{"id":1788,"date":"2012-10-23T18:59:54","date_gmt":"2012-10-23T17:59:54","guid":{"rendered":"http:\/\/www.themanchesterreview.co.uk\/blog\/?p=1412"},"modified":"2016-02-05T19:42:34","modified_gmt":"2016-02-05T18:42:34","slug":"wang-anyi-reviewed-by-daisy-owens","status":"publish","type":"post","link":"https:\/\/www.themanchesterreview.co.uk\/?p=1788","title":{"rendered":"Wang Anyi, reviewed by Daisy Owens"},"content":{"rendered":"<p class=\"Normal\"><span class=\"Normal__Char\"><em>Saturday, 20th October 2012, Wang Anyi, International Anthony Burgess Foundation<\/em><br \/>\n<\/span><\/p>\n<p class=\"Normal\">Prior to the event, little information was released about the exact nature of today\u2019s discussion with Wang Anyi, organised in conjunction with the Confucius Institute for the Manchester Literature Festival. It\u2019s a pleasure to discover that Anyi will be talking about both her own work and, more broadly, the nature of the Maoist regime which resonates within it. You might think Anyi\u2019s opening reading in Mandarin might be somewhat alienating to some members of the audience, which is clearly made up of a variety of different ethnicities. On the contrary, Anyi\u2019s reading perfectly conjures an authentic backdrop for the discussion of Chinese history and culture which will follow. Non-Mandarin speakers are given an English-language version of the passage she reads, which, even for those least familiar with her work, gives a flavour of Anyi\u2019s rich, sensory descriptions as it details the longtang of Shanghai through a consideration of the role of gossip within them.<\/p>\n<p class=\"Normal\">This extract, from her novel\u00a0<span class=\"Normal__Char\">The Song of Everlasting Sorrow<\/span>, also reflects Anyi\u2019s fascination with the details of normal life, which she goes on to discuss. She explains how she believes the role of the novelist is different from that of an historian, and how as a novelist she strives to explore life at a micro-level and subtly reflect historical change through this inspection of everyday life. To illustrate her point, she mentions her own youth in 1960s and 1970s Shanghai and the changes that could be seen happening during this period. The chairwoman of the event seizes the opportunity to question Anyi further about her personal experiences as a young writer in China, which prompts the most fascinating part of the discussion. Anyi describes her experiences seeking a career as a novelist as the daughter of two esteemed writers, and considers the differences between writing in her parents\u2019 generation and in her own, both in terms of opportunities and subject matter. This opens up into a wider analysis of the Cultural Revolution and its consequences for young people.<\/p>\n<p class=\"Normal\">This exploration of cultural change in China clearly intrigues the audience, as Anyi is further questioned by the audience on topics including progression in Chinese fashion in a brief Q and A session. There is the sense that perhaps something may be lost in translation as her responses are relayed in English by a translator \u2013 a fact which also sadly but inevitably limits the depth of the discussion today due to further time constraints. However, she answers all questions conscientiously and at times humorously, which makes her answers engaging as she offers up examples of how young women tried to flout the conventional dress code during her youth. The audience leaves the Anthony Burgess Foundation with a greater understanding not only of Anyi\u2019s own views and life story but also of the effects of the Maoist regime on writers and young people in general, which as such will allow fans both old and new to more fully appreciate her work.<\/p>\n<p class=\"Normal\"><strong>Daisy Owens<\/strong> <em>is a student at The University of Manchester.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>by Daisy Owens<\/p>\n","protected":false},"author":45,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"jetpack_publicize_message":"","jetpack_is_tweetstorm":false,"jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":[]},"categories":[16,283],"tags":[],"jetpack_publicize_connections":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v20.2.1 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Wang Anyi, reviewed by Daisy Owens - The Manchester Review<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"http:\/\/www.themanchesterreview.co.uk\/?p=1788\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Wang Anyi, reviewed by Daisy Owens - The Manchester Review\" \/>\n<meta property=\"og:description\" content=\"by Daisy Owens\" \/>\n<meta property=\"og:url\" content=\"http:\/\/www.themanchesterreview.co.uk\/?p=1788\" \/>\n<meta property=\"og:site_name\" content=\"The Manchester Review\" \/>\n<meta property=\"article:published_time\" content=\"2012-10-23T17:59:54+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2016-02-05T18:42:34+00:00\" \/>\n<meta name=\"author\" content=\"The Manchester Review\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"The Manchester Review\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"3 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"http:\/\/www.themanchesterreview.co.uk\/?p=1788\",\"url\":\"http:\/\/www.themanchesterreview.co.uk\/?p=1788\",\"name\":\"Wang Anyi, reviewed by Daisy Owens - The Manchester Review\",\"isPartOf\":{\"@id\":\"http:\/\/www.themanchesterreview.co.uk\/#website\"},\"datePublished\":\"2012-10-23T17:59:54+00:00\",\"dateModified\":\"2016-02-05T18:42:34+00:00\",\"author\":{\"@id\":\"http:\/\/www.themanchesterreview.co.uk\/#\/schema\/person\/e6deb0374609919f6e86f6ee1defe8cc\"},\"breadcrumb\":{\"@id\":\"http:\/\/www.themanchesterreview.co.uk\/?p=1788#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"http:\/\/www.themanchesterreview.co.uk\/?p=1788\"]}]},{\"@type\":\"BreadcrumbList\",\"@id\":\"http:\/\/www.themanchesterreview.co.uk\/?p=1788#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\/\/www.themanchesterreview.co.uk\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Wang