{"id":7566,"date":"2017-05-12T12:45:16","date_gmt":"2017-05-12T11:45:16","guid":{"rendered":"http:\/\/www.themanchesterreview.co.uk\/?p=7566"},"modified":"2017-05-12T12:45:27","modified_gmt":"2017-05-12T11:45:27","slug":"the-golden-shovel-anthology-new-poems-honoring-gwendolyn-brooks-reviewed-by-hannah-bressler","status":"publish","type":"post","link":"https:\/\/www.themanchesterreview.co.uk\/?p=7566","title":{"rendered":"<em>The Golden Shovel Anthology: New Poems Honoring Gwendolyn Brooks<\/em>, reviewed by Hannah Bressler"},"content":{"rendered":"<h5><em>The Golden Shovel Anthology: New Poems Honoring Gwendolyn Brooks<\/em>, edited by Peter Kahn, Ravi Shankar, Patricia Smith (University of Arkansas, \u00a318.99).<\/h5>\n<p>The \u2018Golden Shovel\u2019 form was created by Terrance Hayes to honour Gwendolyn Brooks. The rules are simple:<br \/>\n1. Borrow a line from a Gwendolyn Brooks poem, or another poem you admire<br \/>\n2. Use each word from that line as the end word, making the right-hand margin of the poem read as the borrowed line<br \/>\n3. Give credit to the borrowed poet<br \/>\n4. The new poem need not be limited by the content of the original poem<\/p>\n<p>I agree with Peter Kahn, one of the editors of this volume, that writing a Golden Shovel, or borrowing from a great poem in general can feel \u201cinvigorating\u201d to the writer. The certainty of knowing where you will end up at the end of the line reassures a poet through the process of writing, as poetry is often a place where little is certain. <\/p>\n<p>Unfortunately, as shown in this anthology, it can also lead to the watering down of the potency of poetry; a far cry from the raw, truthful energy available in Brooks\u2019 poems. For instance, in \u201ca song in the front yard\u201d, Brooks uses simple language, full of curiosity; the repetition of  \u201cI want, I want\u201d pulls the reader forward into the deep desire of the speaker, and shows us some just-out-of-reach experiences. Brooks also offers a memorable line reflecting the pressure of performed \u2018legitimate\u2019 femininity, \u201ca girl gets sick of a rose\u201d. It\u2019s this pulling, curious energy written in plain language that\u2019s missing in most of the Golden Shovel poems which attempt to honor Brooks\u2019 work.<\/p>\n<p>There are some highlights to the volume, however, occasionally the Brooks line on the right margin sings back to the new poem, deepening its meaning, such as in \u201cGrown Up\u201d by Kwame Dawes, from \u201cThese adult dreams are mere interruptions\u201d to Brooks\u2019 line on the right, \u201cGrown-ups were supposed to be wise.\u201d At times a Golden Shovel poem appears to be a meditation of Brooks original work, such as \u201cSeptember, Chicago\u201d by Angela Narciso Torres written in the calm, dedicated voice, accepting loss, with \u201cWindblown, they fall\/ open to where I erased your name.\u201d<\/p>\n<p>As much as I despise a binary view of trying to name what is and isn\u2019t poetry, it seems that the rule of borrowing must be honoured. If the right margin, the Brooks line is by far the most interesting part of a Golden Shovel poem, perhaps the poet is missing out on the most interesting part of their own work. That\u2019s why the energy in most of these poems feels watered down or distant from the source. Overall, it\u2019s hard to appreciate an anthology based on form alone, but in so much as these editors wanted to inspire us to read more of Brooks original poetry, it has succeeded. <\/p>\n<h5>Hannah Bressler<\/h5>\n","protected":false},"excerpt":{"rendered":"<p>The Golden Shovel Anthology: New Poems Honoring Gwendolyn Brooks, edited by Peter Kahn, Ravi Shankar, Patricia Smith (University of Arkansas, \u00a318.99). The \u2018Golden Shovel\u2019 form was created by Terrance Hayes to honour Gwendolyn Brooks. The rules are simple: 1. Borrow a line from a Gwendolyn Brooks poem, or another poem you admire 2. Use each [&hellip;]<\/p>\n","protected":false},"author":45,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"jetpack_publicize_message":"","jetpack_is_tweetstorm":false,"jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":[]},"categories":[13,283],"tags":[],"jetpack_publicize_connections":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v20.2.1 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>The Golden Shovel Anthology: New Poems Honoring Gwendolyn Brooks, reviewed by Hannah Bressler - The Manchester Review<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"http:\/\/www.themanchesterreview.co.uk\/?p=7566\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"The Golden Shovel Anthology: New Poems Honoring Gwendolyn Brooks, reviewed by Hannah Bressler - The Manchester Review\" \/>\n<meta property=\"og:description\" content=\"The Golden Shovel Anthology: New Poems Honoring Gwendolyn Brooks, edited by Peter Kahn, Ravi Shankar, Patricia Smith (University of Arkansas, \u00a318.99). 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