{"id":11495,"date":"2020-07-22T12:26:13","date_gmt":"2020-07-22T11:26:13","guid":{"rendered":"http:\/\/www.themanchesterreview.co.uk\/?p=11495"},"modified":"2020-07-29T11:54:02","modified_gmt":"2020-07-29T10:54:02","slug":"2-poems-7","status":"publish","type":"post","link":"https:\/\/www.themanchesterreview.co.uk\/?p=11495","title":{"rendered":"2 Poems"},"content":{"rendered":"<h4><\/h4>\n<h4>Outtakes<\/h4>\n<p>The world occurs to me.<br \/>\nI feel my way into the space and cooling air<br \/>\noutside, leaving behind an article about<br \/>\nthe bridge collapse in Genoa, a city I once visited,<br \/>\nthe sun, now (relatively speaking) level with the upstairs<br \/>\nwindows, setting, slumping down and to the right,<br \/>\nwhich seems completely insignificant.<\/p>\n<p>I destroy my house and everything in it,<br \/>\nespecially the Pyrex Oblong Baking Dish w\/ Lid<br \/>\nI borrowed from my neighbour\u2019s car. I crack out thirty<br \/>\nice cubes from the ice tray to the sink, return the ice tray<br \/>\nto the freezer and then entirely destroy the freezer.<\/p>\n<p>Later on the house is fine, repaired while we were out buying<br \/>\nwhatever. I run my hands across the table\u2019s grain, feeling<br \/>\nits coolness underneath my palms. When you\u2019re asleep<br \/>\nI come downstairs and stay up doing this for hours<br \/>\nfor reasons which will sound insane.<\/p>\n<p>At some point it becomes midday.<br \/>\nI study the asparagus fern, admiring the way each frond<br \/>\nis just another fern in miniature, immaculately detailed,<br \/>\nvanishingly small. But why should what I\u2019m seeing<br \/>\nnow be interesting to me at all? What about yesterday,<br \/>\nor the day before, or gearing up and planning for<br \/>\nwhichever trip we\u2019re taking next? (Mexico City?<br \/>\nBack to Greece?) So what the grass is rising<br \/>\nafter all that unexpected snow, or that those<br \/>\npartygoers seem to us so strange and otherworldly?<br \/>\nThe worst has passed, not that it matters now:<br \/>\na pattern of tilted squares emerges on the kitchen floor.<\/p>\n<p>Another night I dreamt I went the opposite of blind,<br \/>\nwhich was to suffer an excess of sight, each substance<br \/>\nfreshly rendered with outrageous clarity, silver-outlined,<br \/>\nsickeningly tangible. Since then the world appears as if<br \/>\nreduced to its most basic parts \u2013 sky, trees, jutting rocks \u2013<br \/>\nmore than enough, I think, or just about.<\/p>\n<p>The sun has dropped. The garden<br \/>\nis very still, low-key. I\u2019m wondering how<br \/>\nmuch of this I might remember, straining to take it in,<br \/>\neven these ugly, overlapping clouds. I\u2019m reminded<br \/>\nof a story I was told about a woman falling off<br \/>\na balcony and getting up and laughing<br \/>\nand simply limping away, the blue air darkening<br \/>\nthe corners of the house, collecting anything close<br \/>\nto hand, baring its newly-strengthened teeth.<\/p>\n<p><!--nextpage--><\/p>\n<h4>The Citizens<\/h4>\n<p>There used to be an image here, or not so much<br \/>\nan image as the first few muddled outlines of a scene,<br \/>\nencompassing a range of different timescales, lives and geographies,<br \/>\nand maybe something comes of it and maybe it doesn\u2019t,<\/p>\n<p>but really it\u2019s the fact that there\u2019s a known amount of uncaptured<br \/>\nactivity around \u2013 the kind of stuff that tends to go especially<br \/>\nunnoticed, like the slow work of the gardener who takes immense<br \/>\ncare with the trees \u2013 although exactly who this tragedy belongs to<\/p>\n<p>is really anyone\u2019s guess. So much has changed since then, for me:<br \/>\nperhaps it doesn\u2019t matter if the scratches find a form or not;<br \/>\nperhaps it\u2019s just the fact you have to wait until you\u2019ve seen them<br \/>\nto have seen them. In a play I saw a while ago, the citizens<\/p>\n<p>conspire to erase themselves completely, disappearing street<br \/>\nby street by methods which remain unclear. Towards the end of<br \/>\nthe final act, the play falls open like the two halves of a piece of fruit<br \/>\nwhich seem to be identical until you look and find they\u2019re not.