{"id":7569,"date":"2017-05-15T08:56:55","date_gmt":"2017-05-15T07:56:55","guid":{"rendered":"http:\/\/www.themanchesterreview.co.uk\/?p=7569"},"modified":"2017-05-15T08:57:08","modified_gmt":"2017-05-15T07:57:08","slug":"nicholas-murray-a-dogs-brexit-reviewed-by-ian-pople","status":"publish","type":"post","link":"https:\/\/www.themanchesterreview.co.uk\/?p=7569","title":{"rendered":"Nicholas Murray, <em>A Dog&#8217;s Brexit<\/em>, reviewed by Ian Pople"},"content":{"rendered":"<h5>Nicholas Murray, <em>A Dog\u2019s Brexit<\/em> (Melos Press, \u00a35.00).<\/h5>\n<p><img decoding=\"async\" style=\"margin: 10px 10px;\" img src=\"http:\/\/i67.tinypic.com\/2ngsf11.jpg\" width=\"250\" align=\"left\">Nicholas Murray\u2019s \u2018Get Real\u2019 a verse satire on the coalition government was published in his fine book <em>Acapulco<\/em>, also from William Palmer\u2019s Melos Press. That poem used a modified Burns stanza to show just how hypocritical the coalition was; in all it\u2019s fine rhetoric about balancing books and its effect on \u2018austerity Britain\u2019. That collection also showed Murray\u2019s quiet and precise skill as a lyric poet.<\/p>\n<p>That lyric skill also showed itself in the pamphlet <em>The Migrant Ship<\/em> which presents the voices of those refugees crossing the Mediterranean, such as the refugee who comments \u2018I spread them on my cloth:\/ a tiny elephant of brass,\/ a ring a ball of glass,\/ a silver box containing nothing\u2019; this latter being the object reached for when the boat eventually reaches Europe. Murray has a deep and sophisticated empathy for those caught in the vice of political events, and has the skill to use that empathy in both poignant lyricism and biting satire.<\/p>\n<p>Murray\u2019s new Melos pamphlet <em>A Dog\u2019s Brexit<\/em> returns to the modified Burns stanza of \u2018Get Real\u2019.  And Murray again uses that measure with real skill. The text is narrated by a \u2018dog\u2019 whose \u2018hide\u2019s a mellow shade of whisky,\/ my temper\u2019s generally frisky\/ but not today\u2019, and the canine sympathies are those of an unalloyed remainer. It\u2019s targets are often the obvious ones:  the ones who cry, \u2018We want our country back, &#8230;\u2019\/ who handed it to tax-avoiding, fly,\/ globetrotting firms not shy\/ of battle\/\/ with mere governments \u2013 or workers\/ flung like Christians in the circus\/ to lions\u2019 jaws\u2019; the \u2018Brits\u2019 who live abroad and read <em>The Daily Mail<\/em>; and Nigel Farage and the UKIP MEPs \u2018waxed fat on all their doles and fees.\u2019 So Murray has little stomach for the hypocrisy he finds in contemporary British life. And little stomach for the hypocrisy he finds in the politics of Theresa May with her sycophancy towards Trump, and May\u2019s wish to claw back legislation such as the Human rights Act.<\/p>\n<p>In the final third of the poem, the canine narrator becomes more personal suggesting that the relationship between dog and human can be as exploitative as the relationship of human and human. Murray extends that sense of the scales being weighted against both rationality and equality, by railing against the voting system of the UK; \u2018Your PM, May, the vicar\u2019s daughter\/ was voted for by just below a quarter. &#8230;[her] promises soon sent to landfill in a cart;\u2019 I leave you to imagine the next rhyming word! <\/p>\n<p>As such, this kind of text lays itself open to the criticism that its targets are too obvious, and that verse satire is, possibly, the kind of effete weapon that the \u2018populists\u2019 would both scorn and ignore in equal measure. In an age of social media and YouTube, on which American comedians excoriate Trump every night, and where the bizarreries of our political classes tumble across our 24-hour news with monotonous regularity,  such writing might indeed seem effete and coterie;  its medium too slow and ponderous. But the verse satire tradition of Horace, Pope and Swift has had its proponents in the 20th century. James Fenton and John Fuller both separately and together, in <em>Partingtime Hall<\/em>, have exercised their verbal dexterity with telling effect. Clive James best verse has often been of this kind. Nick Murray\u2019s fine pamphlet is an important addition to that particular canon. <\/p>\n<h5>Ian Pople<\/h5>\n","protected":false},"excerpt":{"rendered":"<p>Nicholas Murray, A Dog\u2019s Brexit (Melos Press, \u00a35.00). Nicholas Murray\u2019s \u2018Get Real\u2019 a verse satire on the coalition government was published in his fine book Acapulco, also from William