{"id":8697,"date":"2017-10-29T14:26:02","date_gmt":"2017-10-29T13:26:02","guid":{"rendered":"http:\/\/www.themanchesterreview.co.uk\/?p=8697"},"modified":"2017-10-29T22:45:56","modified_gmt":"2017-10-29T21:45:56","slug":"little-dragon-manchester-academy-reviewed-by-chad-campbell","status":"publish","type":"post","link":"https:\/\/www.themanchesterreview.co.uk\/?p=8697","title":{"rendered":"Little Dragon, Manchester Academy, reviewed by Chad Campbell"},"content":{"rendered":"<h5>Little Dragon; Manchester Academy, 26 October 2017.<\/h5>\n<p>What do Bloc Party, Tv On the Radio, U2, The Yeah Yeah Yeahs, and Queens of the Stone Age, share in common with Little Dragon? They all tried to make danceable records. Some decent. Some terrible. But none of them good. Little Dragon has been perfecting their indie\/electronic\/R&#038;B fusion for over a decade now, and their new album <em>Season High<\/em> doesn\u2019t mark a leap into danceable territory, but a band further exploring a territory they helped make popular. <em>Ritual Union<\/em> and <em>Nabuma Rubberband<\/em> are damn fine albums. Seeing them perform for the packed house last night at the Manchester Academy was a treat. The lightshow made it look like someone had blown paint in the air. <\/p>\n<p>The four-piece Swedish band, helmed by Yukimi Nagano \u2013 dressed like a neon crossing guard in a dress made of clouds \u2013 took the crowd through &#8216;Little Man&#8217; off <em>Ritual Union<\/em>, and two new tracks &#8216;Sweet&#8217; and &#8216;High&#8217; from <em>Season High<\/em>. The bass practically chewed my gum for me. In part because it was cranked, and in part because this new album is harder, chewier, and more rave-y than their previous output. For the first half Little Dragon danced, pantomimed, and set a quick-then-slow rhythm as they alternated between material from <em>Ritual Union<\/em> and <em>Season High<\/em>. The new material is more thump and bump, and Nagano\u2019s lyrics \u2013 which usually sound integral and woven into their tracks \u2013 sometimes felt relegated to a shorthand written over the beats. But only sometimes. &#8216;Sweet,&#8217; from their new album, is a great track and the hook a pure contagion. By the time Little Dragon had played through to hits &#8216;Crystalfilm&#8217; and &#8216;Pretty Girls&#8217; it was clear the crowd was sold on the new material, and the old.  <\/p>\n<p>After a mid-show pause Nagano re-emerged in a rubber-band kimono with a red linen over her face and a blue and green cloth in either hand. Nagano danced. The crowd danced. Fredrik K\u00e4llgren Wallin picked up a bass. Erik Bodin got on the speakers. H\u00e5kan Wirenstrand stayed the wizard-hermit on the keys. An extended version of &#8216;Blinking Pigs&#8217; that saw Nagano join Bodin on the drums was proof of just how good Little Dragon can be, and a highlight of the night. It was clear the band shared the crowd\u2019s appreciation for the night\u2019s energy, and the band returned for a three-song encore to finish out the show. Little Dragon are veterans at this point, and though some critics have lamented they haven\u2019t made a wild transition in sound with <em>Season High<\/em>. What they have done is put out another solid album. Last night was a fantastic, colour-drenched show. \u2018We have to come to Manchester more\u2019, said Nagano. I hope they do. <\/p>\n<h5>Chad Campbell<\/h5>\n","protected":false},"excerpt":{"rendered":"<p>Little Dragon; Manchester Academy, 26 October 2017. What do Bloc Party, Tv On the Radio, U2, The Yeah Yeah Yeahs, and Queens of the Stone Age, share in common with Little Dragon? They all tried to make danceable records. Some decent. Some terrible. But none of them good. Little Dragon has been perfecting their indie\/electronic\/R&#038;B [&hellip;]<\/p>\n","protected":false},"author":45,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"jetpack_publicize_message":"","jetpack_is_tweetstorm":false,"jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":[]},"categories":[15,283],"tags":[],"jetpack_publicize_connections":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v20.2.1 