{"id":547,"date":"2009-10-25T12:22:18","date_gmt":"2009-10-25T11:22:18","guid":{"rendered":"http:\/\/mcrrview.web.its.manchester.ac.uk\/blog\/?p=547"},"modified":"2009-10-25T12:22:18","modified_gmt":"2009-10-25T11:22:18","slug":"the-byg-deal-a-finders-keepers-production-fkr025cd","status":"publish","type":"post","link":"https:\/\/www.themanchesterreview.co.uk\/?p=547","title":{"rendered":"The BYG Deal. A \u201cFinders Keepers\u201d Production (FKR025CD)."},"content":{"rendered":"<p><a href=\"http:\/\/mcrrview.web.its.manchester.ac.uk\/blog\/wp-content\/uploads\/2009\/10\/the-byg-deal.jpg\"><img decoding=\"async\" loading=\"lazy\" class=\"alignnone size-medium wp-image-548\" src=\"http:\/\/mcrrview.web.its.manchester.ac.uk\/blog\/wp-content\/uploads\/2009\/10\/the-byg-deal.jpg\" alt=\"\" width=\"280\" height=\"275\" \/><\/a><\/p>\n<p>I\u2019ve just spent the morning with the 24-page booklet that accompanies the latest release from Manchester-based reissue masters <a title=\"Finders Keepers Records\" href=\"http:\/\/www.finderskeepersrecords.com\/\" target=\"_blank\">Finders Keepers<\/a>. The write-up in small print is a history of an obscure but seminal French record label that formed out of the wind-blown ashes of the May \u201968 student demonstrations in Paris. It tells this via a list of names and excited adjectives meant to draw the reader into the ven diagram of projects of various producers and performers: <a title=\"Vangelis\" href=\"http:\/\/en.wikipedia.org\/wiki\/Vangelis\" target=\"_blank\">Vangelis<\/a>, <a title=\"Jean-Claude Vannier\" href=\"http:\/\/en.wikipedia.org\/wiki\/Jean-Claude_Vannier\" target=\"_blank\">Jean-Claude Vannier<\/a>, <a title=\"Daevid Allen\" href=\"http:\/\/en.wikipedia.org\/wiki\/Daevid_Allen\" target=\"_blank\">Daevid Allen<\/a>, <a title=\"Brigitte Fontaine\" href=\"http:\/\/en.wikipedia.org\/wiki\/Brigitte_Fontaine\" target=\"_blank\">Brigitte Fontaine<\/a>, <a title=\"Elton John\" href=\"http:\/\/web.eltonjohn.com\/index.jsp\" target=\"_blank\">Elton John<\/a>; booming, rampant, mammoth, bizarre, amazing. While the names may not register (with the exception of Sir Elton) in any madly popular way, the adjectives are telling. Our heroes, the crate-digging, dusty-fingered djs who founded, manage, compile and curate for Finders Keepers \u2013 Mancunians Andy Votel, Dom Thomas and Doug Shipton \u2013 love their work, love music and want to spread the word. And the word here is BYG, a combination of the surname initials of Parisian label founders Fernand Boruso, Jon Luc Young and Jean Georgakarakos. Between 1968 and 1974, BYG \u2018might not have been the surefire code to financial fulfilment but [the label\u2019s] indelible contribution to experimental pop, free jazz, spiritual prog rock and Total Space Music would continue to send positive vibrations through future generations of progressive pop.\u2019<br \/>\n<span><br \/>\nHeavy words for indie kids \u2013 let alone any leftover punks \u2013 for whom \u2018experimental\u2019, \u2018spiritual\u2019, and \u2018prog\u2019 when attached to music are bad words (not that one could likely tell you why). But then they aren\u2019t the audience here. Finders Keepers is about re-surfacing with the music you never knew existed. The label isn\u2019t driven by obscurity, however, as much as it is by mystery. So that the appearance of Elton John\u2019s backing band on one of the tracks, or the unearthing of unknown or even unreleased early Vangelis productions (most famous for his Academy Award-winning soundtrack to <a title=\"Chariots of Fire\" href=\"http:\/\/www.imdb.com\/title\/tt0082158\/\" target=\"_blank\"><em>Chariots of Fire<\/em><\/a>) is to discover gold \u2013 expanding the borders of what happened in the history of pop music while at the same time opening them to some genuinely interesting forgotten moments.