{"id":10,"date":"2012-11-07T09:09:08","date_gmt":"2012-11-07T09:09:08","guid":{"rendered":"http:\/\/www.themanchesterreview.co.uk\/?p=10"},"modified":"2014-07-02T16:40:35","modified_gmt":"2014-07-02T16:40:35","slug":"the-false-river","status":"publish","type":"post","link":"https:\/\/www.themanchesterreview.co.uk\/?p=10","title":{"rendered":"The False River"},"content":{"rendered":"<p><img decoding=\"async\" loading=\"lazy\" class=\"alignleft  wp-image-236\" title=\"\u00a9 SJ Kim\" alt=\"\" src=\"https:\/\/www.themanchesterreview.co.uk\/wp-content\/uploads\/2012\/10\/JKimFalseRiver-1024x681.jpg\" width=\"614\" height=\"409\" srcset=\"https:\/\/www.themanchesterreview.co.uk\/wp-content\/uploads\/2012\/10\/JKimFalseRiver-1024x681.jpg 1024w, https:\/\/www.themanchesterreview.co.uk\/wp-content\/uploads\/2012\/10\/JKimFalseRiver-300x199.jpg 300w\" sizes=\"(max-width: 614px) 100vw, 614px\" \/><\/p>\n<p>Number of this bus: the 6838, which starts in L.A. and runs to Sacramento.<\/p>\n<p>Number of passengers: 33, which is less than two-thirds full.<\/p>\n<p>Number of black people: 20.<\/p>\n<p>Number of white people: 8.<\/p>\n<p>Number of people whose ethnicity cannot be determined without closer inspection: 5.<\/p>\n<p>Number of men: 22.<\/p>\n<p>Number of women: 11, 3 of whom are elderly. Judging from their expressions\u2014please-don\u2019t-rob-or-kill-me \u2014they have never taken the bus before.<\/p>\n<p>Number of the remaining 8 who are more than averagely pretty: 4. All but one are with a man who is unlikely to be a friend, cousin or brother, judging by the acts they\u2019ve performed: a slow kiss; a slap on the ass; making her sit on his lap. For safety reasons, the latter was asked to desist, at first in a firm though friendly manner, then (on the second occasion) in a much stricter tone, and finally, 5 minutes ago, with a yell and a threat.<\/p>\n<p>Number of more than averagely pretty women with hair so long and blonde and bright it looks as if she\u2019s in some old religious painting where the women are angels or saints: 1.<\/p>\n<p>Number of people talking on cell phones: 5.<\/p>\n<p>Number of people using a device to listen to music: 7. The rest stare out at the sky which is full of clouds. I do not think there is much rain in them. A shower that will cleanse, but not drench. Dust will be washed from the chrome and the windows. The sun will reflect in so brilliant a fashion that even the most jaded observer will look on the shining road and feel that though there are no guarantees (and rarely grounds for optimism), there are, and always must be, chances for things to happen which transform a life.<\/p>\n<p>Number of miles till we reach Modesto: 30.<\/p>\n<p>Number of places in Modesto services where two people might enjoy a cup of coffee: 2. The chicken place has the best coffee, so long as Hector is working. Otherwise, it\u2019s the burger joint whose coffee is tepid or scalding. But the coffee doesn\u2019t have to be great, so long as it\u2019s not terrible. Then it could be an unpleasant distraction from their conversation. If, for instance, the man is saying something important to the woman\u2014 a sentiment that began as a rough rock, which now, after weeks of being handled, is a smooth feeling he wishes to pass on \u2014he will not want it distorted by a cup of coffee that tastes so awful it coats his words with oily, bitter drops. Then there might be a misunderstanding. She could get the wrong idea. She\u2014<\/p>\n<p>Number of times the red sedan in front has signalled, started to pull out, then cowardly hung back: 3.<\/p>\n<p>Number of times the woman with hair you really have to call <em>golden<\/em> (whose name, according to the manifest, is Dominique Stitz) has taken the bus this month: 9, which isn\u2019t necessarily accurate, because she could have taken it on either the 3 days I was off sick, or the 2 I was in court.<\/p>\n<p>Number of times we have spoken: 9. When I take her ticket, she says, \u201cThank you,\u201d then gets on the bus. I have never seen her smile, laugh, show any sign her life is not a miserable, long tunnel.