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Outtakes The world occurs to me. I feel my way into the space and cooling air outside, leaving behind an article about the bridge collapse in Genoa, a city I once visited, the sun, now (relatively speaking) level with the upstairs windows, setting, slumping down and to the right, which seems completely insignificant. I destroy [&hellip;]<\/p>\n","protected":false},"author":347,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"jetpack_publicize_message":"","jetpack_is_tweetstorm":false,"jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":[]},"categories":[394,395],"tags":[398],"jetpack_publicize_connections":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v20.2.1 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>2 Poems - The Manchester Review<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"http:\/\/www.themanchesterreview.co.uk\/?p=11495\" \/>\n<link rel=\"next\" href=\"http:\/\/www.themanchesterreview.co.uk\/?p=11495&page=2\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"2 Poems - The Manchester Review\" \/>\n<meta property=\"og:description\" content=\"Outtakes The world occurs to me. 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I destroy [&hellip;]\" \/>\n<meta property=\"og:url\" content=\"http:\/\/www.themanchesterreview.co.uk\/?p=11495\" \/>\n<meta property=\"og:site_name\" content=\"The Manchester Review\" \/>\n<meta property=\"article:published_time\" content=\"2020-07-22T11:26:13+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2020-07-29T10:54:02+00:00\" \/>\n<meta name=\"author\" content=\"Rowland Bagnall\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Rowland Bagnall\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"3 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"http:\/\/www.themanchesterreview.co.uk\/?p=11495\",\"url\":\"http:\/\/www.themanchesterreview.co.uk\/?p=11495\",\"name\":\"2 Poems - The Manchester Review\",\"isPartOf\":{\"@id\":\"http:\/\/www.themanchesterreview.co.uk\/#website\"},\"datePublished\":\"2020-07-22T11:26:13+00:00\",\"dateModified\":\"2020-07-29T10:54:02+00:00\",\"author\":{\"@id\":\"http:\/\/www.themanchesterreview.co.uk\/#\/schema\/person\/860c6c4f59e9da1fdad335eed222dc2a\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"http:\/\/www.themanchesterreview.co.uk\/?p=11495\"]}]},{\"@type\":\"WebSite\",\"@id\":\"http:\/\/www.themanchesterreview.co.uk\/#website\",\"url\":\"http:\/\/www.themanchesterreview.co.uk\/\",\"name\":\"The Manchester Review\",\"description\":\"The Manchester Review\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"http:\/\/www.themanchesterreview.co.uk\/?s={search_term_string}\"},\"query-input\":\"required name=search_term_string\"}],\"inLanguage\":\"en-US\"},{\"@type\":\"Person\",\"@id\":\"http:\/\/www.themanchesterreview.co.uk\/#\/schema\/person\/860c6c4f59e9da1fdad335eed222dc2a\",\"name\":\"Rowland Bagnall\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"http:\/\/www.themanchesterreview.co.uk\/#\/schema\/person\/image\/\",\"url\":\"https:\/\/www.themanchesterreview.co.uk\/wp-includes\/images\/blank.gif\",\"contentUrl\":\"https:\/\/www.themanchesterreview.co.uk\/wp-includes\/images\/blank.gif\",\"caption\":\"Rowland Bagnall\"},\"description\":\"Rowland Bagnall is a poet and writer based in Oxford. 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