{"id":8914,"date":"2017-12-13T21:47:54","date_gmt":"2017-12-13T20:47:54","guid":{"rendered":"http:\/\/www.themanchesterreview.co.uk\/?p=8914"},"modified":"2017-12-22T18:33:32","modified_gmt":"2017-12-22T17:33:32","slug":"three-poems-30","status":"publish","type":"post","link":"https:\/\/www.themanchesterreview.co.uk\/?p=8914","title":{"rendered":"Three poems"},"content":{"rendered":"<h4>The Philadelphia Sound<\/h4>\n<p>Nothing to write about:<br \/>\nMan and \u201cLyrical God,\u201d<br \/>\nhow he christened the contrivance<br \/>\nclobbered to mimic the school desk<br \/>\nwhere he learned.<br \/>\nHe sets it up by the exit,<br \/>\nmakes the black acrylic sheets<br \/>\nrattle, babble, reverb<br \/>\nwith his forearm, a pen, spoons.<br \/>\nA bunch of wannabes gang around<br \/>\nturfing a bit, mouthing the chorus.<br \/>\nThe drill team in the median<br \/>\ncould for auxetic purposes<br \/>\nbring it on, have a showdown,<br \/>\nupgrade the sort of off-kilter<br \/>\nstichomythia of tunes<br \/>\nIves stitched together<br \/>\nfrom corners to score<br \/>\nwho we were, reconcile<br \/>\nshark, braggart, brawler,<br \/>\nthe pious, the patriotic,<br \/>\nthe slatterns and the boss.<br \/>\nThey trail off though, no team<br \/>\n<em>per se<\/em>, a quad, two quints, bass<br \/>\nwith plastic collection jars<br \/>\ntaped to each drum.<br \/>\nBorn of necessity or budget cuts,<br \/>\nthe kids with feathers on their hats,<br \/>\nduct-taped drumheads;<br \/>\nsome music of necessity also:<br \/>\nsea shanty, waulking song, lullaby,<br \/>\nlike a live cinder smuggled<br \/>\nfrom the gods to make it through.<br \/>\n<em>And it galled the heart inside him<br \/>\nwhen he saw the far seen glory of fire<br \/>\namong mortal people.<\/em><br \/>\nPay them no mind. However hard,<br \/>\nthe powers that be will be.<br \/>\nCheck the guy who claims<br \/>\nhe\u2019s \u201cLittle Sonny\u201d<br \/>\nof <em>The Intruders<\/em> fame,<br \/>\nGamble &#038; Huff\u2019s first moneymakers,<br \/>\nand forefather to <em>The Stylistics,<br \/>\nHarold Melvin and the Blue Notes.<\/em><br \/>\nNo him, no <em>Love Train<\/em>,<br \/>\n<em>Me and Mrs. Jones, Back Stabbers.<\/em><br \/>\nDaily, he backs his mobility scooter<br \/>\nagainst the corner of the bank,<br \/>\nunstraps his prosthetic \u2013<br \/>\npart of his set up\u2014<br \/>\nthe leg he props a Solo cup on,<br \/>\nthe Roland street amp, the guitar.<br \/>\nGrating, what he does to repertoire.<br \/>\n<em>Ain\u2019t No Stopping Us Now,<br \/>\nOnly the Strong Survive,<\/em><br \/>\nmasterpieces some.<br \/>\nWhat Gamble wrought:<br \/>\nthe Philadelphia sound,<br \/>\nthe man on the scooter,<br \/>\nthe payola scandal,<br \/>\n15 gold singles, 22 gold albums,<br \/>\nhim addressing the Republican convention<br \/>\nin a dark suit and topi,<br \/>\nfourteen million dollars worth of hits,<br \/>\ncounting every penny.<br \/>\nAs I said, not much to write about,<br \/>\nthough the amputee is lying,<br \/>\n\u201cLittle Sonny\u201d jumped off a bridge in \u201995.<\/p>\n<p><!--nextpage--><\/p>\n<h4>The Bosses<\/h4>\n<p>Guy walks into a bar, sits, turns to his friend.<br \/>\nFriend says, \u201cHow\u2019s the new boss?\u201d<br \/>\n\u201cA fucking bureaucrat,\u201d leaves it at that.<\/p>\n<p>Boss having memorized the HR handbook<br \/>\nto the eleventh bullet point of a subheading<br \/>\nhad just done his cut and paste job, <\/p>\n<p>sent the email to remind and reprimand the staff.