{"id":2426,"date":"2013-04-12T13:50:20","date_gmt":"2013-04-12T13:50:20","guid":{"rendered":"http:\/\/www.themanchesterreview.co.uk\/?p=2426"},"modified":"2013-04-29T15:18:12","modified_gmt":"2013-04-29T15:18:12","slug":"three-poems-by-anne-compton","status":"publish","type":"post","link":"https:\/\/www.themanchesterreview.co.uk\/?p=2426","title":{"rendered":"Three Poems"},"content":{"rendered":"<p><strong><a href=\"https:\/\/www.themanchesterreview.co.uk\/wp-content\/uploads\/2013\/04\/formal-dining-room.jpg\"><img decoding=\"async\" class=\"alignleft  wp-image-2727\" alt=\"formal dining room\" src=\"https:\/\/www.themanchesterreview.co.uk\/wp-content\/uploads\/2013\/04\/formal-dining-room.jpg\" width=\"500\" srcset=\"https:\/\/www.themanchesterreview.co.uk\/wp-content\/uploads\/2013\/04\/formal-dining-room.jpg 1405w, https:\/\/www.themanchesterreview.co.uk\/wp-content\/uploads\/2013\/04\/formal-dining-room-210x300.jpg 210w, https:\/\/www.themanchesterreview.co.uk\/wp-content\/uploads\/2013\/04\/formal-dining-room-719x1024.jpg 719w\" sizes=\"(max-width: 1405px) 100vw, 1405px\" \/><\/a><\/strong><br \/>\n&nbsp;<br \/>\n<strong><em>Haar<\/em>: frost smoke off the North Atlantic<\/strong><\/p>\n<p>Even the words <em>overcast December day<\/em> have slack in them,<br \/>\na falling away sound. Someone\u2019s taken an eraser to colour:<br \/>\nEverything\u2019s pavement grey. Absolute, I\u2019d say, is the word<br \/>\nfor bare trees, and the river, icing up, looks a cast-off shield.<br \/>\nCrows, in their military coats, are undeterred. They\u2019re warriors \u2013<br \/>\nscouts perhaps \u2013 for the withdrawn king whose wounds turned<br \/>\nhis mind: Smirch of ash, his sense of it. Grey\u2019s the one colour<br \/>\nthat\u2019s its own complement. Nothing answers.<\/p>\n<p>Even so, there\u2019s a three-foot scud of frost rabbiting over the ground,<br \/>\nand yesterday \u2013 I suddenly remember \u2013 on the Lower Cove Loop,<br \/>\ndidn\u2019t a fox cross in front of me, lagging his bushy tail? A dancer<br \/>\nwho didn\u2019t get away by dawn. Carouser, glad of the frost cover \u2013<br \/>\nthe <em>haar<\/em> in from the harbour. Houses, up to their knees in it,<br \/>\nare off their foundations, or so it seems. Down there \u2013 at ground<br \/>\nlevel \u2013 the world\u2019s tipsy with quickening light.<br \/>\n&nbsp;<br \/>\n<!--nextpage--><\/p>\n<p><strong>Biography of the Poet<\/strong><\/p>\n<p>He\u2019s gone over the Bridge of Sighs, feet shambling the yellowed limestone.<br \/>\nProbably he\u2019s in one of the interrogation rooms. Only child, born to old parents,<br \/>\nhe has a lot to answer for. Sins, <em>in petto<\/em>, to be named in one of the dead languages.<\/p>\n<p>In his childhood, bread soldiers every breakfast, and cosseting. Her afternoons<br \/>\nin the sewing closet, making a winter coat for him, epaulettes in red.<br \/>\nWhat she wished for him \u2013 the armature of a king, or a legionnaire, at least.<\/p>\n<p>He went out for words, went west. A newsagent on a passenger train:<br \/>\nIts rhythm, his rhythm. The wheel\u2019s incessant revolution \u2013 <em>lifelong, longlife<\/em> \u2013<br \/>\nsatisfied in a sequence of sonnets.<\/p>\n<p>Found a voice in the newspaper\u2019s front page, impersonal as a dateline \u2013<br \/>\n<em>the only possible pattern now<\/em>. The boy that was: Perishable as newsprint.<br \/>\nAn inky lacuna in the biography: A dark pond at the centre of the hub city.<\/p>\n<p>How many alleyways are there to an answer? You\u2019d like to know \u2013<br \/>\nwouldn\u2019t you \u2013 the last thing said, the morning of his last day: <em>I wish<br \/>\nsomeone would carry my sentences for me.<\/em> They\u2019re getting so heavy.<\/p>\n<p>The human fear of night fowl comes into it, those nocturnals<br \/>\nwho have heard it all \u2013 their finer ears \u2013 and nothing forgotten.<\/p>\n<p>Past the pergola, he saw how the fog was holding up the heads of lilies,<br \/>\nreminding him of a weight he\u2019d refused: A girl\u2019s head bent toward him.<\/p>\n<p>The rowboat at the pier for after. Ladder down. I wanted his torment,<br \/>\nthe entire history of him in my breath, breathing freely. The nearest-to, <em>this<\/em>.<br \/>\n&nbsp;<br \/>\n<!--nextpage--><\/p>\n<p><strong>Fire and Grammar<\/strong><\/p>\n<p>How is it you can miss what you still have?<br \/>\nEarlier versions crowding the chesterfield \u2013<\/p>\n<p>agrammatical. Backward run the sentences.<br \/>\nBroca\u2019s area of the brain unable to manage.