{"id":11035,"date":"2019-10-08T08:35:33","date_gmt":"2019-10-08T07:35:33","guid":{"rendered":"http:\/\/www.themanchesterreview.co.uk\/?p=11035"},"modified":"2019-10-08T08:35:33","modified_gmt":"2019-10-08T07:35:33","slug":"mlf-2019-jeanette-winterson-frankissstein-rncm-theatre-51019-reviewed-by-georgia-hase","status":"publish","type":"post","link":"https:\/\/www.themanchesterreview.co.uk\/?p=11035","title":{"rendered":"MLF 2019: Jeanette Winterson, Frankissstein, RNCM Theatre, 5\/10\/19, reviewed by Georgia Hase"},"content":{"rendered":"

Jeanette Winterson, Frankissstein: Manchester Literature Festival at the RNCM Theatre in partnership with the Centre for New Writing, 5\/10\/19, reviewed by Georgia Hase<\/strong><\/p>\n

On the evening of Saturday the 5th<\/sup> of October Jeanette Winterson gave a reading unlike any other. Interactive, dramatic, futuristic, her performance was electrifying. Winterson animated the audience with her insightful and humorous observations which are given life in Frankissstein<\/em>\u2019s \u00a0pages. Through sound effects and smoke, echoing the gothic mother text Frankenstein<\/em>, and recorded dialogue Winterson gave a performance that was more theatre than reading.<\/p>\n

The tone of the event was set before Winterson even took to the stage. Her arrival was preceded by a compilation of videos, from the many visual representations of Frankenstein and his monster, to clips of robotics and AI. These clips show how\u00a0\u00a0 Winterson\u2019s book Frankissstein<\/em>, like the pieced together body of Frankenstein\u2019s monster, is an amalgamation of the past, present and future. Frankissstein<\/em> deals in the now <\/em>of machine learning and sex-bots, whilst simultaneously looking back to the past of Shelley\u2019s Frankenstein, <\/em>and the future of AI. Mary Shelley\u2019s Frankenstein<\/em> is more than just the inspiration of Winterson\u2019s story, it is a message in a bottle, a rope across time. Winterson firmly believes that our generation, with our advanced technology of robotics and rapidly transforming AI, are the first generation to be able to read Shelley\u2019s Frankenstein<\/em> as it should be read. Once you realise that the narrative of a creature born from electricity, unnamed and un-educated, has such startling parallels to the data training we give to our machines, it is impossible not to read Shelley\u2019s Frankenstein <\/em>with new, clearer, eyes. You may be wondering; how can our machines be un-educated when their processing capabilities far out strip our own? For Winterson, the failure to educate machines properly comes in the form of bias, more specifically, gender bias. Our machines function through data training and processing, however women are often, in Winterson\u2019s words: \u201cseen as smaller men, or not at all.\u201d What this means is that our rapidly nearing future could create a negative platform for the women who have been systemically underrepresented in the data being used. It is in this world, our world, that Frankissstein <\/em>is set.<\/p>\n

Within her story Winterson brings Mary Shelley, Lord Byron, and the others who were present at Lake Geneva when the story of Frankenstein<\/em> was first conceived, into the future, into the now. Mary Shelley becomes Ry Shelley, a transgender doctor who lives with \u201cdoubleness\u201d. They (Ry\u2019s preferred pronoun), has had top surgery but retained the female genitals they were born with. They are liminal, in-between the binaries of male and female. When asked why Winterson reimagined Mary Shelley in this way, Winterson responded that in creating this story she had had to move Mary Shelley through a mirror, so why would she not have a body that\u2019s changed? After all, the body is approximate, not final, we see this all the time through plastic surgery, transplants and prosthetics.<\/p>\n

This liminal ever-changing space, this doubleness, defined the reading that Winterson gave the RNCM Theatre. Whilst the future of robotics and AI could have many complications for the female gender, through under-representation and the potentiality of sex-bots making them \u2018obsolete\u2019, Winterson\u2019s Frankissstein<\/em> also reveals how the future could be freer, better, more accepting. Victor Stein (Winterson\u2019s reimagined Victor Frankenstein) insists that the future of AI will be label free, and that Ry is just \u201cfuture-early\u201d. Ry Shelley\u2019s doubleness embodies this hopeful possibility of a future with no genders, no classes and no races. This doubleness of hope and horror is the dichotomy that underpins both Frankenstein <\/em>and Frankissstein<\/em>, what future will we create when homo sapiens are no longer the smartest beings on the planet?<\/p>\n

The Q & A section that followed Winterson\u2019s performance, because it can only be described as a performance, seemed to focus on \u2018if\u2019 this robotic future will ever actually be achieved. Winterson made clear that she is not predicting the future with Frankissstein<\/em> she is dealing with the present. Machine learning is now, sex-bots are now, companies like Amazon and Google and Facebook are working on AI privately; the general populace have no idea of how far or little they have come. Winterson believes it is not a matter of \u2018if\u2019 but when<\/em> the game-changing moment of a machine being able to think for itself will happen. The subject of consciousness has been widely debated across disciplines, and in all the research that has been done, no single component of \u2018consciousness\u2019 has been found in the human body. <\/em>So, why should consciousness be obliged to materiality?<\/p>\n