<br \/>\nBut the friend is just nodding, guy shaking his hand<br \/>\nas if both where quick-sanded in the dream of reason,<\/p>\n<p>or worse, had turned that sort of corner where<br \/>\nlurk the spooks on the prowl for poor schmos<br \/>\nin Kafka\u2019s world, specters of the system, or the system.<\/p>\n<p>Another day, another bar, another schlepper,<br \/>\nstandard issue rolling laptop briefcase.<br \/>\nSame question. \u201cThe boss?\u201d \u201cA fool.\u201d<\/p>\n<p>This is no joke unless the joke is on us<br \/>\nnine-to-fiving it under archetypes:<br \/>\nthe lout, the micromanager, the clown, <\/p>\n<p>whatever style it takes to fuss and dissemble.<br \/>\nAnyway, this guy is here to drink, not scaffold<br \/>\na third sucker come to deliver the punch line.<\/p>\n<p>There will be a third one, still no joke\u2014<br \/>\nfidgety, fatigued, shirt coming untucked,<br \/>\na splice of middle age and come to think of it<\/p>\n<p>the new Middle Ages too with fealties to lords<br \/>\nin office towers or corporate parks.<br \/>\nThe master\u2019s corve\u00e9 everywhere in evidence:<\/p>\n<p>private elevators, golden parachutes,<br \/>\nheirs apparent to the new America<br \/>\nfor which our fellow here needs only a hostess<\/p>\n<p>to guide him to some booth in some craft beer,<br \/>\ntapas, gastro pub. He is running late.<br \/>\nNo surprise. His day is at some boondoggle<\/p>\n<p>where the principals do nothing, know nothing.<br \/>\nPeep into the cubicle where he\u2019s vying for promotion,<br \/>\npictures of the kids buried so deep in paperwork,<\/p>\n<p>a tesserae of Post Its with \u201cremember,\u201d \u201cto do,\u201d<br \/>\nlike an evidence map in a crime too tangled to resolve.<br \/>\nAnd that is just analog, with another more frazzled, <\/p>\n<p>spread-so-thin version of the man in digital<br \/>\nif you unlock his phone, check his computer screen.<br \/>\nWe\u2019ve lost the symmetry of the joke, <\/p>\n<p>its classical proportion, its three-part structure<br \/>\nand paperwork is not entirely to blame.<br \/>\nIn his tousled pr\u00eat-\u00e0-porterish, post-yoga ease<\/p>\n<p>boss is waiting for our guy in gastro pub<br \/>\nsipping from his green-chai hibiscus thing,<br \/>\nhere to follow up on an email he claims<\/p>\n<p>was very difficult to write. Yeah, run of the mill<br \/>\nDear John stuff he follows up with consolation lunch<br \/>\nand small talk about the kids, the traffic,<\/p>\n<p>while our guy peruses the seared and poached,<br \/>\norganic, local and other gibberish around a French fry.<br \/>\nBoss will have his regular, lobster paella,<\/p>\n<p>then down-shift to explain why promotion didn\u2019t take.<br \/>\nDo we need to see the beast, his gaze as from the passing<br \/>\nbars, behind the thousand bars no world; the lout<\/p>\n<p>inside his iron cage, a \u201cnullity,\u201d says Weber.<br \/>\nListen to him: \u201ccore competency,\u201d \u201ctension in the system,\u201d<br \/>\n\u201cmoving forward,\u201d \u201csea change,\u201d like a rusty weathervane,<\/p>\n<p>noise showing where wind blows, new Middle Ages,<br \/>\nits <em>magnificos<\/em> and <em>grandees<\/em> sipping chai, a new America,<br \/>\nwith micro-managers and bureaucrats and clowns. No joke. <\/p>\n<p><!--nextpage--><\/p>\n<h4>No Fucking Rome<\/h4>\n<p><em>\u201cQuanti si tegnon or l\u00e0 s\u00f9 gran regi<br \/>\nche qui staranno come porci un brago,<br \/>\nde s\u00e9 lasciando orribili dispregi!