<\/p>\n<p>And sadness looks worse on a face like hers. It\u2019s like a contradiction. This is a face you <em>want<\/em> to be happy, one that could make even the most callous stranger\u2014 someone who robs the poor box; mocks the disabled; sleeps with a married woman while her husband drives a fifty-five hour week \u2014stop her in the street and ask, <em>Whatever is the matter<\/em>?<\/p>\n<p>Number of miles to Modesto: 20.<\/p>\n<p>Number of words I will say to Dominique as she climbs off the bus: 19. \u201cI hope you don\u2019t mind me asking but\u2014 Would you like to have a cup of coffee with me?\u201d<\/p>\n<p>Number of words she will reply: 4. As in, \u201cYes, I\u2019d like that.\u201d Or 3, as in, \u201cSure, why not?\u201d And contrary to popular belief, there isn\u2019t a number, like 7, or 13, that\u2019s <em>always<\/em> lucky or not. It depends on the person and the situation. There are definitely trends, for sure, but nothing\u2019s cast in stone. For example, while 9 has mostly been bad for me\u2014 I met my ex-wife on September 9<sup>th<\/sup>; there are 9 letters in her name, and 9 letters in <em>his<\/em> name \u2014there are also 9 letters in Dominique, this is the 9<sup>th<\/sup> time we\u2019ve met, and we\u2019re on Highway 99. So while it\u2019s good to be aware of these things, you shouldn\u2019t let them freak you out. Not unless you want to end up like my dad (who stays home on days that contain a \u20183\u2019).<\/p>\n<p>Number of miles to Modesto: 15. I do not expect much. There will be no hugs or kisses. We are just going to talk. After our names, we\u2019ll say where we\u2019re from, what we do for a living (as a joke, I\u2019ll say I\u2019m a lawyer). Then, after an awkward pause, it will all come out. The months of suspicion; the affair; the divorce. What Charmaine said in court.<\/p>\n<p>Then it will be Dominique\u2019s turn. A betrayal, an accident, the death of someone dear: whatever the tragedy, the words will just flood out. She will find herself saying things she never thought she could. Because she\u2019ll see that we are the same. Broken people ill treated by life who still cannot give up.<\/p>\n<p>Number of times the man in front of her has laughed: 4. He is reading a book, or newspaper, I can\u2019t tell which from here. He is in his late-twenties, with a short beard and glasses. I\u2019m guessing he\u2019s a student.<\/p>\n<p>Number of signs for Big Don\u2019s Chicken between Turlock and Modesto: 5<\/p>\n<p>Number of times they said \u2018mental cruelty\u2019 during the hearing: 24.<\/p>\n<p>Number of times Dominique has looked up, no doubt in annoyance, at the by now too numerous laughs from the man in front: 3. It\u2019s all very well to enjoy things, but. After a point, it\u2019s look-at-me-and-all-the-fun-<em>I\u2019m<\/em>-having.<\/p>\n<p>Correction. There are now 6 signs for Big Don\u2019s Chicken. The new one features his face on a 10-foot rooster brandishing a drumstick. The big nose. coupled with his red cheeks, is enough of a resemblance for my hands to spasm on the wheel,\u00a0 and the bus to lurch to the side. Apart from the elderly woman\u2014 who opens her eyes, looks around, shuts them \u2014the only other person to notice is the bearded man who waves his hands in the air. He says something, then laughs, and when Dominique does too I am so taken aback by the sound\u2014 as warm as wine held in the mouth \u2014that I almost forget about Big Don, or rather the man that Big Don resembles. The man who\u2019d been a friend of mine since before I was married.<\/p>\n<p>Number of times I hit him: 15. The branch was from an oak we were supposed to prune. If rain hadn\u2019t flooded the road, if I hadn\u2019t come back 2 hours early, the 2 of us would probably have cut that branch together.<\/p>\n<p>Number of miles to Modesto: 5.<\/p>\n<p>Number of times Dominique has laughed: 11. Which, like the number 9, is not a good number for me. It was the brand of lotion Charmaine used to rub on her feet. The lotion was pink and smelt of mint and there wasn\u2019t a name on the bottle, only these 2 thick vertical lines which looked so black against the pink that they were like the bars of a cage within which there was not a creature, or person, but instead some substance of pure evil.