{"id":12568,"date":"2024-11-26T19:39:48","date_gmt":"2024-11-26T18:39:48","guid":{"rendered":"https:\/\/www.themanchesterreview.co.uk\/?p=12568"},"modified":"2024-11-26T20:43:10","modified_gmt":"2024-11-26T19:43:10","slug":"an-adultery","status":"publish","type":"post","link":"https:\/\/www.themanchesterreview.co.uk\/?p=12568","title":{"rendered":"An Adultery"},"content":{"rendered":"<p><img decoding=\"async\" loading=\"lazy\" src=\"https:\/\/www.themanchesterreview.co.uk\/wp-content\/uploads\/2021\/09\/Flower-Nine-e1732646328204.jpg\" alt=\"\" width=\"600\" height=\"780\" \/><br \/><span style=\"font-size: 12px;\">Image: \u00a9 Manchester Museum, The University of Manchester<\/span><\/p>\n<p><span style=\"font-weight: 400;\">\u201cSex with my wife hasn\u2019t been the same,\u201d my lover says, \u201csince her breast cancer.\u201d<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Where bedsheets retract, the shoreline of his body emerges. Lumps of burnt pink, freckled all over. Behind him, glass slats combine to windows, and then the Mediterranean, its green light stretching all the way to our ceiling. It is this ceiling that he stares at as he speaks.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">\u201cThey offered her breast implants,\u201d he continues, \u201cbut she refused.\u201d<\/span><\/p>\n<p><span style=\"font-weight: 400;\">\u201cReally?\u201d<\/span><\/p>\n<p><span style=\"font-weight: 400;\">\u201cReally. Now she has no boobs.\u201d He reaches in for me. The skin of his hand is stained with sunspots. It sticks to my chest, to the semen not yet dry in its hollow. I picture the sperm, the million heads squirming into the crack of his palm. \u201cHonk,\u201d he says.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">I close my eyes. I smell chlorex and must through the air conditioning unit, but no brine, even though we are close to the sea. The windows to this hotel room are a perfect seal &#8211; what they keep in, what they keep out, there is always a choice, and within each choice there is always a loss.\u00a0<\/span><\/p>\n<p style=\"text-align: center;\"><span style=\"font-weight: 400;\">*<\/span><\/p>\n<p><span style=\"font-weight: 400;\">For dinner, I wear a long, backless dress. It was intended for formal events, and people turn as we walk through the lobby. My hair knotted to the crown of my head, my jaw stretched girlishly beneath my tan in a way it hasn\u2019t in a while. In the mirror, as we cross the hall, I can only smile.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">\u00a0\u201cYou look wonderful,\u201d says the man at reception. \u201cYou look wonderful,\u201d says the waiter, showing us to our table. \u201cYou do,\u201d my lover whispers in my ear, sliding the chair beneath me.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">\u201cDo what?\u201d\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">\u201cLook wonderful.\u201d Then he adds, \u201cI wish my wife would dress like that.\u201d He raises his eyes to the ceiling, as if he were asking God for a miracle.\u00a0\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">This is how my lover refers to her. On this holiday, he\u2019s been calling her \u2018my wife\u2019, never by name. As he takes his place beside me, I draw her in my mind. The plumpy arms, the sickly tinge of her skin, the grey roots sprouting from her head that she forgets to dye. I know what she smells like, it used to be milk and honey but recently it\u2019s drifted to a different smell, I couldn\u2019t quite believe it was her but it must be, the smell is there when there is no one else around. Parched, soured. Middle-aged.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">I know her well. I know her children. I\u2019ve eaten food at her dining table.\u00a0\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">The waiter stands above us. I cradle my face in my hands and look at my lover who is ordering the drinks. I know he likes when I look at him this way.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Every night here is almost the same. Vodka tonics, two rounds with our appetizers. A bottle of white with the main course, always white, it\u2019s too hot for anything else. After our meal, we\u2019ll have espressos and another drink. This last one varies, it\u2019s good to vary a little when you\u2019re on holiday with a man who fucks you in the ass and recites his wife\u2019s annoying habits to you afterwards.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">When the food comes, it\u2019s simple reds and greens, traditional for this corner of Mediterranean. The hotel restaurant is simple too, white and anonymous, tall ceilings and an absence of decoration. A package-holiday hotel trying to be something it is not, a cheap luxury that might\u2019ve been convincing in the years after it was built but it\u2019s been a long time since. Now, there are only walls bloated with humidity, the echo of cutlery from its guests.