\u201d<\/em><br \/>\n&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Dante, Inferno, Canto VIII<\/p>\n<p>\u201cFifteen years, it\u2019s been fifteen years and&#8230;\u201d<br \/>\nlike a barfly who drives you to a corner<br \/>\nshare in confidence or untangle frame-up,<\/p>\n<p>the Ernie-looking fellow in the elevator<br \/>\nknows me from Adam but swoops<br \/>\non me to mutter what grumble he had<\/p>\n<p>going on his own as if to keep himself from<br \/>\ngoing postal, though it lands him back<br \/>\nin the dreary of so many \u201cwhat nexts.\u201d <\/p>\n<p>\u201cI\u2019m fifty, you know?\u201d Short on ammo, long on scruples\u2014<br \/>\nthe difference between him and the \u201choncho bitch\u201d<br \/>\nthat handed him pink slip\u2014he\u2019s left to chunter<\/p>\n<p>and sort the how and why he\u2019s here<br \/>\nthough he can\u2019t get past<br \/>\nthe years of service, \u201cfifteen years.\u201d<\/p>\n<p>How many puff their way to the top<br \/>\npretenders come believe they\u2019re sovereign for real?<br \/>\nBoss certainly does. In some idea of justice, <\/p>\n<p>she ends up with the likes of her<br \/>\nto wallow for eternity in filth,<br \/>\n<em>che qui staranno come porci un brago,<\/em><\/p>\n<p>her doings here unspeakable, disparaged.<br \/>\nShe\u2019s what head-hunter winnowed to come<br \/>\nstraighten up the place, make it run.<\/p>\n<p>\u201cFrom where I stand these fucks are here<br \/>\nto dismantle the joint, sell it for parts.<br \/>\nShe walked me through the handbook<\/p>\n<p>I\u2019ve been here fifteen years.\u201d<br \/>\nI have nothing to say. They browbeat their plans<br \/>\ninto our day, call it legacy what barnacles<\/p>\n<p>to institutional wreck or national memory too<br \/>\nif <em>corpus juris and corps diplomatique<\/em><br \/>\nenter the record to be filed with all the other<\/p>\n<p><em>sub sigillo<\/em> workings of perfidy these days.<br \/>\nPerfidy is right, a bit Miltonic but right.<br \/>\nWord on the street, Ernie is the fifth casualty, <\/p>\n<p>and word on the street is all we have to go on.<br \/>\n\u201cI was the one who actually&#8230;\u201d<br \/>\nReader, you can fill in the blanks for him:<\/p>\n<p>overtimes and clean-ups and good ideas.<br \/>\nHR still wants Ernie to turn in his ID.<br \/>\nThey\u2019ll purge him from the system,<\/p>\n<p>airbrush key codes and passwords,<br \/>\nsomething drastic enough, final enough,<br \/>\nupstairs, there is a lineup of loyalists nodding<\/p>\n<p>every time she talks about how things<br \/>\nwere done in the place she worked before<br \/>\nas if that were a sort of insight. <\/p>\n<p>Why turn to crestfallen Ernie<br \/>\nwho doesn\u2019t get it, is rueful, shell-shocked?<br \/>\n\u201cI don\u2019t see why the other guy wasn\u2019t put <\/p>\n<p>through the same ringer I went through?\u201d<br \/>\nHe\u2019s talking about criteria and double standards<br \/>\nabout whether they deserve to keep their jobs:<\/p>\n<p>\u201cTwo years here and what has she done, eh?<br \/>\nShe wants \u2018transparency\u2019 she goes around<br \/>\n\u2018transparency\u2019 she says but never lets on<\/p>\n<p>as to her MO and what\u2019s with all this \u2018envision\u2019<br \/>\nshit and that I\u2019m not in the \u2018bandwidth.\u2019\u201d<br \/>\n\u201cThey love clich\u00e9s and platitudes\u201d I shrug<\/p>\n<p>with little else for consolation, pinioned at the lobby<br \/>\nlike an innocent bystander to gather what\u2019s<br \/>\nsalvageable from wreck, hand it back to victim.