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Little Dragon, Manchester Academy, reviewed by Chad Campbell - The Manchester Review<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"http:\/\/www.themanchesterreview.co.uk\/?p=8697\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Little Dragon, Manchester Academy, reviewed by Chad Campbell - The Manchester Review\" \/>\n<meta property=\"og:description\" content=\"Little Dragon; Manchester Academy, 26 October 2017. What do Bloc Party, Tv On the Radio, U2, The Yeah Yeah Yeahs, and Queens of the Stone Age, share in common with Little Dragon? They all tried to make danceable records. Some decent. Some terrible. But none of them good. Little Dragon has been perfecting their indie\/electronic\/R&#038;B [&hellip;]\" \/>\n<meta property=\"og:url\" content=\"http:\/\/www.themanchesterreview.co.uk\/?p=8697\" \/>\n<meta property=\"og:site_name\" content=\"The Manchester Review\" \/>\n<meta property=\"article:published_time\" content=\"2017-10-29T13:26:02+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2017-10-29T21:45:56+00:00\" \/>\n<meta name=\"author\" content=\"The Manchester Review\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"The Manchester Review\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"2 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"http:\/\/www.themanchesterreview.co.uk\/?p=8697\",\"url\":\"http:\/\/www.themanchesterreview.co.uk\/?p=8697\",\"name\":\"Little Dragon, Manchester Academy, reviewed by Chad Campbell - The Manchester Review\",\"isPartOf\":{\"@id\":\"http:\/\/www.themanchesterreview.co.uk\/#website\"},\"datePublished\":\"2017-10-29T13:26:02+00:00\",\"dateModified\":\"2017-10-29T21:45:56+00:00\",\"author\":{\"@id\":\"http:\/\/www.themanchesterreview.co.uk\/#\/schema\/person\/e6deb0374609919f6e86f6ee1defe8cc\"},\"breadcrumb\":{\"@id\":\"http:\/\/www.themanchesterreview.co.uk\/?p=8697#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"http:\/\/www.themanchesterreview.co.uk\/?p=8697\"]}]},{\"@type\":\"BreadcrumbList\",\"@id\":\"http:\/\/www.themanchesterreview.co.uk\/?p=8697#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\/\/www.themanchesterreview.co.uk\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Little Dragon, Manchester Academy, reviewed by Chad Campbell\"}]},{\"@type\":\"WebSite\",\"@id\":\"http:\/\/www.themanchesterreview.co.uk\/#website\",\"url\":\"http:\/\/www.themanchesterreview.co.uk\/\",\"name\":\"The Manchester Review\",\"description\":\"The Manchester Review\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"http:\/\/www.themanchesterreview.co.uk\/?s={search_term_string}\"},\"query-input\":\"required name=search_term_string\"}],\"inLanguage\":\"en-US\"},{\"@type\":\"Person\",\"@id\":\"http:\/\/www.themanchesterreview.co.uk\/#\/schema\/person\/e6deb0374609919f6e86f6ee1defe8cc\",\"name\":\"The Manchester Review\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"http:\/\/www.themanchesterreview.co.uk\/#\/schema\/person\/image\/\",\"url\":\"https:\/\/www.themanchesterreview.co.uk\/wp-includes\/images\/blank.gif\",\"contentUrl\":\"https:\/\/www.themanchesterreview.co.uk\/wp-includes\/images\/blank.gif\",\"caption\":\"The Manchester Review\"},\"description\":\"The Manchester Review was founded in 2008 and is published by the Centre for New Writing at The University of Manchester. We aspire to bring together online, without a paper edition, the best of international writing from well-known, established writers alongside new, relatively unknown poets and prose-writers.