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">He picked this place because he could afford it. I suppose he could afford anything, really, but this won\u2019t dent his family\u2019s finances: he won\u2019t have to sacrifice the school fees or his financial investments; his daughter\u2019s swimming lessons, his son\u2019s football camps, his wife\u2019s private appointments. Our legs touch beneath the table; the vodka slides through me in a reassuring burn. Places like these, I think, exist only to shift the rest of life from focus.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">After dinner, as usual, we are too drunk to walk. We lay on sunbeds in the dark. The tide is weak, the brush of waves blends with the bristling pines behind us. We light a smoke and touch each other like teenagers. I hold his earlobe between my teeth and let him tell me what to do.\u00a0<\/span><\/p>\n<p style=\"text-align: center;\"><span style=\"font-weight: 400;\">*<\/span><\/p>\n<p><span style=\"font-weight: 400;\">He falls asleep before me, he always does.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">From my side of the bed, he is no longer spinning. The crescent of his face is still in the moonlight. His nose pressed to the pillow: a perfect edge, a perfect angle. In the beginning, I used to stare at that nose for hours. I used to run my fingertip along it. I used to wonder about the geometry of nature; about all the impossibilities held within it.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Beneath the thrill of the air conditioner, I listen for his breath. The quiet heaves and falls, his top lip slits apart. The skin of his face is smooth, like a child\u2019s. I am always surprised by how much younger his face looks than it is &#8211; it wrinkles only when he laughs, those surges of laughter he gets sometimes. There have been a few on this holiday when there hadn\u2019t been any in a while, loud and violent when I least expect them, and when they come they scare me, those wrinkles that open like wounds, the fear that I will disappear inside them. They leave me to wonder how this can be the same man that I love, how there can be nothing else he is hiding.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">I can\u2019t imagine him any differently. I met him when the wrinkles were already there, perhaps a little less deep. At work, he would meander past my desk. He would ask: what are you doing this weekend, what are you doing tonight. This was before we started fucking, and the lovely edge of his nose would upturn slightly between fresh and transitory eyes.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">I would always reply that I was busy, going to a music event, or brunch, or the opening of a restaurant. Sometimes it was true, sometimes it wasn\u2019t. In my early twenties, there were times I went out and times I stayed home and waxed my pussy raw and drank vodka with a slice of lime drowning in ice. I liked being alone, I could watch junk TV and dance to the Scissor Sisters and later I would smoke in bed while I waited for his messages to light up my phone. But I never told him that. I wanted him to think I was always busy. I was convinced it would turn me into something to desire.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Now, I no longer lie to him about what I do. Instead, I lie to myself, when I tell myself it does not matter.\u00a0<\/span><\/p>\n<p style=\"text-align: center;\"><span style=\"font-weight: 400;\">*<\/span><\/p>\n<p><span style=\"font-weight: 400;\">At the beach, the water is smoky-blue. It slimes with chalk where the sandbank melts to sea. A few kicks out and it turns iridescent, so clear that it blinds against the white sunlight, the cliffs, the blue spirals of trees. Somewhere behind, the sky vibrates with the screech of cicadas.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">We call this our beach. It was empty when we discovered it, on the second day of our holiday. We\u2019d grown bored of the chlorine stench of the pool, the pop songs from the hotel bar, the sunburnt British tourists ordering too many drinks. Like we were any different. We\u2019d walked the dust road along the coast instead, our backs turned to the incongruous monstrosity that was our hotel. The shore was quiet, the cove steep to get to, the beach just wide enough for our towels. It was empty then and has been empty since, every day we\u2019ve come back to it. I like to think no one knows our beach but us: we are pioneers, the first to break its seal.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Our beach. I tread deeper. The water ripples his shoulders as I swim away from him. The short hairs by his ears curled dark. I gurgle through my mouth, like a shark. Salt burns the back of my throat, cracks my lips as I raise my face to the sun.