{"id":4709,"date":"2015-06-14T22:15:40","date_gmt":"2015-06-14T21:15:40","guid":{"rendered":"http:\/\/www.themanchesterreview.co.uk\/?p=4709"},"modified":"2015-06-14T22:35:32","modified_gmt":"2015-06-14T21:35:32","slug":"two-poems-23","status":"publish","type":"post","link":"https:\/\/www.themanchesterreview.co.uk\/?p=4709","title":{"rendered":"Two Poems"},"content":{"rendered":"<p><b>The Tightrope Walker<\/b><\/p>\n<p>The bearded grind-organ lady&#8217;s<br \/>\nQuaker-bearded monkey,<br \/>\ndepressed elephants,<br \/>\nsedated lions, insouciant<br \/>\nungulate dromedaries<br \/>\nand belligerent camels<br \/>\nwill tomorrow be ushered<br \/>\ninto confinement.<\/p>\n<p>With these will go<br \/>\nthe washing-machine-cum-<br \/>\nbisected-jet-engine that spins,<br \/>\nthat basin of sticky wisps,<br \/>\nspun stratosphere that collects<br \/>\non a dipped stick to make<br \/>\nedible pink insulation.<\/p>\n<p>Stacked like ark runners will be<br \/>\nparenthetical sections<br \/>\nof the two-ring circus,<br \/>\nand with them the big top&#8217;s<br \/>\nbamboo poles a small boy<br \/>\nnamed Hal imagined were<br \/>\nfishing rods for whales.<\/p>\n<p>His neck stiff from looking up,<br \/>\nhis eyes so long fixed<br \/>\non the glittering funambulist<br \/>\nhe imagines he is up there<br \/>\nwith her seeing what she sees<br \/>\nwhen she looks down:<br \/>\neyes all gelatin and night,<br \/>\nlike frogspawn in a ditch;<br \/>\nworkweek complexions, a<br \/>\nshade of pale past exhaustion,<br \/>\nexpressions as volatile<br \/>\nas empty petrol cans.<\/p>\n<p>His stomach fills with butterflies;<br \/>\nbutterscotch coloured they waft<br \/>\nand flutter as Ms Muffet makes<br \/>\nher way on bony<br \/>\nsheep-faced slippered feet<br \/>\nacross the braided wire<br \/>\nfrom tuffet to tuffet.<\/p>\n<p>Later he will not be able to say<br \/>\nwhen he got carried away<br \/>\nor why he hid in a wicker hamper,<br \/>\nunder baguette-sized lace-up<br \/>\nbulb-toed shoes, itchy neon-coloured<br \/>\nnylon wigs and red ball noses,<br \/>\non a bed of oily hawsers,<br \/>\npegs with hangnail heads,<br \/>\nmauls all dents and nicks.<\/p>\n<p>Tomorrow the pigeon-chested<br \/>\nlion tamer and the tightrope<br \/>\nwalker will pick out his cry<br \/>\nfrom the cries of macaws,<br \/>\nthe shrieks of parakeets,<br \/>\nfrom the ratcheting calls of toucans,<br \/>\nand drop him in the next town,<br \/>\nentrust him to the perfumed,<br \/>\nfire-breathing policeman.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><!--nextpage--><br \/>\n<strong>Octopus<\/strong><\/p>\n<p>Just in through the door I spot an old rival.<br \/>\nHe is wearing his trademark thick cream suit,<br \/>\nwith tangerine buttons and green satin lining.<\/p>\n<p>He is yacking, straining words through his teeth,<br \/>\na way of speaking he calls susurration.<br \/>\nAn affectation, it leaves him short of breath<\/p>\n<p>and prone to changing the subject at the first sign<br \/>\nthat anyone listening is starting to get him.<br \/>\nHis is the art of being boring.<\/p>\n<p>I meet an Israeli man, draped in a caftan<br \/>\nthat\u2019s cinched at the waist, a crimson stain<br \/>\nspreading out from the herringbone pin<\/p>\n<p>as though in fastening it he pierced his skin.<br \/>\nIt\u2019s all in-jokes in the Discoth\u00e8que Disco scene;<br \/>\nwe all tilt lightly toward what we likely mean.<\/p>\n<p>Alex is here, refusing, as usual, to give in,<br \/>\nhamming it up on the outermost fringe<br \/>\nof the fringiest scene: the fabulous transmen.<\/p>\n<p>His wife is with him, trying not to cringe,<br \/>\ntrying to pretend it\u2019s all last year\u2019s news,<br \/>\nbeing supportive, though she still finds strange<\/p>\n<p>his compulsion to dress up in women\u2019s clothes,<br \/>\nmodelling for her on a Saturday night<br \/>\nhis latest sheer frocks and low-rise shoes.<\/p>\n<p>She feels ashamed for not being more on side,<br \/>\nhence her anger. \u201cPlease, don\u2019t say \u2018trannys,\u2019<br \/>\nher switch-blade tone setting me right.