<br \/>\n<span><br \/>\nThe music is what matters, of course, and those indie kids and punks could find at least one moment here to relate to amid the twenty-two tracks: BYG being the kind of label that defied easy genres. Val\u00e9rie Lagrange\u2019s \u2018Si ma chanson pouvait\u2019 is a pop hit that never struck its target, with a steady beat and a melody that would give <a title=\"Joan Baez\" href=\"http:\/\/www.joanbaez.com\/\" target=\"_blank\">Joan Baez<\/a> or <a title=\"Joni Mitchell\" href=\"http:\/\/jonimitchell.com\/\" target=\"_blank\">Joni Mitchell<\/a> pause to reconsider; while \u2018Floating\u2019, the a-side to the one-off 45 by the Inter-Groupie Psychotherapeutic Elastic Band (likely a Vangelis-related project), should have the boys in Animal Collective listening carefully. The star of the show, though, is one Daevid Allen, once a member of UK-based free-jazz-rock combo <a title=\"Soft Machine\" href=\"http:\/\/calyx.perso.neuf.fr\/softmachine\/\" target=\"_blank\">Soft Machine<\/a>, whose projects in France included multiple releases by his utopian madness- and drug-inflected group <a title=\"Planet Gong\" href=\"http:\/\/www.planetgong.co.uk\/\" target=\"_blank\">Gong<\/a>. The group\u2019s orgasmically groovy \u2018Hip Hypnotise You\u2019 knows a thing or two about anti-authoritarian behaviour that contemporary punks have long-since abandoned as ideals.<br \/>\n<span><br \/>\nThe proprietors of Ubupopland \u2013 an online record store based in Germany which sells the kind of unaffordable vinyl sources compilations like this are based upon \u2013 often use the word \u2018ungoogleable\u2019 to describe records by unknown artists. And that\u2019s where <a title=\"The BYG Deal\" href=\"http:\/\/www.amazon.co.uk\/Byg-Deal-Various-Artists\/dp\/B002NXSTSM\/ref=sr_1_1?ie=UTF8&amp;s=music&amp;qid=1256470157&amp;sr=1-1\" target=\"_blank\"><em>The BYG Deal<\/em> <\/a>fits in, making the ungoogleable googleable, via human connections and researches that go beyond what the internet and all those MP3s we\u2019re downloading can tell us; and presenting in an affordable, handsome package what we didn\u2019t know we were missing.<\/span><\/span><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>I\u2019ve just spent the morning with the 24-page booklet that accompanies the latest release from Manchester-based reissue masters Finders Keepers. The write-up in small print is a history of an obscure but seminal French record label that formed out of the wind-blown ashes of the May \u201968 student demonstrations in Paris. It tells this via [&hellip;]<\/p>\n","protected":false},"author":37,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"jetpack_publicize_message":"","jetpack_is_tweetstorm":false,"jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":[]},"categories":[15],"tags":[61,82,109,117,274],"jetpack_publicize_connections":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v20.2.1 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>The BYG Deal. A \u201cFinders Keepers\u201d Production (FKR025CD). - The Manchester Review<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.themanchesterreview.co.uk\/?p=547\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"The BYG Deal. A \u201cFinders Keepers\u201d Production (FKR025CD). - The Manchester Review\" \/>\n<meta property=\"og:description\" content=\"I\u2019ve just spent the morning with the 24-page booklet that accompanies the latest release from Manchester-based reissue masters Finders Keepers. The write-up in small