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">\u201cTell me a secret,\u201d I\u2019d asked him the very first time we\u2019d gone out together. An underground bar, the purpuric lights, each drink worth more than an hour of my work. His fingers were bare of rings and already welding to mine. He\u2019d inched closer. \u201cA secret?\u201d he\u2019d asked. \u201cI can\u2019t swim.\u201d And then he\u2019d laughed, the eruption of wrinkles from the corners of his eyes.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">I crawl back to him now, to the sandbank. I grab the soft flesh at his sides. I think of his daughter\u2019s swimming races he never misses, of his feet anchored safely into shifting ground.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">\u201cHave you ever,\u201d I ask, the words falling out of me, \u201chad sex in the sea?\u201d\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">He hesitates. \u201cOnly with my wife,\u201d he says eventually.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">He pulls slowly at the bikini string behind my neck. I feel the knot come apart, the exposure of triangles, the excitement between my thighs. I hate myself. I wish it didn\u2019t have to be this way and that I wasn\u2019t grateful that it was.\u00a0<\/span><\/p>\n<p style=\"text-align: center;\"><span style=\"font-weight: 400;\">*<\/span><\/p>\n<p><span style=\"font-weight: 400;\">We were meant to go away last summer. Then his wife got sick, and he cancelled the holiday.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">\u201cIt\u2019s not a good time,\u201d he told me. We were sat in a caf\u00e9 at the end of his street, the results from the biopsy not back yet but the doctors had already announced that the scan didn\u2019t look good. He was scooping his fingers through his hair like he does when he\u2019s anxious, pulling hard. I worried he would yank out some silvery bristles so I reached forward, held his hand across the table. \u201cWe shouldn\u2019t go until it\u2019s dealt with,\u201d he said. \u201cI\u2019m sorry.\u201d\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">I turned my face away and said nothing more. I didn\u2019t want him to see me cry. It wasn\u2019t about the holiday, it wasn\u2019t even about him. It was about me, and the fear that I would lose everything.\u00a0<\/span><\/p>\n<p style=\"text-align: center;\"><span style=\"font-weight: 400;\">*<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Heat burns through the visors of our caps. We are fuchsia between the UV and terry-blue towels. I splurge lotion onto my hand. He turns over, I know there are layers he wants lathered on his back. He is paler than me, he will burn to blister. When I\u2019m done, he traps my fingers, kisses each one. \u201cTastes lovely,\u201d he says, and almost by accident I smile.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">\u00a0Later, I feel him leave my side. My eyes are closed, I don\u2019t watch him go. The heat turns every movement to effort, the screech of cicadas becomes a cry before he returns with a four-pack of beers and a box of cherries. We eat the cherries unwashed, spit the pips back into the plastic. The beer tastes of lukewarm blood.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">He asks: \u201cWho do you love more, me or your husband?\u201d\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">The question slides onto me like butter in the unbearable heat.\u00a0 I think of the year he\u2019s spent with his wife in the post-op rooms, the chemotherapy suite, the injections at home and the children passed around between friends for a room to sleep in. The days of annual leave taken for her whether he wanted or not, he did not get a say nor did he try to, he simply spilt into that space between husband and carer while she became an illness and no longer something to desire, perhaps never to be again. As the year went on, I wondered whether things would ever return to how they were before, whether that thirst for each other would hang on or if it would just be easier to let go.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">I squirm, now, in the heat. Even the gold band on my finger has softened in the sun. I pick a cherry\u2019s flesh from my mouth. I watch him, the can\u2019s metal lip cutting through the spikes of his beard.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">He\u2019s forgotten to shave. That\u2019s how I know that he, at least, is at peace.\u00a0<\/span><\/p>\n<p style=\"text-align: center;\"><span style=\"font-weight: 400;\">*<\/span><\/p>\n<p><span style=\"font-weight: 400;\">\u201cAre you happy?\u201d I\u2019d asked him once, not long before his wife\u2019s illness. It must\u2019ve already been brewing inside her as he fell asleep with his back to her every night, the occasional laugh about something the kids had done in school and not much else. His work was taking up more time but they needed the money for the school fees, the nanny, the groceries, and then there was inflation and a mortgage to pay, the after-school clubs and the football summer camp they\u2019d be sending their little boy to in the summer.