Anyi, reviewed by Daisy Owens\"}]},{\"@type\":\"WebSite\",\"@id\":\"http:\/\/www.themanchesterreview.co.uk\/#website\",\"url\":\"http:\/\/www.themanchesterreview.co.uk\/\",\"name\":\"The Manchester Review\",\"description\":\"The Manchester Review\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"http:\/\/www.themanchesterreview.co.uk\/?s={search_term_string}\"},\"query-input\":\"required name=search_term_string\"}],\"inLanguage\":\"en-US\"},{\"@type\":\"Person\",\"@id\":\"http:\/\/www.themanchesterreview.co.uk\/#\/schema\/person\/e6deb0374609919f6e86f6ee1defe8cc\",\"name\":\"The Manchester Review\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"http:\/\/www.themanchesterreview.co.uk\/#\/schema\/person\/image\/\",\"url\":\"https:\/\/www.themanchesterreview.co.uk\/wp-includes\/images\/blank.gif\",\"contentUrl\":\"https:\/\/www.themanchesterreview.co.uk\/wp-includes\/images\/blank.gif\",\"caption\":\"The Manchester Review\"},\"description\":\"The Manchester Review was founded in 2008 and is published by the Centre for New Writing at The University of Manchester. We aspire to bring together online, without a paper edition, the best of international writing from well-known, established writers alongside new, relatively unknown poets and prose-writers.\",\"url\":\"https:\/\/www.themanchesterreview.co.uk\/?author=45\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Wang Anyi, reviewed by Daisy Owens - The Manchester Review","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"http:\/\/www.themanchesterreview.co.uk\/?p=1788","og_locale":"en_US","og_type":"article","og_title":"Wang Anyi, reviewed by Daisy Owens - The Manchester Review","og_description":"by Daisy Owens","og_url":"http:\/\/www.themanchesterreview.co.uk\/?p=1788","og_site_name":"The Manchester Review","article_published_time":"2012-10-23T17:59:54+00:00","article_modified_time":"2016-02-05T18:42:34+00:00","author":"The Manchester Review","twitter_misc":{"Written by":"The Manchester Review","Est. reading time":"3 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"WebPage","@id":"http:\/\/www.themanchesterreview.co.uk\/?p=1788","url":"http:\/\/www.themanchesterreview.co.uk\/?p=1788","name":"Wang Anyi, reviewed by Daisy Owens - The Manchester Review","isPartOf":{"@id":"http:\/\/www.themanchesterreview.co.uk\/#website"},"datePublished":"2012-10-23T17:59:54+00:00","dateModified":"2016-02-05T18:42:34+00:00","author":{"@id":"http:\/\/www.themanchesterreview.co.uk\/#\/schema\/person\/e6deb0374609919f6e86f6ee1defe8cc"},"breadcrumb":{"@id":"http:\/\/www.themanchesterreview.co.uk\/?p=1788#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["http:\/\/www.themanchesterreview.co.uk\/?p=1788"]}]},{"@type":"BreadcrumbList","@id":"http:\/\/www.themanchesterreview.co.uk\/?p=1788#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/www.themanchesterreview.co.uk\/"},{"@type":"ListItem","position":2,"name":"Wang Anyi, reviewed by Daisy Owens"}]},{"@type":"WebSite","@id":"http:\/\/www.themanchesterreview.co.uk\/#website","url":"http:\/\/www.themanchesterreview.co.uk\/","name":"The Manchester Review","description":"The Manchester Review","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"http:\/\/www.themanchesterreview.co.uk\/?s={search_term_string}"},"query-input":"required name=search_term_string"}],"inLanguage":"en-US"},{"@type":"Person","@id":"http:\/\/www.themanchesterreview.co.uk\/#\/schema\/person\/e6deb0374609919f6e86f6ee1defe8cc","name":"The Manchester Review","image":{"@type":"ImageObject","inLanguage":"en-US","@id":"http:\/\/www.themanchesterreview.co.uk\/#\/schema\/person\/image\/","url":"https:\/\/www.themanchesterreview.co.uk\/wp-includes\/images\/blank.gif","contentUrl":"https:\/\/www.themanchesterreview.co.uk\/wp-includes\/images\/blank.gif","caption":"The Manchester Review"},"description":"The Manchester Review was founded in 2008 and is published by the Centre for New Writing at The University of Manchester. We aspire to bring together online, without a paper edition, the best of international writing from well-known, established writers alongside new, relatively unknown poets and prose-writers.","url":"https:\/\/www.themanchesterreview.co.uk\/?author=45"}]}},"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p2PuXo-sQ","_links":{"self":[{"href":"https:\/\/www.themanchesterreview.co.uk\/index.php?rest_route=\/wp\/v2\/posts\/1788"}],"collection":[{"href":"https:\/\/www.themanchesterreview.co.uk\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.themanchesterreview.co.uk\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.themanchesterreview.co.uk\/index.php?rest_route=\/wp\/v2\/users\/45"}],"replies":[{"embeddable":true,"href":"https:\/\/www.themanchesterreview.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1788"}],"version-history":[{"count":10,"href":"https:\/\/www.themanchesterreview.co.uk\/index.php?rest_route=\/wp\/v2\/posts\/1788\/revisions"}],"predecessor-version":[{"id":6018,"href":"https:\/\/www.themanchesterreview.co.uk\/index.php?rest_route=\/wp\/v2\/posts\/1788\/revisions\/6018"}],"wp:attachment":[{"href":"https:\/\/www.themanchesterreview.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1788"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.themanchesterreview.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1788"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.themanchesterreview.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1788"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}