print is a history of an obscure but seminal French record label that formed out of the wind-blown ashes of the May \u201968 student demonstrations in Paris. It tells this via [&hellip;]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.themanchesterreview.co.uk\/?p=547\" \/>\n<meta property=\"og:site_name\" content=\"The Manchester Review\" \/>\n<meta property=\"article:published_time\" content=\"2009-10-25T11:22:18+00:00\" \/>\n<meta property=\"og:image\" content=\"http:\/\/mcrrview.web.its.manchester.ac.uk\/blog\/wp-content\/uploads\/2009\/10\/the-byg-deal.jpg\" \/>\n<meta name=\"author\" content=\"Evan Jones\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Evan Jones\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"3 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/www.themanchesterreview.co.uk\/?p=547\",\"url\":\"https:\/\/www.themanchesterreview.co.uk\/?p=547\",\"name\":\"The BYG Deal. A \u201cFinders Keepers\u201d Production (FKR025CD). - The Manchester Review\",\"isPartOf\":{\"@id\":\"http:\/\/www.themanchesterreview.co.uk\/#website\"},\"datePublished\":\"2009-10-25T11:22:18+00:00\",\"dateModified\":\"2009-10-25T11:22:18+00:00\",\"author\":{\"@id\":\"http:\/\/www.themanchesterreview.co.uk\/#\/schema\/person\/3d03cb23da5cec6928e1dcd18b143efb\"},\"breadcrumb\":{\"@id\":\"https:\/\/www.themanchesterreview.co.uk\/?p=547#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/www.themanchesterreview.co.uk\/?p=547\"]}]},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/www.themanchesterreview.co.uk\/?p=547#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\/\/www.themanchesterreview.co.uk\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"The BYG Deal. A \u201cFinders Keepers\u201d Production (FKR025CD).\"}]},{\"@type\":\"WebSite\",\"@id\":\"http:\/\/www.themanchesterreview.co.uk\/#website\",\"url\":\"http:\/\/www.themanchesterreview.co.uk\/\",\"name\":\"The Manchester Review\",\"description\":\"The Manchester Review\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"http:\/\/www.themanchesterreview.co.uk\/?s={search_term_string}\"},\"query-input\":\"required name=search_term_string\"}],\"inLanguage\":\"en-US\"},{\"@type\":\"Person\",\"@id\":\"http:\/\/www.themanchesterreview.co.uk\/#\/schema\/person\/3d03cb23da5cec6928e1dcd18b143efb\",\"name\":\"Evan Jones\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"http:\/\/www.themanchesterreview.co.uk\/#\/schema\/person\/image\/\",\"url\":\"https:\/\/www.themanchesterreview.co.uk\/wp-includes\/images\/blank.gif\",\"contentUrl\":\"https:\/\/www.themanchesterreview.co.uk\/wp-includes\/images\/blank.gif\",\"caption\":\"Evan Jones\"},\"description\":\"Canadian poet Evan Jones lives in Manchester. He is the author of Later Emperors (Carcanet 2020) and The Barbarians Arrive Today: Poems &amp; Prose of C.P. Cavafy (Carcanet 2020).\",\"url\":\"https:\/\/www.themanchesterreview.co.uk\/?author=37\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"The BYG Deal. A \u201cFinders Keepers\u201d Production (FKR025CD). - The Manchester Review","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.themanchesterreview.co.uk\/?p=547","og_locale":"en_US","og_type":"article","og_title":"The BYG Deal. A \u201cFinders Keepers\u201d Production (FKR025CD). - The Manchester Review","og_description":"I\u2019ve just spent the morning with the 24-page booklet that accompanies the latest release from Manchester-based reissue masters Finders Keepers. The write-up in small print is a history of an obscure but seminal French record label that formed out of the wind-blown ashes of the May \u201968 student demonstrations in Paris. It tells this via [&hellip;]","og_url":"https:\/\/www.themanchesterreview.co.uk\/?p=547","og_site_name":"The