<\/p>\n<p>Who better than a poet to know it\u2019s not easy<br \/>\nbeing locked inside a diminishing role,<br \/>\npretending everything\u2019s fine, everything\u2019s rosy.<\/p>\n<p>I gander due west, heeding nature\u2019s call,<br \/>\nuntil arrested by an on-the-go girl, in hairband,<br \/>\nsucking a dumbtit, her freckles all sparkles,<\/p>\n<p>who holds before my face her slender hand,<br \/>\nits fingers showing signs of hyper extension,<br \/>\n(one senses that with slight pressure they would bend<\/p>\n<p>all the way back to her wrist). Her tiny palm,<br \/>\nmeanwhile, is divided in four by a cross,<br \/>\neach sector of which bears a postage stamp,<\/p>\n<p>each one embossed with a propelling octopus.<br \/>\n\u201cTo make you swim where few have swum,\u201d<br \/>\nshe says, \u201ca life in ten hours, more or less.\u201d<\/p>\n<p>I dab one on the snail-mail of my tongue.<br \/>\nI turn to pay her, but find she has gone,<br \/>\na wisp inhaled into the club\u2019s cavernous lung.<\/p>\n<p>Nothing then, no tingle, nothing until a line<br \/>\nappears\u2014a zigzag of joins through the parquet<br \/>\nfloor. I follow, funamble, one step at a time,<\/p>\n<p>between dancers, until my muscles ache,<br \/>\nuntil suddenly there comes a flare of lantern light,<br \/>\nthe click of a key in a lock, then a creak<\/p>\n<p>as a barn opens to let animals in for the night.<br \/>\nI enter, and there in the door-less first stall<br \/>\nis a plough horse, a grey dappled white.<\/p>\n<p>He is doing his fabled best to affect<br \/>\nan over-the-fence-in-a-weary-sort-of-way look.<br \/>\nHis conker eyes have a calming effect,<\/p>\n<p>even when he whinnies, says, you look fucked,<br \/>\nholds before my face two lacquered hooves<br \/>\nhe snaps together like halves of a book,<\/p>\n<p>like a prize-fighter his black Everlast gloves.<br \/>\nAll this is a ceremony, a preamble<br \/>\nto his presentation to me\u2014a gesture of love,<\/p>\n<p>surely\u2014of a pearl-white harness. I fall<br \/>\nfor it immediately, for its Doris Day fifties\u2019 hair,<br \/>\nfor it being the corbelled arch a fully-<\/p>\n<p>loaded camel would struggle to go under.<br \/>\nAn hour, ten hours or a year has passed.<br \/>\nI find myself standing before a mirror:<\/p>\n<p>that octopus (sub genus Vulgaris)<br \/>\nhas injected its lamp-black into my eyeball,<br \/>\ncausing my pupil to swell corrosively out into the iris,<\/p>\n<p>like an idea that inflames the public will,<br \/>\nbreeding a strongman, a movement, an empire,<br \/>\nleaving all but a few wondering what the hell.<\/p>\n<p>Distress telegrams coming in from everywhere,<br \/>\nagain I am with the shuffling masses in the station,<br \/>\nthose displaced, who refuse to go to war,<\/p>\n<p>not from cowardice, but from the lingering notion<br \/>\nthat they have never been invested in the place<br \/>\nnor ever will be. Notion calcifying to conviction,<\/p>\n<p>I pull out my wallet. A one-way ticket, please,<br \/>\nI relay to the eight-armed station master<br \/>\nwho lounges on the other side of the Plexiglas.<\/p>\n<p>I\u2019ve made this trip more often than I can count<br \/>\nand though I swear each time will be my last,<br \/>\nmy saying each time becomes more vehement,<\/p>\n<p>which is the strength of my latest last undermined.<br \/>\nThis is my truth wrapped up in a lie.<br \/>\nI expect to perform this office until I die.