{"id":4310,"date":"2014-12-07T23:16:10","date_gmt":"2014-12-07T23:16:10","guid":{"rendered":"http:\/\/www.themanchesterreview.co.uk\/?p=4310"},"modified":"2014-12-07T23:19:22","modified_gmt":"2014-12-07T23:19:22","slug":"three-poems-7","status":"publish","type":"post","link":"https:\/\/www.themanchesterreview.co.uk\/?p=4310","title":{"rendered":"Three Poems"},"content":{"rendered":"<p><em><strong>Guitar, Hanga Roa, Easter Island<\/strong><br \/>\n<\/em><\/p>\n<p>Eight-stringed and night-long<br \/>\nstrummed, you prove yourself<\/p>\n<p>a necessary accompaniment on these<br \/>\nlongest of evenings. Bigger<\/p>\n<p>than a fishscale, smaller than the sky,<br \/>\nhow do your songs describe you?<\/p>\n<p>Wider than a sardine, narrower<br \/>\nthan the sea. Sing to us<\/p>\n<p>of how, in this world of untimely things,<br \/>\na man might also be defined\u2014<\/p>\n<p>half way between a grass skirt<br \/>\nand a headstone, a mollusc<\/p>\n<p>and an ocean-liner. Mid-way between<br \/>\na hammer and wind-tossed<\/p>\n<p>palm. No, upon reflection<br \/>\ndo not tell us, Guitar. Sing instead<\/p>\n<p>only of your strings and not<br \/>\nof how this world is strung.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><!--nextpage--><br \/>\n<em><strong>Moot and Pixie, a romance<\/strong><\/em><\/p>\n<p>Moot and Pixie, amorous<br \/>\nat Athenree, their names<br \/>\ninscribed freshly<\/p>\n<p>on trig and gate and upended<br \/>\ndinghy. Moot recumbent<br \/>\nstares down<\/p>\n<p>the buried village<br \/>\nof his belly,<br \/>\ncommences his<\/p>\n<p>breathless balladry: \u2018It is<br \/>\nas if a small tree<br \/>\nhas fallen upon me.\u2019<\/p>\n<p>And the grasses sang<br \/>\nas grasses can,<br \/>\n\u2018Nearer, my god, to thee.\u2019<br \/>\n<!--nextpage--><br \/>\n<em><strong>Michael Collins<\/strong><\/em><\/p>\n<p style=\"padding-left: 30px;\"><em>for Greg Delanty and Gerry Murphy<\/em><\/p>\n<p>A marked man<br \/>\nskirting the Roundy<br \/>\nand Malt Shovel<\/p>\n<p>then crossing an adjacent bridge<br \/>\nwhich also goes by the name<br \/>\nCollins. Beneath me, the river which<\/p>\n<p>in this land of related things<br \/>\nmust also be<br \/>\na not-too-distant cousin<\/p>\n<p>and the half of the town<br \/>\nburnt by rioting British troops<br \/>\nanother proximate relation.<\/p>\n<p>There was a different branch<br \/>\nof the family\u2014bankers, impresarios<br \/>\nof the Last Great Boom\u2014<\/p>\n<p>whose faces I recognised as barnacles<br \/>\non the hull of the Julia, yet another<br \/>\ncousin you might have loved<\/p>\n<p>for her American accent<br \/>\nfallible tone\u2014a camera-wary Roberts<br \/>\nor just another Collins\u2014<\/p>\n<p>a salt spray or industrious<br \/>\ncrew to scrub<br \/>\nthe flank of her<\/p>\n<p>at the tail end<br \/>\nof this large, undulating<br \/>\nweekend, the extended<\/p>\n<p>or over-extended<br \/>\nfamily following dutifully<br \/>\nthe bowling match<\/p>\n<p>to the grinding accompaniment<br \/>\nof \u2018Half Man Half Bicycle\u2019<br \/>\nat Mannix and Culhane.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Guitar, Hanga Roa, Easter Island Eight-stringed and night-long strummed, you prove yourself a necessary accompaniment on these longest of evenings. Bigger than a fishscale, smaller than the sky, how do your songs describe you? Wider than a sardine, narrower than the sea. Sing to us of how, in this world of untimely things, a man [&hellip;]<\/p>\n","protected":false},"author":109,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"jetpack_publicize_message":"","jetpack_is_tweetstorm":false,"jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":[]},"categories":[312,315],"tags":[],"jetpack_publicize_connections":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v20.2.1 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Three Poems - The Manchester Review<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"http:\/\/www.themanchesterreview.co.uk\/?p=4310\" \/>\n<link rel=\"next\" href=\"http:\/\/www.themanchesterreview.co.uk\/?p=4310&page=2\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Three Poems - The Manchester Review\" \/>\n<meta property=\"og:description\" content=\"Guitar, Hanga Roa, Easter Island Eight-stringed and night-long strummed, you prove yourself a necessary accompaniment on these longest of evenings. 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