{"id":10649,"date":"2019-09-09T18:43:24","date_gmt":"2019-09-09T17:43:24","guid":{"rendered":"http:\/\/www.themanchesterreview.co.uk\/?p=10649"},"modified":"2019-09-26T11:32:07","modified_gmt":"2019-09-26T10:32:07","slug":"two-poems-55","status":"publish","type":"post","link":"https:\/\/www.themanchesterreview.co.uk\/?p=10649","title":{"rendered":"Two Poems"},"content":{"rendered":"<h5>The Comeback<\/h5>\n<p>There I was<br \/>\nhunched over a <em>canso<\/em><br \/>\nin the aparthotel,<\/p>\n<p>the day grey,<br \/>\nthe year unclear<br \/>\nand the bed empty.<\/p>\n<p>A city again,<br \/>\njackhammers and cranes,<br \/>\nthe district<\/p>\n<p>repeating itself,<br \/>\nrising from the mud<br \/>\nfor the umpteenth time.<\/p>\n<p><em>My love<\/em>, I began,<br \/>\n<em>what have I done<br \/>\nto wake up again?<\/em><\/p>\n<p>From the tangle<br \/>\nof centuries<br \/>\nslipped out <\/p>\n<p>to begin, set down<br \/>\nlike a native<br \/>\nwith someone\u2019s language<\/p>\n<p>in my mouth,<br \/>\nsomeone\u2019s dismal sky<br \/>\nto look at.<\/p>\n<p>Can I really own<br \/>\nthese hands,<br \/>\nthese eyes darting<\/p>\n<p>from building to building,<br \/>\nface to face,<br \/>\nyour absence <\/p>\n<p>cunningly disguised<br \/>\nas a street in spate,<br \/>\na bridge raised to let<\/p>\n<p>alien futures through?<br \/>\nNot mine, surely,<br \/>\nany of it, who have seen<\/p>\n<p>so many places,<br \/>\nsuch promising verandas,<br \/>\nvistas of intent,<\/p>\n<p>fields of lavender and corn,<br \/>\necstasies of hawthorn<br \/>\nand autumn birches<\/p>\n<p>and pitched<br \/>\nover rough seas<br \/>\npast stacked containers<\/p>\n<p>into harbour after harbour.<br \/>\n<em>My love<\/em>, I began,<br \/>\n<em>your absence is a tax<\/p>\n<p>each journey pays.<br \/>\nWith every mile<br \/>\ncoins fly through my fingers,<\/p>\n<p>the revenues of desire<br \/>\nheaped on a floor.<\/em><br \/>\nDid that work?<\/p>\n<p>What do you think?<br \/>\nStacked containers,<br \/>\nsignage,<\/p>\n<p>entering the city<br \/>\non a river of names &#8230;<br \/>\nOrchards, dockyards,<\/p>\n<p>desert fortresses in which<br \/>\nonly fleetingly<br \/>\nyou appeared,<\/p>\n<p>long treks in parks,<br \/>\nby heron-swept waters.<br \/>\nThere\u2019s a place<\/p>\n<p>I feast on<br \/>\nwhere your head<br \/>\neven still<\/p>\n<p>turns slowly<br \/>\nin my direction.<br \/>\nYou are about to speak,<\/p>\n<p>your lips are moving<br \/>\nthen I blink<br \/>\nand it\u2019s somewhere else,<\/p>\n<p>I\u2019m looking<br \/>\ndown the length<br \/>\nof a long room,<\/p>\n<p>you swim<br \/>\nthrough a crowd<br \/>\nand the building <\/p>\n<p>collapses: through a crack<br \/>\nin the pavement<br \/>\nwe sink <\/p>\n<p>to a woodland path,<br \/>\nimpossible songs<br \/>\ndistracting the leaves.<\/p>\n<p><em>My love<\/em>, I began,<br \/>\n<em>there must have been a time<br \/>\nwe called our own.<\/em><\/p>\n<p>Must have been<br \/>\nan aeon for hands,<br \/>\nfor tongues<\/p>\n<p>fruitful and rapid,<br \/>\nfor waking to<br \/>\nlove\u2019s old accords.<\/p>\n<p>Silence. The crane<br \/>\nswings round.<br \/>\nYellow hats, high-viz<\/p>\n<p>vests. What began<br \/>\nin the orchard<br \/>\narrives in the street,<\/p>\n<p>what began as leaf<br \/>\nfalls as dust,<br \/>\nwhat began as song<\/p>\n<p>wakes as an argument<br \/>\nnailed to time,<br \/>\nwhat began as voice<\/p>\n<p>freezes to edict.<br \/>\nWas there a day<br \/>\nneither of us moved?<\/p>\n<p>What began in wool<br \/>\nis undone in satin,<br \/>\nwhere silk fell<\/p>\n<p>has grown a hotel.<br \/>\nAl-Andalus<br \/>\nthe nape of your neck<\/p>\n<p>but a Ming curl<br \/>\ntouches your cheek.<br \/>\nWe rise together<\/p>\n<p>to walk the dawn.<br \/>\nThe centuries, as always,<br \/>\nswirl through the grasses.<br \/>\n\u200b<br \/>\n<!