<\/p>\n<p>We pull into Modesto. \u201cBe back in 15,\u201d I say. Then Dominique\u2019s out of her seat. She is moving down the aisle, closing the distance between us. <em>Now<\/em>, I think, and form the words. But she has come from two-thirds back, so although she makes it past several rows, the aisle is soon blocked. An old woman with coke-bottle glasses pats her coat and looks round in a puzzled fashion. As if her youth had only been mislaid, forgotten in some pocket. While she searches she smiles and apologises for being in people\u2019s way, but despite this, does not hurry her hands.<\/p>\n<p>The old woman touches her face, then sighs with pleasure. \u201cThere they are,\u201d she says then steps out of the aisle.<\/p>\n<p>And Dominique is like a popped cork: past and swiftly down the steps before I\u2019ve said her name.<\/p>\n<p>There is an interval I do not count. When I stand and watch them file past while I stand there, stunned. And this is the worst part of a slap: the fucking surprise of it.<\/p>\n<p>I could just stay in my seat. Say it was never going to happen on meeting number 9. But despite what Charmaine said, I am not a slave to numbers. If I counted the words in her sentences, the fries on her plate, it was only because I liked the patterns they made.<\/p>\n<p>I get off then lock the cab. I walk across the forecourt. As soon as the doors slide open, I smell the grease, the fat.<\/p>\n<p>Hector is behind the counter, tossing bits of chicken. As I approach he turns and reaches for the coffee pot. \u201cSteven,\u201d he says and pours then puts the cup by me. \u201cThanks Hector,\u201d I say. I slide him a bill, he slides it back, and then I scan the room. The window tables are full of spinsters (15), with 3, no, 4 men sitting amongst them, meek and silent pets. Apart from them, at other tables, are my passengers: the forgetful old woman, the amorous couple (she on his lap), the bearded man with the smug face. There they are. But she is not. And there are 9, 10, 11 seconds when I imagine her in the trunk of some man\u2019s car. Darkness and the smell of oil. Her misery ending all wrong.<\/p>\n<p>Then it is the scene in <em>Taxi Driver<\/em> where Cybil Shepherd floats in slow motion while De Niro says, \u201c<em>They\u2026 Cannot\u2026 Touch\u2026 Her\u2026<\/em>\u201d<em> <\/em><\/p>\n<p>She is perfect. Untouchable. But nonetheless, so sad. I don\u2019t know if I can make her happy. If I have the words.<\/p>\n<p>I step forward. She approaches. Then sits quickly down.<\/p>\n<p>She is next to the bearded man whose eyes are wide with surprise, as mine must be as they close.<\/p>\n<p>I count the panicked beats of my heart. The pulse of pain in my chest.<\/p>\n<p>When, at 20, I open my eyes, she is no longer kissing him. They are kissing each other.<\/p>\n<p>I watch their lips for many seconds that I do not count. Then I go back to the bus and sound the horn so loud that people spill their drinks. I start the engine and watch the passengers scurry to the bus. All except Dominique and him, who 10, 15 seconds later, almost skip between the sliding doors and here. At me they do not even glance. I am less than these spots of rain.<\/p>\n<p>It cannot be me who says, \u201cNext stop, Stockton.\u201d Who swings the bus out into the road with barely a look in the mirror. But even that is enough. The two of them are entwined. His hands on her, his lips on her. This man who knows nothing of sadness. Who probably believes that books can offer better worlds. The last book I managed to finish was a children\u2019s story someone left on the bus. It was called \u2018The crocodile\u2019s birthday party\u2019. Many animals came to the party, all of them dressed in fine clothes. There were songs, cake, and games. Then the crocodile ate his guests. Hungrily and with as much pleasure as she is sucking his mouth.