<\/p>\n<p>\u201cThey\u2019re \u2018rebranding\u201d she said, and I came back<br \/>\nat her, you know what she said, she said<br \/>\nRome wasn\u2019t built in a day. Seriously?\u201d<\/p>\n<p>We know how Rome was built.<br \/>\nWrite an epic or have one written for you,<br \/>\nabide by its holy missions, its prophecies,<\/p>\n<p>however many villages you scorch.<br \/>\nWhen in doubt, flip through it eyes closed<br \/>\nyour <em>sortes Virgilianae<\/em> thing, point a random passage<\/p>\n<p>then fire your shot, call it a triumph, however off-target.<br \/>\nBecause they go nowhere but up, theirs is perpetual<br \/>\ninterregnum, you are always interim, <\/p>\n<p>spear carried with a psychic income<br \/>\nfactored somewhere in their gambles.<br \/>\n\u201cThis is no fucking Rome, just look around,<\/p>\n<p>it\u2019s not even a wannabee Rome with rotunda<br \/>\nand bust of the bully who endowed the place.\u201d<br \/>\n\u201cThey\u2019re more egalitarian around here,\u201d my joke.<\/p>\n<p>\u201cEgalitarian, not equitable.\u201d Ernie corrects<br \/>\n\u201cand you know what else, ah, forget about it,\u201d<br \/>\nwaves me off, out the building, exits a final time. <\/p>\n","protected":false},"excerpt":{"rendered":"<p>The Philadelphia Sound Nothing to write about: Man and \u201cLyrical God,\u201d how he christened the contrivance clobbered to mimic the school desk where he learned. He sets it up by the exit, makes the black acrylic sheets rattle, babble, reverb with his forearm, a pen, spoons. A bunch of wannabes gang around turfing a bit, [&hellip;]<\/p>\n","protected":false},"author":228,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"jetpack_publicize_message":"","jetpack_is_tweetstorm":false,"jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":[]},"categories":[346,349],"tags":[],"jetpack_publicize_connections":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v20.2.1 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Three poems - The Manchester Review<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"http:\/\/www.themanchesterreview.co.uk\/?p=8914\" \/>\n<link rel=\"next\" href=\"http:\/\/www.themanchesterreview.co.uk\/?p=8914&page=2\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Three poems - The Manchester Review\" \/>\n<meta property=\"og:description\" content=\"The Philadelphia Sound Nothing to write about: Man and \u201cLyrical God,\u201d how he christened the contrivance clobbered to mimic the school desk where he learned. He sets it up by the exit, makes the black acrylic sheets rattle, babble, reverb with his forearm, a pen, spoons. 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He lives in Philadelphia with his wife and daughter.\",\"url\":\"https:\/\/www.themanchesterreview.co.uk\/?author=228\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Three poems - The Manchester Review","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"http:\/\/www.themanchesterreview.co.uk\/?p=8914","next":"http:\/\/www.themanchesterreview.co.uk\/?p=8914&page=2","og_locale":"en_US","og_type":"article","og_title":"Three poems - The Manchester Review","og_description":"The Philadelphia Sound Nothing to write about: Man and \u201cLyrical God,\u201d how he christened the contrivance clobbered to mimic the school desk where he learned. He sets it up by the exit, makes the black acrylic sheets rattle, babble, reverb with his forearm, a pen, spoons. 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