Manchester Review","article_published_time":"2009-10-25T11:22:18+00:00","og_image":[{"url":"http:\/\/mcrrview.web.its.manchester.ac.uk\/blog\/wp-content\/uploads\/2009\/10\/the-byg-deal.jpg"}],"author":"Evan Jones","twitter_misc":{"Written by":"Evan Jones","Est. reading time":"3 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"WebPage","@id":"https:\/\/www.themanchesterreview.co.uk\/?p=547","url":"https:\/\/www.themanchesterreview.co.uk\/?p=547","name":"The BYG Deal. A \u201cFinders Keepers\u201d Production (FKR025CD). - The Manchester Review","isPartOf":{"@id":"http:\/\/www.themanchesterreview.co.uk\/#website"},"datePublished":"2009-10-25T11:22:18+00:00","dateModified":"2009-10-25T11:22:18+00:00","author":{"@id":"http:\/\/www.themanchesterreview.co.uk\/#\/schema\/person\/3d03cb23da5cec6928e1dcd18b143efb"},"breadcrumb":{"@id":"https:\/\/www.themanchesterreview.co.uk\/?p=547#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/www.themanchesterreview.co.uk\/?p=547"]}]},{"@type":"BreadcrumbList","@id":"https:\/\/www.themanchesterreview.co.uk\/?p=547#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/www.themanchesterreview.co.uk\/"},{"@type":"ListItem","position":2,"name":"The BYG Deal. A \u201cFinders Keepers\u201d Production (FKR025CD)."}]},{"@type":"WebSite","@id":"http:\/\/www.themanchesterreview.co.uk\/#website","url":"http:\/\/www.themanchesterreview.co.uk\/","name":"The Manchester Review","description":"The Manchester Review","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"http:\/\/www.themanchesterreview.co.uk\/?s={search_term_string}"},"query-input":"required name=search_term_string"}],"inLanguage":"en-US"},{"@type":"Person","@id":"http:\/\/www.themanchesterreview.co.uk\/#\/schema\/person\/3d03cb23da5cec6928e1dcd18b143efb","name":"Evan Jones","image":{"@type":"ImageObject","inLanguage":"en-US","@id":"http:\/\/www.themanchesterreview.co.uk\/#\/schema\/person\/image\/","url":"https:\/\/www.themanchesterreview.co.uk\/wp-includes\/images\/blank.gif","contentUrl":"https:\/\/www.themanchesterreview.co.uk\/wp-includes\/images\/blank.gif","caption":"Evan Jones"},"description":"Canadian poet Evan Jones lives in Manchester. He is the author of Later Emperors (Carcanet 2020) and The Barbarians Arrive Today: Poems &amp; Prose of C.P. Cavafy (Carcanet 2020).","url":"https:\/\/www.themanchesterreview.co.uk\/?author=37"}]}},"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p2PuXo-8P","_links":{"self":[{"href":"https:\/\/www.themanchesterreview.co.uk\/index.php?rest_route=\/wp\/v2\/posts\/547"}],"collection":[{"href":"https:\/\/www.themanchesterreview.co.uk\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.themanchesterreview.co.uk\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.themanchesterreview.co.uk\/index.php?rest_route=\/wp\/v2\/users\/37"}],"replies":[{"embeddable":true,"href":"https:\/\/www.themanchesterreview.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=547"}],"version-history":[{"count":9,"href":"https:\/\/www.themanchesterreview.co.uk\/index.php?rest_route=\/wp\/v2\/posts\/547\/revisions"}],"predecessor-version":[{"id":557,"href":"https:\/\/www.themanchesterreview.co.uk\/index.php?rest_route=\/wp\/v2\/posts\/547\/revisions\/557"}],"wp:attachment":[{"href":"https:\/\/www.themanchesterreview.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=547"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.themanchesterreview.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=547"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.themanchesterreview.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=547"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}