<\/p>\n<p>It will be 32 miles to Stockton. Half an hour through rain. And why did she? How <em>could<\/em> she? Maybe she thinks they\u2019ll do new things together, things that don\u2019t connect with her past. They will go bowling; they will go camping; they will run through flower-filled meadows in the glorious now. But in a month, or year, she\u2019ll realise: remission is not health.<\/p>\n<p>The rain falls faster, heavier; it feels like we\u2019re submerged. Outside is a smeared grey; only the road seems solid. True and straight and sure of purpose. On and on it goes.<\/p>\n<p>Briefly\u2014 perhaps for air \u2014their mouths disengage. Then she starts to speak. At first he smiles, but then his eyes start jerking sideways. Perhaps she\u2019s saying she\u2019s unhappy. That she\u2019s so alone. Whatever she\u2019s saying, it\u2019s heartfelt and true, and he is unprepared. He leans back, not far, but still the point is made. He has refused her trust.<\/p>\n<p>Number of miles to Stockton: 20. He is looking out the window; she stares at the floor.<\/p>\n<p>If only he\u2019d touch her head or shoulder. That is all it would take. Then she\u2019d lift her head and I\u2019d say, \u201cIt\u2019s alright. Please go on.\u201d<\/p>\n<p>I drive the bus. The rain falls hard. Other vehicles approach or retreat and I cannot see people in them. It\u2019s like when I\u2019m driving at night: sometimes, when I\u2019m very tired, I wonder if we\u2019re dead. If there was some great accident we have all forgotten.<\/p>\n<p>Number of miles to the San Joaquin bridge: 10. I push on the gas. The needle glides from 50 to 60. Dominique\u2019s head stays down.<\/p>\n<p>Number of miles to the bridge: 8. In the distance, above Stockton, there is a rent in the cloud. As we approach, it seems to widen; then the sun breaks through. The road is a strip that shines and beckons. We reach 65.<\/p>\n<p>Number of miles to the bridge: 6. \u201cDriver,\u201d says a young guy in front, and there is concern in his voice. \u201cYeah?\u201d I say, and then he swallows, says, \u201cAren\u2019t we going too fast?\u201d \u201cIt\u2019s fine,\u201d I say and he sits back. We reach 70. Now the passengers are anxious; they lean and confer. Some of them must be decent people who mow their lawns, pay their taxes, recycle plastic and glass. Unfortunately, this makes no difference. It is not a question of worth.<\/p>\n<p>Number of miles to the bridge: 4. The sky is clear, the sun is bright. The view, in those final seconds, will be incredible.<\/p>\n<p>Number of men who have stood up: 3. They stagger down the aisle. \u201cFuck are you doing?\u201d says one. \u201cSlow the fuck <em>down<\/em>,\u201d says another. They are blocking the rear view mirror. I yell at them to move. \u201cCall 9-1-1,\u201d a woman says, and suddenly I\u2019m scared. Not for myself, but Dominique. Is this just to punish her? Is there no other way?<\/p>\n<p>They rattle the door. They hit the glass. The bridge is now in sight. I turn the wheel hard to the left and 2 of the men fall.<\/p>\n<p>Number of people talking on phones: 8. The girl is on her boyfriend\u2019s lap. Screams and shaking heads and tears and hands entwined in prayer. Dominique is the only one who doesn\u2019t look afraid. Her arms are tight round the bearded man\u2019s neck. Although their faces are close, they are not kissing, just staring into each other\u2019s eyes. His chin trembles, he speaks, she smiles. They are like the lover\u2019s shadows found on a Japanese wall. So united, so <em>together<\/em>, they left an indelible mark.<\/p>\n<p>And so I wrench the wheel to the right, step hard on the brake. But this is too little, too late. We hit the side at 45 and there is a long moment when I gaze downriver. As far as the bend, the Louis Park, the Golf and Country Club. The sun goads the water to blue; roads are substitute rivers.<\/p>\n<p>Then, after the shock of impact: cries of panic, pain. The windshield is completely gone. Blood on my hands and face.<\/p>\n<p>\u201cGo to the back,\u201d I shout, and surprisingly they do. They huddle and gasp and cry while I remain at the front. Soon there\u2019ll be police and sirens; many kinds of relief. She will cry and he will hold her. This is how it will be.