{"id":13243,"date":"2026-08-28T15:25:17","date_gmt":"2026-08-28T14:25:17","guid":{"rendered":"https:\/\/www.themanchesterreview.co.uk\/?p=13243"},"modified":"2026-08-28T18:36:59","modified_gmt":"2026-08-28T17:36:59","slug":"drought","status":"publish","type":"post","link":"https:\/\/www.themanchesterreview.co.uk\/?p=13243","title":{"rendered":"Drought"},"content":{"rendered":"<p><img decoding=\"async\" loading=\"lazy\" src=\"https:\/\/www.themanchesterreview.co.uk\/wp-content\/uploads\/2021\/09\/Screenshot-2026-08-28-at-14.37.24.png\" alt=\"\" width=\"650\" height=\"650\" \/><br \/><span style=\"font-size: 12px;\">Image: \u00a9 Charles Eastwood<\/span><\/p>\n<p>&nbsp;<\/p>\n<p>everywhere the land is now taken into drought<\/p>\n<p>mandatory water shutoffs<\/p>\n<p><em>only water your lawns after 6 pm<\/em><\/p>\n<p>and we let our lawns die<\/p>\n<p>and neighborhood after neighborhood becomes burned<\/p>\n<p>and the city gradually loses its color<\/p>\n<p>until the valley bakes down into a light brown<\/p>\n<p>and i drive around the city<\/p>\n<p>and each neighborhood is the shade of brown directly tied to income<\/p>\n<p>with certain wealthy areas still green<\/p>\n<p>they just pay each fine and continue to water<\/p>\n<p>and things get worse<\/p>\n<p>because the green lawns become a symbol of opulence<\/p>\n<p>and the working-class neighborhoods of salt lake city become enlivened with rage<\/p>\n<p>and you&#8217;ll see people with bumper stickers against the lawns<\/p>\n<p>but they&#8217;re really against the wealthy<\/p>\n<p>stickers like one with green grass with a red x through it<\/p>\n<p>or even one that says<\/p>\n<p>STOP THE GREEN MENACE<\/p>\n<p>and it&#8217;s just cartoon ceo&#8217;s mowing their overlush lawns<\/p>\n<p>and people protest daily outside the gates of the old families of the valley<\/p>\n<p>the kind that<\/p>\n<p>even just fifteen years ago<\/p>\n<p>were shadows in the workings of statecraft<\/p>\n<p>but no longer<\/p>\n<p>and their names are put onto fliers<\/p>\n<p>that say<\/p>\n<p>WATCH OUT FOR<\/p>\n<p>CEO OF LAKE PETROLEUM<\/p>\n<p>with a picture of the dude in a suit<\/p>\n<p>and these fliers are everywhere<\/p>\n<p>i&#8217;m driving and finally i get to the wealthy neighborhood<\/p>\n<p>i want to get into this neighborhood where i hear sprinklers<\/p>\n<p>while it&#8217;s only 3 pm<\/p>\n<p>and it&#8217;s quieter than the rest of the city<\/p>\n<p>i hear birds<\/p>\n<p>but there&#8217;s tall gates<\/p>\n<p>and even the gates have non-native foliage draping over them<\/p>\n<p>and i&#8217;m like<\/p>\n<p><em>aight<\/em><\/p>\n<p>and i&#8217;m driving home<\/p>\n<p>and am minorly outraged<\/p>\n<p>\u00a0they&#8217;ve walled themselves off from us<\/p>\n<p>let&#8217;s put them all out to pasture!<\/p>\n<p>but no that wouldn&#8217;t be right<\/p>\n<p>they&#8217;ve already put us out to pasture<\/p>\n<p>i hate the feeling of being forced to relate to people just based on income<\/p>\n<p>instead of something normal like whatever<\/p>\n<p>or like how much grass you have<\/p>\n<p>i now have an idea!<\/p>\n<p>i&#8217;m so excited i plan it out in my head on the drive home<\/p>\n<p>i get home<\/p>\n<p>i wait until evening<\/p>\n<p>late at night<\/p>\n<p>like past 5 am<\/p>\n<p>where i dress in all black because i want to convince myself that this is what i&#8217;m doing<\/p>\n<p>where i drive my car back to where i was earlier in the day<\/p>\n<p>then comes the hard part<\/p>\n<p>but luckily there&#8217;s a low part in the fence<\/p>\n<p>that i&#8217;m able to dive over<\/p>\n<p>so i do it and vault over the top and land on<\/p>\n<p>grass!<\/p>\n<p>great lengths of green grass!<\/p>\n<p>like i&#8217;m on the other side of the hill!<\/p>\n<p>it&#8217;s a commons area where all the richies can sit and have picnics or whatever<\/p>\n<p>and i remember that i&#8217;m dressed like a robber<\/p>\n<p>and i look even worse carrying a handheld sod cutter<\/p>\n<p>so i run into the shadows of a few pine trees<\/p>\n<p>and i hear a bubbling creek<\/p>\n<p>a creek!<\/p>\n<p>curling nicely around a mansionous estate<\/p>\n<p>a moat!