\",\"url\":\"https:\/\/www.themanchesterreview.co.uk\/?author=45\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Little Dragon, Manchester Academy, reviewed by Chad Campbell - The Manchester Review","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"http:\/\/www.themanchesterreview.co.uk\/?p=8697","og_locale":"en_US","og_type":"article","og_title":"Little Dragon, Manchester Academy, reviewed by Chad Campbell - The Manchester Review","og_description":"Little Dragon; Manchester Academy, 26 October 2017. What do Bloc Party, Tv On the Radio, U2, The Yeah Yeah Yeahs, and Queens of the Stone Age, share in common with Little Dragon? They all tried to make danceable records. Some decent. Some terrible. But none of them good. Little Dragon has been perfecting their indie\/electronic\/R&#038;B [&hellip;]","og_url":"http:\/\/www.themanchesterreview.co.uk\/?p=8697","og_site_name":"The Manchester Review","article_published_time":"2017-10-29T13:26:02+00:00","article_modified_time":"2017-10-29T21:45:56+00:00","author":"The Manchester Review","twitter_misc":{"Written by":"The Manchester Review","Est. reading time":"2 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"WebPage","@id":"http:\/\/www.themanchesterreview.co.uk\/?p=8697","url":"http:\/\/www.themanchesterreview.co.uk\/?p=8697","name":"Little Dragon, Manchester Academy, reviewed by Chad Campbell - The Manchester Review","isPartOf":{"@id":"http:\/\/www.themanchesterreview.co.uk\/#website"},"datePublished":"2017-10-29T13:26:02+00:00","dateModified":"2017-10-29T21:45:56+00:00","author":{"@id":"http:\/\/www.themanchesterreview.co.uk\/#\/schema\/person\/e6deb0374609919f6e86f6ee1defe8cc"},"breadcrumb":{"@id":"http:\/\/www.themanchesterreview.co.uk\/?p=8697#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["http:\/\/www.themanchesterreview.co.uk\/?p=8697"]}]},{"@type":"BreadcrumbList","@id":"http:\/\/www.themanchesterreview.co.uk\/?p=8697#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/www.themanchesterreview.co.uk\/"},{"@type":"ListItem","position":2,"name":"Little Dragon, Manchester Academy, reviewed by Chad Campbell"}]},{"@type":"WebSite","@id":"http:\/\/www.themanchesterreview.co.uk\/#website","url":"http:\/\/www.themanchesterreview.co.uk\/","name":"The Manchester Review","description":"The Manchester Review","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"http:\/\/www.themanchesterreview.co.uk\/?s={search_term_string}"},"query-input":"required name=search_term_string"}],"inLanguage":"en-US"},{"@type":"Person","@id":"http:\/\/www.themanchesterreview.co.uk\/#\/schema\/person\/e6deb0374609919f6e86f6ee1defe8cc","name":"The Manchester Review","image":{"@type":"ImageObject","inLanguage":"en-US","@id":"http:\/\/www.themanchesterreview.co.uk\/#\/schema\/person\/image\/","url":"https:\/\/www.themanchesterreview.co.uk\/wp-includes\/images\/blank.gif","contentUrl":"https:\/\/www.themanchesterreview.co.uk\/wp-includes\/images\/blank.gif","caption":"The Manchester Review"},"description":"The Manchester Review was founded in 2008 and is published by the Centre for New Writing at The University of Manchester. We aspire to bring together online, without a paper edition, the best of international writing from well-known, established writers alongside new, relatively unknown poets and prose-writers.","url":"https:\/\/www.themanchesterreview.co.uk\/?author=45"}]}},"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p2PuXo-2gh","_links":{"self":[{"href":"https:\/\/www.themanchesterreview.co.uk\/index.php?rest_route=\/wp\/v2\/posts\/8697"}],"collection":[{"href":"https:\/\/www.themanchesterreview.co.uk\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.themanchesterreview.co.uk\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.themanchesterreview.co.uk\/index.php?rest_route=\/wp\/v2\/users\/45"}],"replies":[{"embeddable":true,"href":"https:\/\/www.themanchesterreview.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=8697"}],"version-history":[{"count":3,"href":"https:\/\/www.themanchesterreview.co.uk\/index.php?rest_route=\/wp\/v2\/posts\/8697\/revisions"}],"predecessor-version":[{"id":8701,"href":"https:\/\/www.themanchesterreview.co.uk\/index.php?rest_route=\/wp\/v2\/posts\/8697\/revisions\/8701"}],"wp:attachment":[{"href":"https:\/\/www.themanchesterreview.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=8697"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.themanchesterreview.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=8697"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.themanchesterreview.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=8697"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}