<\/p>\n<p>Lordy, lordy, where\u2019s the rapture gone?<br \/>\nWhat comes through the night \u2013 sensible in rainwear<br \/>\nand step-ins \u2013 a has-been. No heat to it whatsoever.<\/p>\n<p>The past\u2019s a train \u2013 tracks torn up. Rabbits and rodents<br \/>\noverrunning the rail-bed.<\/p>\n<p>Everyone\u2019s late to nostalgia: It\u2019s where you have to go<br \/>\non foot. Whinging over the cinders.<\/p>\n<p>It\u2019s not possible to be active in the past,<br \/>\nand passive sentences are a tedious think-through:<\/p>\n<p>Headlamp to my hurrying feet, the future: What a mistake that was.<\/p>\n<p>So busy with the finish, I forgot to burnish<br \/>\nthe everyday brass: Sconce either side the daylit mirror.<\/p>\n<p>Mirrors are lateral thinkers: Reverse left to right. Likewise,<br \/>\nthe left brain talks to the right foot. Verticality, so far.<\/p>\n<p>When you\u2019re done for good, the one that\u2019s full-length<br \/>\nshows the image upended.<\/p>\n<p>Wittgenstein\u2019s duck-rabbit has to be this or that,<br \/>\nbut what happens when the barnyard empties?<\/p>\n<p>Another way of putting it: Soon as it comes<br \/>\ninto being, the past\u2019s a fiction. The one you loved,<\/p>\n<p>relocated there: Flensed to a few words, a paragraph maybe.<br \/>\nAnd yourself? Already, someone\u2019s fingering the spine.<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Even the words overcast December day have slack in them, a falling away sound. <\/p>\n","protected":false},"author":48,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"jetpack_publicize_message":"","jetpack_is_tweetstorm":false,"jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":[]},"categories":[294],"tags":[],"jetpack_publicize_connections":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v20.2.1 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Three Poems - The Manchester Review<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"http:\/\/www.themanchesterreview.co.uk\/?p=2426\" \/>\n<link rel=\"next\" href=\"http:\/\/www.themanchesterreview.co.uk\/?p=2426&page=2\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Three Poems - The Manchester Review\" \/>\n<meta property=\"og:description\" content=\"Even the words overcast December day have slack in them, a falling away sound.\" \/>\n<meta property=\"og:url\" content=\"http:\/\/www.themanchesterreview.co.uk\/?p=2426\" \/>\n<meta property=\"og:site_name\" content=\"The Manchester Review\" \/>\n<meta property=\"article:published_time\" content=\"2013-04-12T13:50:20+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2013-04-29T15:18:12+00:00\" \/>\n<meta property=\"og:image\" content=\"http:\/\/www.themanchesterreview.co.uk\/wp-content\/uploads\/2013\/04\/formal-dining-room.jpg\" \/>\n<meta name=\"author\" content=\"Anne Compton\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Anne Compton\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"3 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"http:\/\/www.themanchesterreview.co.uk\/?p=2426\",\"url\":\"http:\/\/www.themanchesterreview.co.uk\/?p=2426\",\"name\":\"Three Poems - The Manchester Review\",\"isPartOf\":{\"@id\":\"http:\/\/www.themanchesterreview.co.uk\/#website\"},\"datePublished\":\"2013-04-12T13:50:20+00:00\",\"dateModified\":\"2013-04-29T15:18:12+00:00\",\"author\":{\"@id\":\"http:\/\/www.themanchesterreview.co.uk\/#\/schema\/person\/8c6aab0a2d4d6fc848a545faed6270cd\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"http:\/\/www.themanchesterreview.co.uk\/?p=2426\"]}]},{\"@type\":\"WebSite\",\"@id\":\"http:\/\/www.themanchesterreview.co.uk\/#website\",\"url\":\"http:\/\/www.themanchesterreview.co.uk\/\",\"name\":\"The Manchester Review\",\"description\":\"The Manchester Review\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"http:\/\/www.themanchesterreview.co.uk\/?s={search_term_string}\"},\"query-input\":\"required name=search_term_string\"}],\"inLanguage\":\"en-US\"},{\"@type\":\"Person\",\"@id\":\"http:\/\/www.themanchesterreview.co.uk\/#\/schema\/person\/8c6aab0a2d4d6fc848a545faed6270cd\",\"name\":\"Anne Compton\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"http:\/\/www.themanchesterreview.co.uk\/#\/schema\/person\/image\/\",\"url\":\"https:\/\/www.themanchesterreview.co.uk\/wp-includes\/images\/blank.gif\",\"contentUrl\":\"https:\/\/www.themanchesterreview.co.uk\/wp-includes\/images\/blank.gif\",\"caption\":\"Anne Compton\"},\"description\":\"Anne Compton is a Canadian poet and essayist, anthologist and editor. 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