<\/p>\n<p>with luscious gardens<\/p>\n<p>and bronze statues of naked cherubs<\/p>\n<p>and the lawn&#8217;s not only perfect<\/p>\n<p>but it must be cut like every three days<\/p>\n<p>because the length&#8217;s like something you could play golf on<\/p>\n<p>and i walk to the center of the lawn<\/p>\n<p>which looks like a fair way<\/p>\n<p>and i fall to my knees<\/p>\n<p>and plunge my sod cutter with both hands into the ground<\/p>\n<p>and even though i&#8217;m committing vandalism<\/p>\n<p>the opulence makes me feel that my cut should be a perfect square<\/p>\n<p>but i&#8217;m unable to cut a perfect square<\/p>\n<p>i toil and work feverishly to just get a square two-feet raggedy blob<\/p>\n<p>and i&#8217;ve pulled it out!<\/p>\n<p>and out comes all the dirt with it like a foot deep of earth<\/p>\n<p>and i bang the earth onto the ground<\/p>\n<p>but it stays attached to the grass because it&#8217;s so moist<\/p>\n<p>so i lift up the whole hunk of land<\/p>\n<p>and run back to the fence<\/p>\n<p>i notice a light turn on in the near distance<\/p>\n<p>and since someone else&#8217;s awake<\/p>\n<p>i just chuck the grass chunk over the fence<\/p>\n<p>more like a Frisbee<\/p>\n<p>and it lands on the other side<\/p>\n<p>then i clear the fence too<\/p>\n<p>so now i&#8217;m driving somehow now with this useless big patch of green grass<\/p>\n<p>and it&#8217;s not even an even square so it&#8217;ll just look like an exaggerated divot<\/p>\n<p>and it&#8217;s dawn now<\/p>\n<p>and everything&#8217;s beginning to become visible<\/p>\n<p>and it&#8217;s sitting next to me on the front passenger&#8217;s seat<\/p>\n<p>and it&#8217;s waving a little in the air conditioning<\/p>\n<p>and the smell of real earth fills the car<\/p>\n<p>and moist dirt crumbles around the seat<\/p>\n<p>and it&#8217;s just so green<\/p>\n<p>and then i feel this <em>now<\/em> as a weird <em>now<\/em><\/p>\n<p>i mean i&#8217;m driving a chunk of someone else&#8217;s grass to who knows where<\/p>\n<p>and i see a deer corpse on the side of the road<\/p>\n<p>and it&#8217;s really a fawn<\/p>\n<p>and it&#8217;s buzzing with insects<\/p>\n<p>and for some reason i stop to take a look<\/p>\n<p>and i make sure my car&#8217;s off the road enough not to get hit<\/p>\n<p>and i walk up to it with the afternoon sun on my neck<\/p>\n<p>and i look down and see the fawn<\/p>\n<p>and i look up again<\/p>\n<p>and i grab the patch of grass and lift up the fawn\u2019s head<\/p>\n<p>and put the grass under the fawn&#8217;s head<\/p>\n<p>and lay the fawn&#8217;s head down<\/p>\n<p>gently onto its new pillow of grass<\/p>\n<p>and i look at the fawn&#8217;s head on the grass<\/p>\n<p>and its eyes are still black<\/p>\n<p>and intact<\/p>\n<p>and HUGE<\/p>\n<p>and how did it wind up here?<\/p>\n<p>the fawn comes down from the hills<\/p>\n<p>and strays looking for water<\/p>\n<p>and parched<\/p>\n<p>and delirious<\/p>\n<p>strays into traffic<\/p>\n<p>this fawn&#8217;s wandered<\/p>\n<p>a stray from nature<\/p>\n<p>and i&#8217;m looking down at those black eyes<\/p>\n<p>and they look lost<\/p>\n<p>and sad<\/p>\n<p>and say<\/p>\n<p><em>even before adulthood i know what&#8217;s in store<\/em><\/p>\n<p>and what is in store?<\/p>\n<p>and i&#8217;m staring into the eyes of the fawn<\/p>\n<p>spots still mainly intact<\/p>\n<p>everything else begins the journey of decay<\/p>\n<p>its eyes are black with a film of glass that looks like it&#8217;s an astronaut&#8217;s helmet<\/p>\n<p>and i think about the fawn<\/p>\n<p>and it&#8217;s lying splayed out but now with a grass pillow<\/p>\n<p>and i know its eyes will stick with me<\/p>\n<p>and how i can&#8217;t help but feel<\/p>\n<p>that the deer dies lost<\/p>\n<p>even in death<\/p>\n<p>this is a lost deer<\/p>\n<p><strong>\u00a0<\/strong><\/p>\n<p><i>____<\/i><\/p>\n<p><strong>\u00a0<\/strong><\/p>\n<p>Puck Phillips is a heteronym created by Utah-based writer Christopher Newman. Born in the fictional town of Neconish, Wisconsin, Phillips studied English at a nearby college. He taught university courses for several years before leaving to write full-time. He lives with his wife and two dogs in the Sugar House neighbourhood of Salt Lake City.