{"id":5298,"date":"2016-01-11T18:30:45","date_gmt":"2016-01-11T17:30:45","guid":{"rendered":"http:\/\/www.themanchesterreview.co.uk\/?p=5298"},"modified":"2016-01-14T11:00:03","modified_gmt":"2016-01-14T10:00:03","slug":"three-poems-18","status":"publish","type":"post","link":"https:\/\/www.themanchesterreview.co.uk\/?p=5298","title":{"rendered":"Three Poems"},"content":{"rendered":"<p>Lorna Grove<\/p>\n<p>This is as far as street view goes.<br \/>\nNew green chainlink swelled by greenery.<br \/>\nSky-coloured puddles network into a pond\u2019s skyscape.<br \/>\nA warning sign encircles a family<br \/>\nof slashed and circled pictograms. Analogy is enclosure.<\/p>\n<p>I am looking for where the woods have the furthest to go<br \/>\nbefore hitting road. An interior, off-path,<br \/>\ntoo negligible to plot. To verify<br \/>\na former nursery\u2019s site from a scent<br \/>\nmistaken for it. Green tie wires twined vines fast-<\/p>\n<p>forwarding to reddish green, greenish red, as if to prevent<br \/>\nwhat they were nurturing. Each step extends<br \/>\na lapse in visibility and measure<br \/>\nthat must back onto landfill or lot. Encroaching<br \/>\nhammering. A runnel\u2019s traffic. Yet, in the midst of it, <\/p>\n<p>woolly seed stuff matts the undergrowth<br \/>\nlike afterbirth. Inscrutably visored waterbirds pad a bank<br \/>\ntide-marked with foam. The litter is synthetic,<br \/>\nhistoric. All ways resolve to exits I know.<br \/>\nI depend on their not being connectable. <\/p>\n<p>It is always an overcast three in the afternoon.<br \/>\nNo need for sky to compass.<br \/>\nThe seed, the fruit, the trash have left no scent,<br \/>\nno lacunae in the record, nowhere from where<br \/>\nthere is no way back to the road.<\/p>\n<p>&nbsp;<\/p>\n<p><!--nextpage--><\/p>\n<p>Cape Cod Days<\/p>\n<p>Happy to assume the stucco frontages<br \/>\nof this wedding-cake architecture<br \/>\nhide a better deal, a sky pale<br \/>\nas a Post-It. And the weather turns,<br \/>\nflecks a collar, raises it; dots<br \/>\na blackbird\u2019s plumage with iridescence<br \/>\nfugitive as snow along the north-eastern corridor.<br \/>\nIn Back Bay, on Boylston, or Harris<br \/>\ndown in Providence, in fact<br \/>\nall down the seaboard, there are options<br \/>\nto slip back into versions of ourselves<br \/>\nthat could mount the slope, intuit goings-on<br \/>\nyard for yard, name the feral animal<br \/>\nreiterating its hoarse, two-note offer<br \/>\nfrom a clearing in the woods. The clouds<br \/>\nare take-out bags, the bags sheeted ghosts,<br \/>\nhandles raised to signal another<br \/>\nharmless emergency, or exercise<br \/>\ntheir blithe, informed choices. Plaid shirts balloon<br \/>\nalong the avenue like CEOs on sabbatical,<br \/>\nprofessors coming up for tenure<br \/>\nor early retirement to suburbs like these,<br \/>\nprimed to denounce their neo-<br \/>\nliberal spread with renovations of a white<br \/>\nthat could colour-card highlights<br \/>\non the water and wing the Amtrak swept past<br \/>\nas far up as Portland.<br \/>\nI never made it to Bangor though.<\/p>\n<p>&nbsp;<\/p>\n<p><!--nextpage--><\/p>\n<p>Arpeggio<br \/>\ni.m. Bill Lynch<\/p>\n<p>It circulates out of a place<br \/>\nof longer days, rooms of luxurious breadth<br \/>\nin which I\u2019m being measured for a bespoke suit.<br \/>\nIts source is still on the tip of my tongue.<br \/>\nIt soundtracks a vortex of exhausted cars, stalked fruit<br \/>\nand plumed factory chimneys:<br \/>\nthe pattern on a plate, a fish-eyed kaleidoscope\u2019s <\/p>\n<p>symmetries. It loops before middle C<br \/>\nresolves an aerial sweep of the geometric city<br \/>\nas futurism, not vertigo. Cloud mass grisailles<br \/>\nwhat it shadows. Anxious women puff on cigarettes<br \/>\nunder awnings, in office doorways,<br \/>\nwhile children scamper, out of breath, from black-and-white<br \/>\nto colour, as though fleeing a catastrophe.<\/p>\n<p>Perhaps it has something to do with an evening last week,<br \/>\nsub-zero and falling, I stepped off a bus<br \/>\nto flout the day\u2019s imminent foreclosure.<br \/>\nCrimped glass the colour of pee<br \/>\nblurred the glow of wattage off black-lacquered stairs<br \/>\nup to a room vivid with neons,<br \/>\ndisowning the outdoors, but investing <\/p>\n<p>three sash windows with a white luminescence<br \/>\nalthough all the snow was gone by then.<br \/>\nI could have stayed forever, tired as I was.<br \/>\nSun pinwheeled through foliage,<br \/>\nsparrows cocked their heads<br \/>\nand greyhounds swung their muzzles into woods<br \/>\nthat were no more than the wood they were painted on, <\/p>\n<p>a depthlessness offset by the preternatural clarity of the windows.