\u00a0 His wife looked more anaemic each day, the iron-blue tinge in her undereyes and the general weariness of her appearance, although he did not look at her enough to notice, nor did she herself.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">\u201cIs anyone really happy?\u201d he\u2019d asked in return. \u201cThat\u2019s a philosophical question.\u201d And he\u2019d picked up his phone and started typing out emails as if that settled the matter.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">But it didn\u2019t. I laid there thinking of his wife who\u2019d chosen a man who would never be satisfied, and whether all men were like this, and all of humankind; whether she too detested that their love had grown old, whether it was natural to want to replace the old and broken for the something unknown.\u00a0<\/span><\/p>\n<p style=\"text-align: center;\"><span style=\"font-weight: 400;\">*<\/span><\/p>\n<p><span style=\"font-weight: 400;\">\u201cLook,\u201d I call, pointing at the shoreline. \u201cIsn\u2019t that our beach?\u201d\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">We\u2019re at the back of a hired jetboat. He\u2019s wanted to do this from the beginning: ferry out until land flattens to greens and blues; watch me dive into clear water; pretend it is possible to get away from everything, family and money and even the judgement of people on shore. The wind yanks my hair back, fills his mouth with it. He laughs, and I see the wrinkles, and I want to bury myself inside them. I follow the light behind him that skitters off of waves until the duskiness of shore, the cliffline reaching upwards to the sky. From that cliff, I see black dots coming down, gettinng bigger. It can\u2019t be but it is.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">\u201cLook,\u201d I shout. Towels stretching onto sand, a parasol pops open. The dots run into the water. \u201cThere\u2019s people on our beach.\u201d My voice is petulant above the boat engine. \u201cIt\u2019s ruined.\u201d\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">\u201cStop,\u201d he says.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">\u201cIt\u2019s ruined. It\u2019s not our beach anymore.\u201d<\/span><\/p>\n<p><span style=\"font-weight: 400;\">\u00a0\u201cStop the boat,\u201d he calls louder, to the skipper. Then he leans into me. There is only a lapping of waves, our beach filled with strangers\u2019 cries. He whispers, \u201cJust because it\u2019s different from what we thought, it\u2019s not ruined.\u201d And he folds his cheek into mine. That rasped beard. The old pink skin, and all the freckles that come on through.<\/span><\/p>\n<p style=\"text-align: center;\"><span style=\"font-weight: 400;\">*<\/span><\/p>\n<p><span style=\"font-weight: 400;\">\u201cOur last supper,\u201d he announces to the man in the lobby, the man at reception, the waiter who delivers vodka tonics to the table. I grab the glass by the stem, the skin of my hand smooth and gold, my hair grazing the space where shoulder and dress meet. It is the backless dress again. I bought it a long time before we met, for many years I could not fit into it but now I\u2019m glad I can.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">The drink dulls my throat. We always get vodka tonics, since that night in the underground bar all those years ago. \u201cTwo of whatever the lady wants,\u201d he\u2019d ordered without taking his eyes off of me, and upon hearing my request he\u2019d grimaced. \u201cIs vodka tonics really what young people drink these days?\u201d\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">He was in his thirties then, almost ten years older than me. We were both healthy. At the time, he felt superhuman: his age, his wisdom, the carelessness for his money and his uncontrollable laugh. \u201cYou know what,\u201d he\u2019d said at the end of the night, tipping back the last of his drink, the fourth or fifth, I had lost count by then. \u201cI could get used to these.\u201d\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">\u201cCheers,\u201d he says now, raising the glass. He\u2019s shaved his beard in preparation for tomorrow. In his mind, he is already home. \u201cWe had a lovely holiday, didn\u2019t we.\u201d\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">\u201cLovely,\u201d I say.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">\u201cBack to the wife.\u201d He winks. \u201cI\u2019d rather stay here with you.\u201d\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">And there it is again, the smell of chlorex and must, of compromise and loss.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">\u201cI\u2019m sorry,\u201d I say.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">\u201cI am too.\u201d<\/span><\/p>\n<p><span style=\"font-weight: 400;\">\u201cI\u2019m sorry it\u2019s come to this.