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Image: \u00a9 Charles Eastwood &nbsp; everywhere the land is now taken into drought mandatory water shutoffs only water your lawns after 6 pm and we let our lawns die and neighborhood after neighborhood becomes burned and the city gradually loses its color until the valley bakes down into a light brown and i drive around [&hellip;]<\/p>\n","protected":false},"author":439,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"jetpack_publicize_message":"","jetpack_is_tweetstorm":false,"jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":[]},"categories":[376,441,443],"tags":[],"jetpack_publicize_connections":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v20.2.1 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Drought - The Manchester Review<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.themanchesterreview.co.uk\/?p=13243\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Drought - The Manchester Review\" \/>\n<meta property=\"og:description\" content=\"Image: \u00a9 Charles Eastwood &nbsp; everywhere the land is now taken into drought mandatory water shutoffs only water your lawns after 6 pm and we let our lawns die and neighborhood after neighborhood becomes burned and the city gradually loses its color until the valley bakes down into a light brown and i drive around [&hellip;]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.themanchesterreview.co.uk\/?p=13243\" \/>\n<meta property=\"og:site_name\" content=\"The Manchester Review\" \/>\n<meta property=\"article:published_time\" content=\"2026-08-28T14:25:17+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2026-08-28T17:36:59+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.themanchesterreview.co.uk\/wp-content\/uploads\/2021\/09\/Screenshot-2026-08-28-at-14.37.24.png\" \/>\n<meta name=\"author\" content=\"Puck Phillips\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Puck Phillips\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"6 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/www.themanchesterreview.co.uk\/?p=13243\",\"url\":\"https:\/\/www.themanchesterreview.co.uk\/?p=13243\",\"name\":\"Drought - The Manchester Review\",\"isPartOf\":{\"@id\":\"http:\/\/www.themanchesterreview.co.uk\/#website\"},\"datePublished\":\"2026-08-28T14:25:17+00:00\",\"dateModified\":\"2026-08-28T17:36:59+00:00\",\"author\":{\"@id\":\"http:\/\/www.themanchesterreview.co.uk\/#\/schema\/person\/1163221fe774538d795817a8a49d933f\"},\"breadcrumb\":{\"@id\":\"https:\/\/www.themanchesterreview.co.uk\/?p=13243#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/www.themanchesterreview.co.uk\/?p=13243\"]}]},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/www.themanchesterreview.co.uk\/?p=13243#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\/\/www.themanchesterreview.co.uk\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Drought\"}]},{\"@type\":\"WebSite\",\"@id\":\"http:\/\/www.themanchesterreview.co.uk\/#website\",\"url\":\"http:\/\/www.themanchesterreview.co.uk\/\",\"name\":\"The Manchester Review\",\"description\":\"The Manchester Review\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"http:\/\/www.themanchesterreview.co.uk\/?s={search_term_string}\"},\"query-input\":\"required name=search_term_string\"}],\"inLanguage\":\"en-US\"},{\"@type\":\"Person\",\"@id\":\"http:\/\/www.themanchesterreview.co.uk\/#\/schema\/person\/1163221fe774538d795817a8a49d933f\",\"name\":\"Puck Phillips\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"http:\/\/www.themanchesterreview.co.uk\/#\/schema\/person\/image\/\",\"url\":\"https:\/\/www.themanchesterreview.co.uk\/wp-includes\/images\/blank.gif\",\"contentUrl\":\"https:\/\/www.themanchesterreview.co.uk\/wp-includes\/images\/blank.gif\",\"caption\":\"Puck Phillips\"},\"url\":\"https:\/\/www.themanchesterreview.co.uk\/?author=439\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Drought - The Manchester Review","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.themanchesterreview.co.uk\/?p=13243","og_locale":"en_US","og_type":"article","og_title":"Drought - The Manchester Review","og_description":"Image: \u00a9 Charles Eastwood &nbsp; 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