Winterson\u2019s evening of doubleness, of the dual potentiality of horror and hope, was shown in how she finished her reading\u00a0 and how she finished the Q & A\u2019s. She ended her reading with Ry Shelley, who is watching people whose faces are \u201clight by phone light, atomised and alone\u201d. By ending the reading with this stark image of the alienating capabilities of technology, the audience was left with an uneasy feeling about the future. But this was exactly the point. Winterson concluded the Q & A\u2019s by saying we are not living on Mars yet, get involved in the conversation, remain optimistic, remain informed and, above all, if you have daughters, teach them to code.<\/p>\n

Georgia Hase<\/p>\n","protected":false},"excerpt":{"rendered":"

Jeanette Winterson, Frankissstein: Manchester Literature Festival at the RNCM Theatre in partnership with the Centre for New Writing, 5\/10\/19, reviewed by Georgia Hase On the evening of Saturday the 5th of October Jeanette Winterson gave a reading unlike any other. Interactive, dramatic, futuristic, her performance was electrifying. Winterson animated the audience with her insightful and […]<\/p>\n","protected":false},"author":45,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"jetpack_publicize_message":"","jetpack_is_tweetstorm":false,"jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":[]},"categories":[13,16,283,18],"tags":[],"jetpack_publicize_connections":[],"yoast_head":"\nMLF 2019: Jeanette Winterson, Frankissstein, RNCM Theatre, 5\/10\/19, reviewed by Georgia Hase - The Manchester Review<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"http:\/\/www.themanchesterreview.co.uk\/?p=11035\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"MLF 2019: Jeanette Winterson, Frankissstein, RNCM Theatre, 5\/10\/19, reviewed by Georgia Hase - The Manchester Review\" \/>\n<meta property=\"og:description\" content=\"Jeanette Winterson, Frankissstein: Manchester Literature Festival at the RNCM Theatre in partnership with the Centre for New Writing, 5\/10\/19, reviewed by Georgia Hase On the evening of Saturday the 5th of October Jeanette Winterson gave a reading unlike any other. Interactive, dramatic, futuristic, her performance was electrifying. Winterson animated the audience with her insightful and […]\" \/>\n<meta property=\"og:url\" content=\"http:\/\/www.themanchesterreview.co.uk\/?p=11035\" \/>\n<meta property=\"og:site_name\" content=\"The Manchester Review\" \/>\n<meta property=\"article:published_time\" content=\"2019-10-08T07:35:33+00:00\" \/>\n<meta name=\"author\" content=\"The Manchester Review\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"The Manchester Review\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"5 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"http:\/\/www.themanchesterreview.co.uk\/?p=11035\",\"url\":\"http:\/\/www.themanchesterreview.co.uk\/?p=11035\",\"name\":\"MLF 2019: Jeanette Winterson, Frankissstein, RNCM Theatre, 5\/10\/19, reviewed by Georgia Hase - The Manchester Review\",\"isPartOf\":{\"@id\":\"http:\/\/www.themanchesterreview.co.uk\/#website\"},\"datePublished\":\"2019-10-08T07:35:33+00:00\",\"dateModified\":\"2019-10-08T07:35:33+00:00\",\"author\":{\"@id\":\"http:\/\/www.themanchesterreview.co.uk\/#\/schema\/person\/e6deb0374609919f6e86f6ee1defe8cc\"},\"breadcrumb\":{\"@id\":\"http:\/\/www.themanchesterreview.co.uk\/?p=11035#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"http:\/\/www.themanchesterreview.co.uk\/?p=11035\"]}]},{\"@type\":\"BreadcrumbList\",\"@id\":\"http:\/\/www.themanchesterreview.co.uk\/?p=11035#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\/\/www.themanchesterreview.co.uk\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"MLF 2019: Jeanette Winterson, Frankissstein, RNCM Theatre, 5\/10\/19, reviewed by Georgia Hase\"}]},{\"@type\":\"WebSite\",\"@id\":\"http:\/\/www.themanchesterreview.co.uk\/#website\",\"url\":\"http:\/\/www.themanchesterreview.co.uk\/\",\"name\":\"The Manchester Review\",\"description\":\"The Manchester Review\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"http:\/\/www.themanchesterreview.co.uk\/?s={search_term_string}\"},\"query-input\":\"required name=search_term_string\"}],\"inLanguage\":\"en-US\"},{\"@type\":\"Person\",\"@id\":\"http:\/\/www.themanchesterreview.co.uk\/#\/schema\/person\/e6deb0374609919f6e86f6ee1defe8cc\",\"name\":\"The Manchester Review\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"http:\/\/www.themanchesterreview.co.uk\/#\/schema\/person\/image\/\",\"url\":\"https:\/\/www.themanchesterreview.co.uk\/wp-includes\/images\/blank.gif\",\"contentUrl\":\"https:\/\/www.themanchesterreview.co.uk\/wp-includes\/images\/blank.gif\",\"caption\":\"The Manchester Review\"},\"description\":\"The Manchester Review was founded in 2008 and is published by the Centre for New Writing at The University of Manchester. We aspire to bring together online, without a paper edition, the best of international writing from well-known, established writers alongside new, relatively unknown poets and prose-writers.