{"id":10160,"date":"2019-02-03T14:33:50","date_gmt":"2019-02-03T13:33:50","guid":{"rendered":"http:\/\/www.themanchesterreview.co.uk\/?p=10160"},"modified":"2019-02-15T19:57:43","modified_gmt":"2019-02-15T18:57:43","slug":"three-poems-35","status":"publish","type":"post","link":"https:\/\/www.themanchesterreview.co.uk\/?p=10160","title":{"rendered":"Three Poems"},"content":{"rendered":"<h5>The Seventeenth Blow<\/h5>\n<p>After years of instruction,<br \/>\napplication, effort, and further<br \/>\nstudy of the masters;<br \/>\nafter years of slow but steady<br \/>\nprogress in my so-called art<br \/>\nand modest success<br \/>\nthat comes from isolated acts of recognition<br \/>\npaid me<br \/>\nby those who took an hour from one day;<br \/>\nafter years of worry and wonder<br \/>\nat the state of cultural production<br \/>\nversus the individual voice,<br \/>\nthe national resource of understanding<br \/>\nescaping like neon from a broken sign;<br \/>\nI had finally arrived at the place<br \/>\nwhere nothing is written.<br \/>\nShazam!  What a relief.<br \/>\nI watched the tide go out,<br \/>\nthe bread rise,<br \/>\nand took pure pleasure<br \/>\nin the middle school musical adaptation<br \/>\nof <em>The Lion King<\/em>.  Genius<br \/>\nre-scaled to chaff<br \/>\nI was released from<br \/>\nrigors of the gratuitous,<br \/>\nunyielding, heroically<br \/>\npoised in the absolute<br \/>\nmode of change<br \/>\notherwise known as Time.<br \/>\nPracticalities filled my day.<br \/>\nI paid bills when due,<br \/>\nreplaced the head of my Sonicare<br \/>\nevery three months,<br \/>\nand, when they were away,<br \/>\nsigned for my neighbors&#8217; packages.<br \/>\nHelping my wife in the garden,<br \/>\nthe garden became sole location<br \/>\nof my process.  I read books again<br \/>\nwithout envy, only awe.<br \/>\nAnd nothing I experienced<br \/>\nwas put to any use<br \/>\nexcept to the degree that<br \/>\nin the moment<br \/>\nI could feel it and<br \/>\nfeeling it<br \/>\nlet the feeling drift away<br \/>\nlike a zeppelin heading back to Europe.<br \/>\nI developed a habit<br \/>\nof adding<br \/>\n<em>Fuck the Right<\/em><br \/>\nto the end of all my letters<br \/>\nin a font called 12-point Nightbloom<br \/>\nand I went without fear<br \/>\nof non-sequitur, everything<br \/>\nI touched seeming like a form<br \/>\nof Nature, as of now<br \/>\nthe old saying<br \/>\nif I don&#8217;t see you in the future<br \/>\nI&#8217;ll see you in the pasture<br \/>\nhow that equals fountains<br \/>\nand that eagle, for instance,<br \/>\nflying across the threshold span<br \/>\nof this open sliding door<br \/>\nis \/ in truth \/ far away<br \/>\nas a buoy unmoored from its trap<br \/>\ntraversing the overpass<br \/>\non a single stream of air<br \/>\ngiving unending shape<br \/>\nat the end of my pipe<br \/>\nto a globe of molten glass.<\/p>\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&#8211;for Bob Bailey<\/p>\n<p><!--nextpage--><\/p>\n<h5>Fragrant Harbor<\/h5>\n<p>From the other side<br \/>\nmy son calls he has<br \/>\narrived he\u2019s fine<br \/>\nhe has eaten something <\/p>\n<p>unusually delicious<br \/>\nthat we cannot get<br \/>\nhere it is the same<br \/>\ntime there only<\/p>\n<p>night not day then<br \/>\nwhy was it I<br \/>\nwho woke reaching<br \/>\nsquinting at the light<\/p>\n<p>did not know the voice<br \/>\nwas his voice sounding<br \/>\nso much my own how<br \/>\nit crossed over.<\/p>\n<p><!--nextpage--><\/p>\n<h5>Stone Ode<\/h5>\n<p>\t&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;\tfor John Fitzpatrick<\/p>\n<p>We call stones elders<\/p>\n<p>\t&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;firm &#038; fluid<br \/>\njagged sharp scintillate<br \/>\nobdurate kindness<br \/>\n\t\t      &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; hold heat,<br \/>\nare cold in cold,<br \/>\nshow wear, and know<br \/>\nhow to wait<br \/>\n\t        &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;along creek bed<br \/>\nwith time&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;\tto enter<\/p>\n<p>\t  &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;endless clear stream journey<br \/>\naway from<br \/>\n\t\t&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;poetry precincts<\/p>\n<p>their cobbling hellshops <\/p>\n","protected":false},"excerpt":{"rendered":"<p>The Seventeenth Blow After years of instruction, application, effort, and further study