulders of their filthy coats. There was a strange vacancy beneath their brows. One was short and stumpy, the other wasted-looking and lanky. They both tipped their caps to sympathise. We got the box down and the priest recited a fast decade of the rosary. We left to the slurping of the shovels and the spatter of pebbles on wood as the succulent Mayo earth was poured back around Sean. There were pink streamers deepening in the sky to the west and that made me happier.<\/p>\n<p><center>*<\/center><\/p>\n<p>\u2018Can we open an egg? Just one, pleee-ase?\u2019, our six year old boy asked as we reached Athlone.<\/p>\n<p>\u2018Ssssh Sean. Dad tell us the story again about the Sean who was in the coffin and how he and grandad didn\u2019t say much to each other.\u2019 Katie, the older one, had been worrying about that. I could see the smile spreading on Moira\u2019s face.<\/p>\n<p>\u2018Well you see uncle Sean didn\u2019t like grandad\u2019s jazz that much and&#8230;.\u2019<\/p>\n<p>\u2018What\u2019s jazz?\u2019<\/p>\n","protected":false},"excerpt":{"rendered":"<p>It may have been in Ronnie Scott\u2019s \u2014 Jack Bruce storming his way through a driving \u2018Politician\u2019\u2014 or it could have been in the Bricklayer\u2019s Arms at a Curved Air gig where only the naked drummer was more drenched than myself but on one of those sweaty nights it had occurred to me to try [&hellip;]<\/p>\n","protected":false},"author":143,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"jetpack_publicize_message":"","jetpack_is_tweetstorm":false,"jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":[]},"categories":[347,346],"tags":[],"jetpack_publicize_connections":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v20.2.1 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>All that Jazz - The Manchester Review<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.themanchesterreview.co.uk\/?p=8947\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"All that Jazz - The Manchester Review\" \/>\n<meta property=\"og:description\" content=\"It may have been in Ronnie Scott\u2019s \u2014 Jack Bruce storming his way through a driving \u2018Politician\u2019\u2014 or it could have been in the Bricklayer\u2019s Arms at a Curved Air gig where only the naked drummer was more drenched than myself but on one of those sweaty nights it had occurred to me to try [&hellip;]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.themanchesterreview.co.uk\/?p=8947\" \/>\n<meta property=\"og:site_name\" content=\"The Manchester Review\" \/>\n<meta property=\"article:published_time\" content=\"2017-12-16T18:23:57+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2017-12-22T17:31:48+00:00\" \/>\n<meta name=\"author\" content=\"Fergus Cronin\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Fergus Cronin\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"18 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/www.themanchesterreview.co.uk\/?p=8947\",\"url\":\"https:\/\/www.themanchesterreview.co.uk\/?p=8947\",\"name\":\"All that Jazz - The Manchester Review\",\"isPartOf\":{\"@id\":\"http:\/\/www.themanchesterreview.co.uk\/#website\"},\"datePublished\":\"2017-12-16T18:23:57+00:00\",\"dateModified\":\"2017-12-22T17:31:48+00:00\",\"author\":{\"@id\":\"http:\/\/www.themanchesterreview.co.uk\/#\/schema\/person\/ee0b6180276079e53cfa225eb67f64c7\"},\"breadcrumb\":{\"@id\":\"https:\/\/www.themanchesterreview.co.uk\/?p=8947#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/www.themanchesterreview.co.uk\/?p=8947\"]}]},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/www.themanchesterreview.co.uk\/?p=8947#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\/\/www.themanchesterreview.co.uk\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"All that Jazz\"}]},{\"@type\":\"WebSite\",\"@id\":\"http:\/\/www.themanchesterreview.co.uk\/#website\",\"url\":\"http:\/\/www.themanchesterreview.co.uk\/\",\"name\":\"The Manchester Review\",\"description\":\"The Manchester Review\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"http:\/\/www.themanchesterreview.co.uk\/?s={search_term_string}\"},\"query-input\":\"required name=search_term_string\"}],\"inLanguage\":\"en-US\"},{\"@type\":\"Person\",\"@id\":\"http:\/\/www.themanchesterreview.co.uk\/#\/schema\/person\/ee0b6180276079e53cfa225eb67f64c7\",\"name\":\"Fergus Cronin\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"http:\/\/www.themanchesterreview.co.uk\/#\/schema\/person\/image\/\",\"url\":\"https:\/\/www.themanchesterreview.co.uk\/wp-includes\/images\/blank.gif\",\"contentUrl\":\"https:\/\/www.themanchesterreview.co.uk\/wp-includes\/images\/blank.gif\",\"caption\":\"Fergus Cronin\"},\"description\":\"Fergus Cronin is a native of Dublin. He has a degree in Chemical Engineering from UCD and has had a variety of occupations ranging from water treatment to theatre. In 2004 he moved to north Connemara in Galway to read, walk and write. He now divides his time between Dublin and Galway. He completed an MPhil degree in Creative Writing at the Oscar Wilde Centre in TCD in 2014. 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