\u201d\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">\u201cWait,\u201d he says, but I don\u2019t, I can\u2019t. It\u2019s been waiting inside me longer than I can admit.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">\u00a0\u201cI\u2019m sorry you can only sleep with her by pretending she\u2019s somebody else,\u201d I say. \u201cI\u2019m sorry you have to drink to blackout to convince yourself you still love her.\u201d<\/span><\/p>\n<p><span style=\"font-weight: 400;\">\u00a0\u201cThat\u2019s not true,\u201d he says.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">His eyes bore into me and mine into the waiter\u2019s hands as comes to remove our cocktail glasses. They\u2019re half-full but I let him take them anyway. Another waiter uncorks the wine. I take a long sip of it, piss-yellow, citrus and liquorice, a soured sweetness. I remember being young when I was convinced I was already old, the Scissor Sisters and the bedsheets that smelt of smoke, the vodka with dashes of lime that tasted like I was running towards something rather than away from it.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">My dress sags low across my amputated chest. I fiddle with the straps. I turn my head so he won\u2019t see me cry.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">\u201cPretending to be other people,\u201d he says. \u201cSo we can save this, so we can save each other.\u201d He reaches for my hand before I can move it, his fingers around mine, our gold bands hardening to each other. Then he leans back, cracks his face to wrinkles, a humongous laugh. \u201cIsn\u2019t that love?\u201d\u00a0<\/span><\/p>\n<p>&nbsp;<\/p>\n<p>____<\/p>\n<p><em>Francesca Carra is a London-based writer. She has published or forthcoming fiction in Flash Fiction Magazine, Tamarind and the Skeins anthology by Linen Press.\u00a0<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Image: \u00a9 Manchester Museum, The University of Manchester \u201cSex with my wife hasn\u2019t been the same,\u201d my lover says, \u201csince her breast cancer.\u201d Where bedsheets retract, the shoreline of his body emerges. Lumps of burnt pink, freckled all over. Behind him, glass slats combine to windows, and then the Mediterranean, its green light stretching all [&hellip;]<\/p>\n","protected":false},"author":385,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"jetpack_publicize_message":"","jetpack_is_tweetstorm":false,"jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":[]},"categories":[376,426,407,425],"tags":[],"jetpack_publicize_connections":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v20.2.1 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>An Adultery - The Manchester Review<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.themanchesterreview.co.uk\/?p=12568\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"An Adultery - The Manchester Review\" \/>\n<meta property=\"og:description\" content=\"Image: \u00a9 Manchester Museum, The University of Manchester \u201cSex with my wife hasn\u2019t been the same,\u201d my lover says, \u201csince her breast cancer.\u201d Where bedsheets retract, the shoreline of his body emerges. Lumps of burnt pink, freckled all over. Behind him, glass slats combine to windows, and then the Mediterranean, its green light stretching all [&hellip;]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.themanchesterreview.co.uk\/?p=12568\" \/>\n<meta property=\"og:site_name\" content=\"The Manchester Review\" \/>\n<meta property=\"article:published_time\" content=\"2024-11-26T18:39:48+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2024-11-26T19:43:10+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.themanchesterreview.co.uk\/wp-content\/uploads\/2021\/09\/Flower-Nine-e1732646328204.jpg\" \/>\n<meta name=\"author\" content=\"Francesca Carra\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Francesca Carra\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"14 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/www.themanchesterreview.co.uk\/?p=12568\",\"url\":\"https:\/\/www.themanchesterreview.co.uk\/?p=12568\",\"name\":\"An Adultery - The Manchester Review\",\"isPartOf\":{\"@id\":\"http:\/\/www.themanchesterreview.co.uk\/#website\"},\"datePublished\":\"2024-11-26T18:39:48+00:00\",\"dateModified\":\"2024-11-26T19:43:10+00:00\",\"author\":{\"@id\":\"http:\/\/www.themanchesterreview.co.uk\/#\/schema\/person\/6743a74b6e644850bc82b70b7892b148\"},\"breadcrumb\":{\"@id\":\"https:\/\/www.themanchesterreview.co.uk\/?p=12568#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/www.themanchesterreview.co.uk\/?p=12568\"]}]},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/www.themanchesterreview.co.uk\/?p=12568#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\/\/www.themanchesterreview.co.uk\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"An Adultery\"}]},{\"@type\":\"WebSite\",\"@id\":\"http:\/\/www.themanchesterreview.co.uk\/#website\",\"url\":\"http:\/\/www.themanchesterreview.co.uk\/\",\"name\":\"The Manchester