<br \/>\nThe place they inhabited was all the room was not<br \/>\nbut testified to. Solemn<br \/>\nas ancient Egyptian cats, they were executed<br \/>\nwith an economy I would call Japanese. The glaze<br \/>\nbeading a painted vase might have triggered the scale\u2019s ascent<br \/>\nto where it lost its thread, like that day\u2019s end, <\/p>\n<p>to mist, exhaust fumes, the patter of feet<br \/>\nunder trees strung with Christmas lights no one has taken down.<br \/>\nA typist working late in a room along the corridor.<br \/>\nThe slovenly rap of branches whipping on a bus<br \/>\nthat dawdles as it picks up speed.<br \/>\nSomeone descending the staircase, braced for cold,<br \/>\nresigned to what\u2019s next. <\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Lorna Grove This is as far as street view goes. New green chainlink swelled by greenery. Sky-coloured puddles network into a pond\u2019s skyscape. A warning sign encircles a family of slashed and circled pictograms. Analogy is enclosure. I am looking for where the woods have the furthest to go before hitting road. An interior, off-path, [&hellip;]<\/p>\n","protected":false},"author":105,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"jetpack_publicize_message":"","jetpack_is_tweetstorm":false,"jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":[]},"categories":[327,328],"tags":[],"jetpack_publicize_connections":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v20.2.1 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Three Poems - The Manchester Review<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"http:\/\/www.themanchesterreview.co.uk\/?p=5298\" \/>\n<link rel=\"next\" href=\"http:\/\/www.themanchesterreview.co.uk\/?p=5298&page=2\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Three Poems - The Manchester Review\" \/>\n<meta property=\"og:description\" content=\"Lorna Grove This is as far as street view goes. New green chainlink swelled by greenery. Sky-coloured puddles network into a pond\u2019s skyscape. A warning sign encircles a family of slashed and circled pictograms. Analogy is enclosure. I am looking for where the woods have the furthest to go before hitting road. An interior, off-path, [&hellip;]\" \/>\n<meta property=\"og:url\" content=\"http:\/\/www.themanchesterreview.co.uk\/?p=5298\" \/>\n<meta property=\"og:site_name\" content=\"The Manchester Review\" \/>\n<meta property=\"article:published_time\" content=\"2016-01-11T17:30:45+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2016-01-14T10:00:03+00:00\" \/>\n<meta name=\"author\" content=\"Mark Prince\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Mark Prince\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"4 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"http:\/\/www.themanchesterreview.co.uk\/?p=5298\",\"url\":\"http:\/\/www.themanchesterreview.co.uk\/?p=5298\",\"name\":\"Three Poems - The Manchester Review\",\"isPartOf\":{\"@id\":\"http:\/\/www.themanchesterreview.co.uk\/#website\"},\"datePublished\":\"2016-01-11T17:30:45+00:00\",\"dateModified\":\"2016-01-14T10:00:03+00:00\",\"author\":{\"@id\":\"http:\/\/www.themanchesterreview.co.uk\/#\/schema\/person\/3e52bcb541e5ca6832c67f93bd9e57ac\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"http:\/\/www.themanchesterreview.co.uk\/?p=5298\"]}]},{\"@type\":\"WebSite\",\"@id\":\"http:\/\/www.themanchesterreview.co.uk\/#website\",\"url\":\"http:\/\/www.themanchesterreview.co.uk\/\",\"name\":\"The Manchester Review\",\"description\":\"The Manchester Review\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"http:\/\/www.themanchesterreview.co.uk\/?s={search_term_string}\"},\"query-input\":\"required name=search_term_string\"}],\"inLanguage\":\"en-US\"},{\"@type\":\"Person\",\"@id\":\"http:\/\/www.themanchesterreview.co.uk\/#\/schema\/person\/3e52bcb541e5ca6832c67f93bd9e57ac\",\"name\":\"Mark Prince\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"http:\/\/www.themanchesterreview.co.uk\/#\/schema\/person\/image\/\",\"url\":\"https:\/\/www.themanchesterreview.co.uk\/wp-includes\/images\/blank.gif\",\"contentUrl\":\"https:\/\/www.themanchesterreview.co.uk\/wp-includes\/images\/blank.gif\",\"caption\":\"Mark Prince\"},\"description\":\"Mark Prince lives in Berlin and writes about contemporary art for various publications.\",\"url\":\"https:\/\/www.themanchesterreview.co.uk\/?author=105\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Three Poems - The Manchester Review","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"http:\/\/www.themanchesterreview.co.uk\/?p=5298","next":"http:\/\/www.themanchesterreview.co.uk\/?p=5298&page=2","og_locale":"en_US","og_type":"article","og_title":"Three Poems - The Manchester Review","og_description":"Lorna Grove This is as far as street view goes. 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