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>The Tightrope Walker The bearded grind-organ lady&#8217;s Quaker-bearded monkey, depressed elephants, sedated lions, insouciant ungulate dromedaries and belligerent camels will tomorrow be ushered into confinement. With these will go the washing-machine-cum- bisected-jet-engine that spins, that basin of sticky wisps, spun stratosphere that collects on a dipped stick to make edible pink insulation. Stacked like ark [&hellip;]<\/p>\n","protected":false},"author":119,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"jetpack_publicize_message":"","jetpack_is_tweetstorm":false,"jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":[]},"categories":[320,322],"tags":[],"jetpack_publicize_connections":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v20.2.1 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Two Poems - The Manchester Review<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"http:\/\/www.themanchesterreview.co.uk\/?p=4709\" \/>\n<link rel=\"next\" href=\"http:\/\/www.themanchesterreview.co.uk\/?p=4709&page=2\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Two Poems - The Manchester Review\" \/>\n<meta property=\"og:description\" content=\"The Tightrope Walker The bearded grind-organ lady&#8217;s Quaker-bearded monkey, depressed elephants, sedated lions, insouciant ungulate dromedaries and belligerent camels will tomorrow be ushered into confinement. With these will go the washing-machine-cum- bisected-jet-engine that spins, that basin of sticky wisps, spun stratosphere that collects on a dipped stick to make edible pink insulation. Stacked like ark [&hellip;]\" \/>\n<meta property=\"og:url\" content=\"http:\/\/www.themanchesterreview.co.uk\/?p=4709\" \/>\n<meta property=\"og:site_name\" content=\"The Manchester Review\" \/>\n<meta property=\"article:published_time\" content=\"2015-06-14T21:15:40+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2015-06-14T21:35:32+00:00\" \/>\n<meta name=\"author\" content=\"Patrick Warner\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Patrick Warner\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"5 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"http:\/\/www.themanchesterreview.co.uk\/?p=4709\",\"url\":\"http:\/\/www.themanchesterreview.co.uk\/?p=4709\",\"name\":\"Two Poems - The Manchester Review\",\"isPartOf\":{\"@id\":\"http:\/\/www.themanchesterreview.co.uk\/#website\"},\"datePublished\":\"2015-06-14T21:15:40+00:00\",\"dateModified\":\"2015-06-14T21:35:32+00:00\",\"author\":{\"@id\":\"http:\/\/www.themanchesterreview.co.uk\/#\/schema\/person\/3d1aa10aff16075f29ee6cb60c3404b9\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"http:\/\/www.themanchesterreview.co.uk\/?p=4709\"]}]},{\"@type\":\"WebSite\",\"@id\":\"http:\/\/www.themanchesterreview.co.uk\/#website\",\"url\":\"http:\/\/www.themanchesterreview.co.uk\/\",\"name\":\"The Manchester Review\",\"description\":\"The Manchester Review\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"http:\/\/www.themanchesterreview.co.uk\/?s={search_term_string}\"},\"query-input\":\"required name=search_term_string\"}],\"inLanguage\":\"en-US\"},{\"@type\":\"Person\",\"@id\":\"http:\/\/www.themanchesterreview.co.uk\/#\/schema\/person\/3d1aa10aff16075f29ee6cb60c3404b9\",\"name\":\"Patrick Warner\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"http:\/\/www.themanchesterreview.co.uk\/#\/schema\/person\/image\/\",\"url\":\"https:\/\/www.themanchesterreview.co.uk\/wp-includes\/images\/blank.gif\",\"contentUrl\":\"https:\/\/www.themanchesterreview.co.uk\/wp-includes\/images\/blank.gif\",\"caption\":\"Patrick Warner\"},\"description\":\"Patrick Warner was born in Claremorris, Co. Mayo, Ireland in 1963. He immigrated to Canada in 1980 and since then has lived mostly in St. John\u2019s, Newfoundland. He has published four collections of poetry: All Manner of Misunderstanding (Killick Press, 2001), There, there (Signal Editions, 2005), Mole (House of Anansi Press, 2009), and Perfection (Goose Lane\/Ice House, 2012). He is the Rare Books and Special Collections Librarian for Memorial University Libraries.