of the masters; after years of slow but steady progress in my so-called art and modest success that comes from isolated acts of recognition paid me by those who took an hour from one day; after years of worry and wonder at the [&hellip;]<\/p>\n","protected":false},"author":19,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"jetpack_publicize_message":"","jetpack_is_tweetstorm":false,"jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":[]},"categories":[371,372],"tags":[375],"jetpack_publicize_connections":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v20.2.1 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Three Poems - The Manchester Review<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"http:\/\/www.themanchesterreview.co.uk\/?p=10160\" \/>\n<link rel=\"next\" href=\"http:\/\/www.themanchesterreview.co.uk\/?p=10160&page=2\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Three Poems - The Manchester Review\" \/>\n<meta property=\"og:description\" content=\"The Seventeenth Blow After years of instruction, application, effort, and further study of the masters; after years of slow but steady progress in my so-called art and modest success that comes from isolated acts of recognition paid me by those who took an hour from one day; after years of worry and wonder at the [&hellip;]\" \/>\n<meta property=\"og:url\" content=\"http:\/\/www.themanchesterreview.co.uk\/?p=10160\" \/>\n<meta property=\"og:site_name\" content=\"The Manchester Review\" \/>\n<meta property=\"article:published_time\" content=\"2019-02-03T13:33:50+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2019-02-15T18:57:43+00:00\" \/>\n<meta name=\"author\" content=\"Joshua Weiner\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Joshua Weiner\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"3 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"http:\/\/www.themanchesterreview.co.uk\/?p=10160\",\"url\":\"http:\/\/www.themanchesterreview.co.uk\/?p=10160\",\"name\":\"Three Poems - The Manchester Review\",\"isPartOf\":{\"@id\":\"http:\/\/www.themanchesterreview.co.uk\/#website\"},\"datePublished\":\"2019-02-03T13:33:50+00:00\",\"dateModified\":\"2019-02-15T18:57:43+00:00\",\"author\":{\"@id\":\"http:\/\/www.themanchesterreview.co.uk\/#\/schema\/person\/04b48bb07bcfc8bb8b3c9e6d0912138a\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"http:\/\/www.themanchesterreview.co.uk\/?p=10160\"]}]},{\"@type\":\"WebSite\",\"@id\":\"http:\/\/www.themanchesterreview.co.uk\/#website\",\"url\":\"http:\/\/www.themanchesterreview.co.uk\/\",\"name\":\"The Manchester Review\",\"description\":\"The Manchester Review\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"http:\/\/www.themanchesterreview.co.uk\/?s={search_term_string}\"},\"query-input\":\"required name=search_term_string\"}],\"inLanguage\":\"en-US\"},{\"@type\":\"Person\",\"@id\":\"http:\/\/www.themanchesterreview.co.uk\/#\/schema\/person\/04b48bb07bcfc8bb8b3c9e6d0912138a\",\"name\":\"Joshua Weiner\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"http:\/\/www.themanchesterreview.co.uk\/#\/schema\/person\/image\/\",\"url\":\"https:\/\/www.themanchesterreview.co.uk\/wp-includes\/images\/blank.gif\",\"contentUrl\":\"https:\/\/www.themanchesterreview.co.uk\/wp-includes\/images\/blank.gif\",\"caption\":\"Joshua Weiner\"},\"description\":\"Joshua Weiner is the author of three books of poetry, including\u00a0The Figure of a Man Being Swallowed by a Fish.\u00a0\u00a0He is also the editor of\u00a0At the Barriers: On the Poetry of Thom Gunn\u00a0(all from Chicago).\u00a0\u00a0 His most recent books are\u00a0Berlin Notebook, prose about the refugee crisis (LARB,\u00a02016), and\u00a0Everything I Do I Do Good: Trumpoems\u00a0(Dispatches from the Poetry Wars, 2018).\u00a0 He teaches at University of Maryland,\u00a0and lives with his family in Washington D.C.\u00a0\",\"url\":\"https:\/\/www.themanchesterreview.co.uk\/?author=19\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Three Poems - The Manchester Review","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"http:\/\/www.themanchesterreview.co.uk\/?p=10160","next":"http:\/\/www.themanchesterreview.co.uk\/?p=10160&page=2","og_locale":"en_US","og_type":"article","og_title":"Three Poems - The Manchester Review","og_description":"The Seventeenth Blow After years of instruction, application, effort, and further study of the masters; 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