<\/p>\n<p>I allow myself one final glance. Then I am following the water\u2019s great push. Bend after bend, through the False River, along the New York Slough. Down the Carquinez Straight, into the San Pablo bay. A pause to gather will and then. On to the Pacific. To its horizon without feature. Its waves beyond count.<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Number of this bus: the 6838, which starts in L.A. and runs to Sacramento.<\/p>\n","protected":false},"author":2,"featured_media":236,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"jetpack_publicize_message":"","jetpack_is_tweetstorm":false,"jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":[]},"categories":[7,1],"tags":[],"jetpack_publicize_connections":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v20.2.1 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>The False River - The Manchester Review<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"http:\/\/www.themanchesterreview.co.uk\/?p=10\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"The False River - The Manchester Review\" \/>\n<meta property=\"og:description\" content=\"Number of this bus: the 6838, which starts in L.A. and runs to Sacramento.\" \/>\n<meta property=\"og:url\" content=\"http:\/\/www.themanchesterreview.co.uk\/?p=10\" \/>\n<meta property=\"og:site_name\" content=\"The Manchester Review\" \/>\n<meta property=\"article:published_time\" content=\"2012-11-07T09:09:08+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2014-07-02T16:40:35+00:00\" \/>\n<meta property=\"og:image\" content=\"http:\/\/www.themanchesterreview.co.uk\/wp-content\/uploads\/2012\/10\/JKimFalseRiver.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"2499\" \/>\n\t<meta property=\"og:image:height\" content=\"1662\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Nick Holdstock\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Nick Holdstock\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"14 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"http:\/\/www.themanchesterreview.co.uk\/?p=10\",\"url\":\"http:\/\/www.themanchesterreview.co.uk\/?p=10\",\"name\":\"The False River - The Manchester Review\",\"isPartOf\":{\"@id\":\"http:\/\/www.themanchesterreview.co.uk\/#website\"},\"datePublished\":\"2012-11-07T09:09:08+00:00\",\"dateModified\":\"2014-07-02T16:40:35+00:00\",\"author\":{\"@id\":\"http:\/\/www.themanchesterreview.co.uk\/#\/schema\/person\/c92de1d078ccb8e2a1f0162170f42f1b\"},\"breadcrumb\":{\"@id\":\"http:\/\/www.themanchesterreview.co.uk\/?p=10#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"http:\/\/www.themanchesterreview.co.uk\/?p=10\"]}]},{\"@type\":\"BreadcrumbList\",\"@id\":\"http:\/\/www.themanchesterreview.co.uk\/?p=10#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\/\/www.themanchesterreview.co.uk\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"The False River\"}]},{\"@type\":\"WebSite\",\"@id\":\"http:\/\/www.themanchesterreview.co.uk\/#website\",\"url\":\"http:\/\/www.themanchesterreview.co.uk\/\",\"name\":\"The Manchester Review\",\"description\":\"The Manchester Review\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"http:\/\/www.themanchesterreview.co.uk\/?s={search_term_string}\"},\"query-input\":\"required name=search_term_string\"}],\"inLanguage\":\"en-US\"},{\"@type\":\"Person\",\"@id\":\"http:\/\/www.themanchesterreview.co.uk\/#\/schema\/person\/c92de1d078ccb8e2a1f0162170f42f1b\",\"name\":\"Nick Holdstock\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"http:\/\/www.themanchesterreview.co.uk\/#\/schema\/person\/image\/\",\"url\":\"https:\/\/www.themanchesterreview.co.uk\/wp-includes\/images\/blank.gif\",\"contentUrl\":\"https:\/\/www.themanchesterreview.co.uk\/wp-includes\/images\/blank.gif\",\"caption\":\"Nick Holdstock\"},\"description\":\"Nick Holdstock is the author of The Casualties, a novel, and China's Forgotten People, a non-fiction book about Xinjiang. 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