\",\"url\":\"https:\/\/www.themanchesterreview.co.uk\/?author=119\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Two Poems - The Manchester Review","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"http:\/\/www.themanchesterreview.co.uk\/?p=4709","next":"http:\/\/www.themanchesterreview.co.uk\/?p=4709&page=2","og_locale":"en_US","og_type":"article","og_title":"Two Poems - The Manchester Review","og_description":"The Tightrope Walker The bearded grind-organ lady&#8217;s Quaker-bearded monkey, depressed elephants, sedated lions, insouciant ungulate dromedaries and belligerent camels will tomorrow be ushered into confinement. With these will go the washing-machine-cum- bisected-jet-engine that spins, that basin of sticky wisps, spun stratosphere that collects on a dipped stick to make edible pink insulation. Stacked like ark [&hellip;]","og_url":"http:\/\/www.themanchesterreview.co.uk\/?p=4709","og_site_name":"The Manchester Review","article_published_time":"2015-06-14T21:15:40+00:00","article_modified_time":"2015-06-14T21:35:32+00:00","author":"Patrick Warner","twitter_misc":{"Written by":"Patrick Warner","Est. reading time":"5 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"WebPage","@id":"http:\/\/www.themanchesterreview.co.uk\/?p=4709","url":"http:\/\/www.themanchesterreview.co.uk\/?p=4709","name":"Two Poems - The Manchester Review","isPartOf":{"@id":"http:\/\/www.themanchesterreview.co.uk\/#website"},"datePublished":"2015-06-14T21:15:40+00:00","dateModified":"2015-06-14T21:35:32+00:00","author":{"@id":"http:\/\/www.themanchesterreview.co.uk\/#\/schema\/person\/3d1aa10aff16075f29ee6cb60c3404b9"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["http:\/\/www.themanchesterreview.co.uk\/?p=4709"]}]},{"@type":"WebSite","@id":"http:\/\/www.themanchesterreview.co.uk\/#website","url":"http:\/\/www.themanchesterreview.co.uk\/","name":"The Manchester Review","description":"The Manchester Review","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"http:\/\/www.themanchesterreview.co.uk\/?s={search_term_string}"},"query-input":"required name=search_term_string"}],"inLanguage":"en-US"},{"@type":"Person","@id":"http:\/\/www.themanchesterreview.co.uk\/#\/schema\/person\/3d1aa10aff16075f29ee6cb60c3404b9","name":"Patrick Warner","image":{"@type":"ImageObject","inLanguage":"en-US","@id":"http:\/\/www.themanchesterreview.co.uk\/#\/schema\/person\/image\/","url":"https:\/\/www.themanchesterreview.co.uk\/wp-includes\/images\/blank.gif","contentUrl":"https:\/\/www.themanchesterreview.co.uk\/wp-includes\/images\/blank.gif","caption":"Patrick Warner"},"description":"Patrick Warner was born in Claremorris, Co. Mayo, Ireland in 1963. He immigrated to Canada in 1980 and since then has lived mostly in St. John\u2019s, Newfoundland. He has published four collections of poetry: All Manner of Misunderstanding (Killick Press, 2001), There, there (Signal Editions, 2005), Mole (House of Anansi Press, 2009), and Perfection (Goose Lane\/Ice House, 2012). He is the Rare Books and Special Collections Librarian for Memorial University Libraries.","url":"https:\/\/www.themanchesterreview.co.uk\/?author=119"}]}},"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p2PuXo-1dX","_links":{"self":[{"href":"https:\/\/www.themanchesterreview.co.uk\/index.php?rest_route=\/wp\/v2\/posts\/4709"}],"collection":[{"href":"https:\/\/www.themanchesterreview.co.uk\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.themanchesterreview.co.uk\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.themanchesterreview.co.uk\/index.php?rest_route=\/wp\/v2\/users\/119"}],"replies":[{"embeddable":true,"href":"https:\/\/www.themanchesterreview.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=4709"}],"version-history":[{"count":4,"href":"https:\/\/www.themanchesterreview.co.uk\/index.php?rest_route=\/wp\/v2\/posts\/4709\/revisions"}],"predecessor-version":[{"id":4919,"href":"https:\/\/www.themanchesterreview.co.uk\/index.php?rest_route=\/wp\/v2\/posts\/4709\/revisions\/4919"}],"wp:attachment":[{"href":"https:\/\/www.themanchesterreview.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=4709"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.themanchesterreview.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=4709"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.themanchesterreview.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=4709"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}