\",\"url\":\"https:\/\/www.themanchesterreview.co.uk\/?author=45\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"MLF 2019: Jeanette Winterson, Frankissstein, RNCM Theatre, 5\/10\/19, reviewed by Georgia Hase - The Manchester Review","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"http:\/\/www.themanchesterreview.co.uk\/?p=11035","og_locale":"en_US","og_type":"article","og_title":"MLF 2019: Jeanette Winterson, Frankissstein, RNCM Theatre, 5\/10\/19, reviewed by Georgia Hase - The Manchester Review","og_description":"Jeanette Winterson, Frankissstein: Manchester Literature Festival at the RNCM Theatre in partnership with the Centre for New Writing, 5\/10\/19, reviewed by Georgia Hase On the evening of Saturday the 5th of October Jeanette Winterson gave a reading unlike any other. Interactive, dramatic, futuristic, her performance was electrifying. Winterson animated the audience with her insightful and […]","og_url":"http:\/\/www.themanchesterreview.co.uk\/?p=11035","og_site_name":"The Manchester Review","article_published_time":"2019-10-08T07:35:33+00:00","author":"The Manchester Review","twitter_misc":{"Written by":"The Manchester Review","Est. reading time":"5 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"WebPage","@id":"http:\/\/www.themanchesterreview.co.uk\/?p=11035","url":"http:\/\/www.themanchesterreview.co.uk\/?p=11035","name":"MLF 2019: Jeanette Winterson, Frankissstein, RNCM Theatre, 5\/10\/19, reviewed by Georgia Hase - The Manchester Review","isPartOf":{"@id":"http:\/\/www.themanchesterreview.co.uk\/#website"},"datePublished":"2019-10-08T07:35:33+00:00","dateModified":"2019-10-08T07:35:33+00:00","author":{"@id":"http:\/\/www.themanchesterreview.co.uk\/#\/schema\/person\/e6deb0374609919f6e86f6ee1defe8cc"},"breadcrumb":{"@id":"http:\/\/www.themanchesterreview.co.uk\/?p=11035#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["http:\/\/www.themanchesterreview.co.uk\/?p=11035"]}]},{"@type":"BreadcrumbList","@id":"http:\/\/www.themanchesterreview.co.uk\/?p=11035#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/www.themanchesterreview.co.uk\/"},{"@type":"ListItem","position":2,"name":"MLF 2019: Jeanette Winterson, Frankissstein, RNCM Theatre, 5\/10\/19, reviewed by Georgia Hase"}]},{"@type":"WebSite","@id":"http:\/\/www.themanchesterreview.co.uk\/#website","url":"http:\/\/www.themanchesterreview.co.uk\/","name":"The Manchester Review","description":"The Manchester Review","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"http:\/\/www.themanchesterreview.co.uk\/?s={search_term_string}"},"query-input":"required name=search_term_string"}],"inLanguage":"en-US"},{"@type":"Person","@id":"http:\/\/www.themanchesterreview.co.uk\/#\/schema\/person\/e6deb0374609919f6e86f6ee1defe8cc","name":"The Manchester Review","image":{"@type":"ImageObject","inLanguage":"en-US","@id":"http:\/\/www.themanchesterreview.co.uk\/#\/schema\/person\/image\/","url":"https:\/\/www.themanchesterreview.co.uk\/wp-includes\/images\/blank.gif","contentUrl":"https:\/\/www.themanchesterreview.co.uk\/wp-includes\/images\/blank.gif","caption":"The Manchester Review"},"description":"The Manchester Review was founded in 2008 and is published by the Centre for New Writing at The University of Manchester. We aspire to bring together online, without a paper edition, the best of international writing from well-known, established writers alongside new, relatively unknown poets and prose-writers.","url":"https:\/\/www.themanchesterreview.co.uk\/?author=45"}]}},"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p2PuXo-2RZ","_links":{"self":[{"href":"https:\/\/www.themanchesterreview.co.uk\/index.php?rest_route=\/wp\/v2\/posts\/11035"}],"collection":[{"href":"https:\/\/www.themanchesterreview.co.uk\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.themanchesterreview.co.uk\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.themanchesterreview.co.uk\/index.php?rest_route=\/wp\/v2\/users\/45"}],"replies":[{"embeddable":true,"href":"https:\/\/www.themanchesterreview.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=11035"}],"version-history":[{"count":1,"href":"https:\/\/www.themanchesterreview.co.uk\/index.php?rest_route=\/wp\/v2\/posts\/11035\/revisions"}],"predecessor-version":[{"id":11036,"href":"https:\/\/www.themanchesterreview.co.uk\/index.php?rest_route=\/wp\/v2\/posts\/11035\/revisions\/11036"}],"wp:attachment":[{"href":"https:\/\/www.themanchesterreview.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=11035"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.themanchesterreview.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=11035"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.themanchesterreview.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=11035"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}