--nextpage--><\/p>\n<h5>Offers<\/h5>\n<p>These aisles of unlikeness<br \/>\na kind of perfection<br \/>\nas if here we might be, when it\u2019s all over,<br \/>\nwalking through fields of Lidl finding<\/p>\n<p>among the lawnmowers and beetroots<br \/>\nwhat we always half knew we half needed<br \/>\nbut blind to the instinct and quelling desire<br \/>\nyet failed to achieve <\/p>\n<p>and this is what carried through:<br \/>\nhow we moved, mixing and matching<br \/>\nforests and plums, steamers, toys,<br \/>\nthe mutilated flickering on a screen,<\/p>\n<p>dawdling through it all, filling our arms<br \/>\nwith what we found,<br \/>\nunlikeness our element, our prayers<br \/>\nthe trundling of trolleys in the aisles.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>The Comeback There I was hunched over a canso in the aparthotel, the day grey, the year unclear and the bed empty. A city again, jackhammers and cranes, the district repeating itself, rising from the mud for the umpteenth time. My love, I began, what have I done to wake up again? From the tangle [&hellip;]<\/p>\n","protected":false},"author":301,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"jetpack_publicize_message":"","jetpack_is_tweetstorm":false,"jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":[]},"categories":[379,380],"tags":[388],"jetpack_publicize_connections":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v20.2.1 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Two Poems - The Manchester Review<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"http:\/\/www.themanchesterreview.co.uk\/?p=10649\" \/>\n<link rel=\"next\" href=\"http:\/\/www.themanchesterreview.co.uk\/?p=10649&page=2\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Two Poems - The Manchester Review\" \/>\n<meta property=\"og:description\" content=\"The Comeback There I was hunched over a canso in the aparthotel, the day grey, the year unclear and the bed empty. 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From the tangle [&hellip;]\" \/>\n<meta property=\"og:url\" content=\"http:\/\/www.themanchesterreview.co.uk\/?p=10649\" \/>\n<meta property=\"og:site_name\" content=\"The Manchester Review\" \/>\n<meta property=\"article:published_time\" content=\"2019-09-09T17:43:24+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2019-09-26T10:32:07+00:00\" \/>\n<meta name=\"author\" content=\"Peter Sirr\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Peter Sirr\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"3 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"http:\/\/www.themanchesterreview.co.uk\/?p=10649\",\"url\":\"http:\/\/www.themanchesterreview.co.uk\/?p=10649\",\"name\":\"Two Poems - The Manchester Review\",\"isPartOf\":{\"@id\":\"http:\/\/www.themanchesterreview.co.uk\/#website\"},\"datePublished\":\"2019-09-09T17:43:24+00:00\",\"dateModified\":\"2019-09-26T10:32:07+00:00\",\"author\":{\"@id\":\"http:\/\/www.themanchesterreview.co.uk\/#\/schema\/person\/b62a8ee18ee8bfc4c1a02165b7e58924\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"http:\/\/www.themanchesterreview.co.uk\/?p=10649\"]}]},{\"@type\":\"WebSite\",\"@id\":\"http:\/\/www.themanchesterreview.co.uk\/#website\",\"url\":\"http:\/\/www.themanchesterreview.co.uk\/\",\"name\":\"The Manchester Review\",\"description\":\"The Manchester Review\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"http:\/\/www.themanchesterreview.co.uk\/?s={search_term_string}\"},\"query-input\":\"required name=search_term_string\"}],\"inLanguage\":\"en-US\"},{\"@type\":\"Person\",\"@id\":\"http:\/\/www.themanchesterreview.co.uk\/#\/schema\/person\/b62a8ee18ee8bfc4c1a02165b7e58924\",\"name\":\"Peter Sirr\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"http:\/\/www.themanchesterreview.co.uk\/#\/schema\/person\/image\/\",\"url\":\"https:\/\/www.themanchesterreview.co.uk\/wp-includes\/images\/blank.gif\",\"contentUrl\":\"https:\/\/www.themanchesterreview.co.uk\/wp-includes\/images\/blank.gif\",\"caption\":\"Peter Sirr\"},\"description\":\"Peter Sirr\u2019s eleventh collection with Gallery Press, The Gravity Wave, a PBS recommendation, is published this autumn.\u00a0\u00a0Recent collections include Sway (2016), versions of poems from the troubadour tradition and The Rooms (2014) which was shortlisted for the Irish Times Poetry Now Award and the Pigott Poetry Prize. 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