Palmer\u2019s Melos Press. That poem used a modified Burns stanza to show just how hypocritical the coalition was; in all it\u2019s fine rhetoric about balancing books [&hellip;]<\/p>\n","protected":false},"author":21,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"jetpack_publicize_message":"","jetpack_is_tweetstorm":false,"jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":[]},"categories":[13,283],"tags":[],"jetpack_publicize_connections":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v20.2.1 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Nicholas Murray, A Dog&#039;s Brexit, reviewed by Ian Pople - The Manchester Review<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"http:\/\/www.themanchesterreview.co.uk\/?p=7569\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Nicholas Murray, A Dog&#039;s Brexit, reviewed by Ian Pople - The Manchester Review\" \/>\n<meta property=\"og:description\" content=\"Nicholas Murray, A Dog\u2019s Brexit (Melos Press, \u00a35.00). Nicholas Murray\u2019s \u2018Get Real\u2019 a verse satire on the coalition government was published in his fine book Acapulco, also from William Palmer\u2019s Melos Press. That poem used a modified Burns stanza to show just how hypocritical the coalition was; in all it\u2019s fine rhetoric about balancing books [&hellip;]\" \/>\n<meta property=\"og:url\" content=\"http:\/\/www.themanchesterreview.co.uk\/?p=7569\" \/>\n<meta property=\"og:site_name\" content=\"The Manchester Review\" \/>\n<meta property=\"article:published_time\" content=\"2017-05-15T07:56:55+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2017-05-15T07:57:08+00:00\" \/>\n<meta property=\"og:image\" content=\"http:\/\/i67.tinypic.com\/2ngsf11.jpg\" \/>\n<meta name=\"author\" content=\"Ian Pople\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Ian Pople\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"3 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"http:\/\/www.themanchesterreview.co.uk\/?p=7569\",\"url\":\"http:\/\/www.themanchesterreview.co.uk\/?p=7569\",\"name\":\"Nicholas Murray, A Dog's Brexit, reviewed by Ian Pople - The Manchester Review\",\"isPartOf\":{\"@id\":\"http:\/\/www.themanchesterreview.co.uk\/#website\"},\"datePublished\":\"2017-05-15T07:56:55+00:00\",\"dateModified\":\"2017-05-15T07:57:08+00:00\",\"author\":{\"@id\":\"http:\/\/www.themanchesterreview.co.uk\/#\/schema\/person\/1e4c20066db3d71097155619e6d443a9\"},\"breadcrumb\":{\"@id\":\"http:\/\/www.themanchesterreview.co.uk\/?p=7569#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"http:\/\/www.themanchesterreview.co.uk\/?p=7569\"]}]},{\"@type\":\"BreadcrumbList\",\"@id\":\"http:\/\/www.themanchesterreview.co.uk\/?p=7569#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\/\/www.themanchesterreview.co.uk\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Nicholas Murray, A Dog&#8217;s Brexit, reviewed by Ian Pople\"}]},{\"@type\":\"WebSite\",\"@id\":\"http:\/\/www.themanchesterreview.co.uk\/#website\",\"url\":\"http:\/\/www.themanchesterreview.co.uk\/\",\"name\":\"The Manchester Review\",\"description\":\"The Manchester Review\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"http:\/\/www.themanchesterreview.co.uk\/?s={search_term_string}\"},\"query-input\":\"required name=search_term_string\"}],\"inLanguage\":\"en-US\"},{\"@type\":\"Person\",\"@id\":\"http:\/\/www.themanchesterreview.co.uk\/#\/schema\/person\/1e4c20066db3d71097155619e6d443a9\",\"name\":\"Ian Pople\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"http:\/\/www.themanchesterreview.co.uk\/#\/schema\/person\/image\/\",\"url\":\"https:\/\/www.themanchesterreview.co.uk\/wp-includes\/images\/blank.gif\",\"contentUrl\":\"https:\/\/www.themanchesterreview.co.uk\/wp-includes\/images\/blank.gif\",\"caption\":\"Ian Pople\"},\"description\":\"Ian Pople's Spillway is published by Anstruther Press.\",\"url\":\"https:\/\/www.themanchesterreview.co.uk\/?author=21\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Nicholas Murray, A Dog's Brexit, reviewed by Ian Pople - The Manchester Review","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"http:\/\/www.themanchesterreview.co.uk\/?p=7569","og_locale":"en_US","og_type":"article","og_title":"Nicholas Murray, A Dog's Brexit, reviewed by Ian Pople - The Manchester Review","og_description":"Nicholas Murray, A Dog\u2019s Brexit (Melos Press, \u00a35.00). Nicholas Murray\u2019s \u2018Get Real\u2019 a verse satire on the coalition government was published in his fine book Acapulco, also from William Palmer\u2019s Melos Press. 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