Review\",\"description\":\"The Manchester Review\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"http:\/\/www.themanchesterreview.co.uk\/?s={search_term_string}\"},\"query-input\":\"required name=search_term_string\"}],\"inLanguage\":\"en-US\"},{\"@type\":\"Person\",\"@id\":\"http:\/\/www.themanchesterreview.co.uk\/#\/schema\/person\/6743a74b6e644850bc82b70b7892b148\",\"name\":\"Francesca Carra\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"http:\/\/www.themanchesterreview.co.uk\/#\/schema\/person\/image\/\",\"url\":\"https:\/\/www.themanchesterreview.co.uk\/wp-includes\/images\/blank.gif\",\"contentUrl\":\"https:\/\/www.themanchesterreview.co.uk\/wp-includes\/images\/blank.gif\",\"caption\":\"Francesca Carra\"},\"url\":\"https:\/\/www.themanchesterreview.co.uk\/?author=385\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"An Adultery - The Manchester Review","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.themanchesterreview.co.uk\/?p=12568","og_locale":"en_US","og_type":"article","og_title":"An Adultery - The Manchester Review","og_description":"Image: \u00a9 Manchester Museum, The University of Manchester \u201cSex with my wife hasn\u2019t been the same,\u201d my lover says, \u201csince her breast cancer.\u201d Where bedsheets retract, the shoreline of his body emerges. Lumps of burnt pink, freckled all over. Behind him, glass slats combine to windows, and then the Mediterranean, its green light stretching all [&hellip;]","og_url":"https:\/\/www.themanchesterreview.co.uk\/?p=12568","og_site_name":"The Manchester Review","article_published_time":"2024-11-26T18:39:48+00:00","article_modified_time":"2024-11-26T19:43:10+00:00","og_image":[{"url":"https:\/\/www.themanchesterreview.co.uk\/wp-content\/uploads\/2021\/09\/Flower-Nine-e1732646328204.jpg"}],"author":"Francesca Carra","twitter_misc":{"Written by":"Francesca Carra","Est. reading time":"14 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"WebPage","@id":"https:\/\/www.themanchesterreview.co.uk\/?p=12568","url":"https:\/\/www.themanchesterreview.co.uk\/?p=12568","name":"An Adultery - The Manchester Review","isPartOf":{"@id":"http:\/\/www.themanchesterreview.co.uk\/#website"},"datePublished":"2024-11-26T18:39:48+00:00","dateModified":"2024-11-26T19:43:10+00:00","author":{"@id":"http:\/\/www.themanchesterreview.co.uk\/#\/schema\/person\/6743a74b6e644850bc82b70b7892b148"},"breadcrumb":{"@id":"https:\/\/www.themanchesterreview.co.uk\/?p=12568#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/www.themanchesterreview.co.uk\/?p=12568"]}]},{"@type":"BreadcrumbList","@id":"https:\/\/www.themanchesterreview.co.uk\/?p=12568#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/www.themanchesterreview.co.uk\/"},{"@type":"ListItem","position":2,"name":"An Adultery"}]},{"@type":"WebSite","@id":"http:\/\/www.themanchesterreview.co.uk\/#website","url":"http:\/\/www.themanchesterreview.co.uk\/","name":"The Manchester Review","description":"The Manchester Review","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"http:\/\/www.themanchesterreview.co.uk\/?s={search_term_string}"},"query-input":"required name=search_term_string"}],"inLanguage":"en-US"},{"@type":"Person","@id":"http:\/\/www.themanchesterreview.co.uk\/#\/schema\/person\/6743a74b6e644850bc82b70b7892b148","name":"Francesca Carra","image":{"@type":"ImageObject","inLanguage":"en-US","@id":"http:\/\/www.themanchesterreview.co.uk\/#\/schema\/person\/image\/","url":"https:\/\/www.themanchesterreview.co.uk\/wp-includes\/images\/blank.gif","contentUrl":"https:\/\/www.themanchesterreview.co.uk\/wp-includes\/images\/blank.gif","caption":"Francesca Carra"},"url":"https:\/\/www.themanchesterreview.co.uk\/?author=385"}]}},"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p2PuXo-3gI","_links":{"self":[{"href":"https:\/\/www.themanchesterreview.co.uk\/index.php?rest_route=\/wp\/v2\/posts\/12568"}],"collection":[{"href":"https:\/\/www.themanchesterreview.co.uk\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.themanchesterreview.co.uk\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.themanchesterreview.co.uk\/index.php?rest_route=\/wp\/v2\/users\/385"}],"replies":[{"embeddable":true,"href":"https:\/\/www.themanchesterreview.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=12568"}],"version-history":[{"count":4,"href":"https:\/\/www.themanchesterreview.co.uk\/index.php?rest_route=\/wp\/v2\/posts\/12568\/revisions"}],"predecessor-version":[{"id":12692,"href":"https:\/\/www.themanchesterreview.co.uk\/index.php?rest_route=\/wp\/v2\/posts\/12568\/revisions\/12692"}],"wp:attachment":[{"href":"https:\/\/www.themanchesterreview.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=12568"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.themanchesterreview.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=12568"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.themanchesterreview.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=12568"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}